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'...and one of time.': A Composition for Full Orchestra with Narration

Description: ‘...and one of time.' is a reinterpretation of a small musical moment from Philip Glass' opera, Einstein on the Beach, centered around the phrase "Berne, Switzerland 1905." This reinterpretation is realized through the use of several different compositional techniques including spectral composition, micropolyphony and dodecaphony, as well as the application of extra-musical models developed by Alan Lightman, John Gardner, Italo Calvino and Albert Einstein.
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Date: December 1999
Creator: Rinker, John Thomas
Partner: UNT Libraries

As Darkness Falls: A Composition for Wind Ensemble

Description: As Darkness Falls is a composition that explores our interaction with several aspects of darkness through the use of musical imagery. The imagery attempts to reflect the moods, feelings, and impressions of a person as he or she interacts with darkness. The non-programmatic character of the composition allows listeners to superimpose their own experiences onto the musical tapestry in order to manifest a personal connection between the listener and the music. As Darkness Falls is a composition sc… more
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Date: December 1999
Creator: Prinz, Kendall R.
Partner: UNT Libraries

Techniques of Sensual Perception: The Creation of Emotional Pathways

Description: Some artists strive to create artwork that has aesthetic value. If a piece of artwork has the ability to capture the attention of an audience, it must contain strong sensual attributes. Thus, understanding how to design an art form to contain strong sensual attributes may increase the possibility of an aesthetic experience. Since aesthetics is an experience of sensations perceived when in contact with a creative form in any artistic discipline, it is necessary for an artist to understand the na… more
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Date: December 1999
Creator: Henry, Jon L.
Partner: UNT Libraries

A Different Drummer: A Chamber Opera

Description: A Different Drummer is a chamber opera adaptation of Donald Davis's story "A Different Drummer" from his collection Listening for the Crack of Dawn, published by August House. The opera lasts about seventy minutes, and calls for a cast of three and an orchestra of sixteen players. It contains a prologue, epilogue and four scenes in a single act. The score is prefaced by a paper describing the musical strategies employed in setting the story as an opera. Three chapters describe the adaptation f… more
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Date: May 1999
Creator: Friedman, Arnold Jacob
Partner: UNT Libraries

Paintings and Palaces, or the Lament of the Burger Flipper

Description: The opera is scored for chamber orchestra consisting of one oboe, two Bb clarinets, two horns in F, one trumpet in C, one tenor trombone, two percussionists (playing snare drum, bass drum, tambourine, wood block, triangle, suspended cymbal, crash cymbal, agogo bells, cow bell, brake drum, metal whistle, whip, large gong, Glockenspiel, chimes, timpani in F (low) and C), eight or more violins in two parts, six or more violas in two parts, and eight or more cellos in two parts. The characters are… more
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Date: May 1999
Creator: Salfen, Kevin McGregor
Partner: UNT Libraries
open access

Elatio: Praises and Prophecies

Description: ELATIO: Praises and Prophecies is an allegorical composition based upon a collection of carols, poetry and prose in selected verses, phrases and fragments from medieval Christian liturgy, the canonical Hebrew Bible (Old Testament) and New Testament, and portions of various non-canonical Dead Sea Scroll texts. The languages used in the selections presented here are English, Medieval Latin, and transliterated Biblical Hebrew.
Date: December 1998
Creator: Job, Lynn R. (Lynn Renee)
Partner: UNT Libraries
open access

Five Soundscapes for Acoustic Instruments and Taped Computer Music

Description: Inspired by Chinese poems, the overall characteristics of the work reflect the assimilation of several non-Western musical and philosophical influences such as the use of pentatonic scale patterns, the principle of embellishing a single note, and the application of the I-Ching in dealing with active instrumental passages over a long-sustained computer music drone. Traditional Western compositional techniques such as aleatory counterpoint, serialism, and moment form are also employed in the trea… more
Date: August 1998
Creator: Tseng, Yu-Chung, 1960-
Partner: UNT Libraries
open access

Matador

Description: Matador is an opera scored for orchestra, mixed chorus and soloists (mezzosoprano, 3 tenors, 2 baritones). The work is in one act divided into two main sections. Each of these sections is divided into subsections. The libretto is aphoristic in nature and dictates the form of each of these subsections. The division into two parts also serves as a means to evoke a sense of hopelessness of emotions in the first and a transforming disposition that culminates in a jubilant song in the second.
Date: May 1998
Creator: Patino, Julio
Partner: UNT Libraries
open access

A Wedding Ceremony: Processional, Kyrie, Alleluia!, Hosanna!, Recessional

Description: A Wedding Ceremony is a composition of approximately 17 minutes in duration and is scored for horn in F, two trumpets in B-flat, trombone, two percussionists (timpani, roto toms, chimes, snare, triangle, suspended cymbal), 2-part boys choir, female soprano, and organ. The work consists of five parts of a mass, the Processional, Kyrie, Alleluia!, Hosanna!, and Recessional, with texted sections being taken from the Latin mass. The work is intended for a sacred wedding service of any denomination.… more
Date: May 1998
Creator: Cieminski, Theresa
Partner: UNT Libraries
open access

The Full Armor of God

Description: The Full Armor of God is a musical composition based on the apostle Paul's comparison in Ephesians 6:10-20 between armor for physical combat and armor for spiritual warfare. The instrumentation consists of the following: oboe/English horn, bassoon, two violins, viola, cello, and bass. Texts on Roman armor as well as commentaries and sermons on the scriptures were consulted for the basis of the musical materials. The piece combines imagery and historical associations with abstract renderings of … more
Date: August 1997
Creator: Lawrence, Nicholas A. (Nicholas Alan)
Partner: UNT Libraries
open access

Mobiles

Description: Mobiles is a composition for an ensemble consisting of 12 instruments. The piece, in one movement, incorporates intuition, chance, and twelve tone techniques and reflects the relationship between motion and rest or tension and release. The structure is modeled according to principles of growth and decay, starting off slowly, building, and then dying away. Much of the material is inspired by mental images invoked from modern theories concerning chaos. Mobiles' character stems from the principal… more
Date: August 1997
Creator: Whitworth, Clifford K. (Clifford Kirk)
Partner: UNT Libraries
open access

I Never Saw Another Butterfly: A Composition for SATB Choir and Chamber Orchestra

Description: ...I never saw another butterfly... is a twelve movement chamber work scored for SATB choir, narrator, percussion I [vibraphone, and tomtoms (4)], percussion II [timpani (4), tam-tam, snare drum, and bass drum], guitar, violins I and II, viola, and cello and is based on the book of the same name. It contains a variety of compositional techniques, forms and genres.
Date: August 1997
Creator: Schneider, Gregory Alan
Partner: UNT Libraries
open access

Persistence: for Wind Ensemble

Description: Persistence is a composition scored for piccolo, 2 flutes, 2 oboes, English horn, 2 bassoons, E-flat clarinet, 3 1st B-flat clarinets, 3 2nd B-flat clarinets, 3 3rd B-flat clarinets, bass clarinet, 2 E-flat alto saxophones, B-flat tenor saxophone, E-flat baritone saxophone, 3 B-flat trumpets, 4 French horns in F, 2 trombones, bass trombone, baritone, tuba, timpani, and 4 auxiliary percussionists. The music consists of three movements, fast-slow-fast, lasting approximately eleven and one-half mi… more
Date: August 1997
Creator: Rickwood, Christopher M.
Partner: UNT Libraries
open access

Piano Quintet

Description: The thesis is a traditional piano quintet in the manner of Bartok, incorporating compositional techniques such as golden ratio and using folk materials. Special effects on strings are limited for easy conversion to wind instruments. The piece is about 15 minutes long.
Date: May 1997
Creator: Tan, Chee-Tick
Partner: UNT Libraries
open access

Loose Id for Orchestra

Description: Loose Id, scored for orchestra (piccolo, 2 flutes, 2 oboes, 2 clarinets in B-flat, B-flat contrabass clarinet, 2 bassoons, contrabassoon, 4 horns in F, 3 trumpets in B-flat, 2 trombones, 1 bass trombone, tuba, timpani, percussion (3 parts), violin I, violin II, viola, violoncello, and contrabass), is an abstract realization in sound of the energy of the Id. Unleashed, without the counterbalance of Ego or Superego, the Id generates unbridled instinctual energy, resulting in an orgiastic frenzy. … more
Date: August 1996
Creator: Bryant, Steven 1972-
Partner: UNT Libraries
open access

In Nomine Domini

Description: In Nomine Domini is an eighteen-minute composition for two chamber orchestras with two soloists using real-time interactive signal processing techniques. The first chamber orchestra is scored for flute (piccolo), English horn, trumpet in C, trombone, two percussionists (cowbells, wood blocks, tenor drum, suspended cymbal, gongs, tam-tam, temple blocks, tambourine, snare drum, timbales, and bass drum), horn in F (soloist), viola, and string bass. The second chamber orchestra is scored for oboe, … more
Date: August 1995
Creator: Crowley, Timothy R. (Timothy Robert)
Partner: UNT Libraries
open access

Temporal Distortions: a Composition for Orchestra

Description: Temporal Distortions is 18-20 minutes in length and is written for an orchestra including 2 flutes (2nd flute doubling on piccolo), 2 oboes, 2 Bb clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, timpani, 3 percussionists playing tri-toms, vibraphone, snare/tenor drum, medium suspended cymbal, Glockenspiel, bass drum, and large tam-tam; and multiple string parts for violin I a & b, violin II a & b, viola a & b, cello and double bass. Temporal Distortions was inspired by the theoretical c… more
Date: August 1995
Creator: Frank, Robert J., 1961-
Partner: UNT Libraries
open access

Breakdown

Description: Breakdown is a 17 minute, single movement work for orchestra in five sections. It is scored for 2 flutes, 2 oboes, 2 Bb clarinets, 2 bassoons, 3 Bb trumpets, 4 horns in F, 3 trombones, tuba, percussion, piano, and strings. The percussion consists of a tam-tam, 5 break drums, 4 timbales, 2 gourds, chimes, marimba, vibraphone, snare drum, 2 field drums, bass drum and tympani. The inspiration for this work is the poetry of Bruce Weigl which deals with many facets of the Vietnam experience. One par… more
Date: December 1994
Creator: Kappaz, Philip C., 1956-
Partner: UNT Libraries
open access

Jasmine's Secret: Narrative Cantata for Five Solo Voices, Narrator, and Orchestra

Description: Since Jasmine's Secret contains elements of cantata and follows a dramatic story or program, the work may be classified as a narrative or dramatic story or program, the work may be classified as a narrative or dramatic cantata employing five solo voices, narrator and orchestra. This work attempts a revival of these two genres as a combined entity due to the decreased popularity of both cantata and programmatic music in the 20th century.
Date: December 1994
Creator: Alley, Candace P.
Partner: UNT Libraries
open access

Sinfonietta

Description: Sinfonietta is a work of about 18 minutes for orchestra with an instrumentation of 3 flutes, 2 oboes, 3 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, 4 timpani, percussion, harps, piano and strings. Three players are required for the percussion battery. The work is in four movements: Prelude, Theme and Variations, Largo and Finale. Movement I is in a tri-partite design. In the second movement, the theme is first enunciated by a solo violoncello in its high register followed by … more
Date: December 1994
Creator: Au, Siu-ming Stefan
Partner: UNT Libraries
open access

Symphony in Three Movements

Description: Symphony in Three movements is an orchestra work scored for two flutes, two oboes, two clarinets in Bb, two bassoons, two horns in F, three trumpets in Bb, three trombones, one tuba, percussion and strings. The percussion consists of timpani, vibraphone, temple block, tom-tom, suspended cymble, bass drum, and gong. The piece is not based on any non-musical image. The three movements of this work, I.(variation-like) II.(ternary) III.(fantasia-like), are based on the combination of the solemn cer… more
Date: December 1994
Creator: Park, Ki-Seob
Partner: UNT Libraries
open access

Capriccio: A Composition for Symphonic Orchestra

Description: A body of works titled 'capriccio' have existed for over four hundred years. Most of these works are characterized by a composers abandonment of expected stylistic norms. Guided only by the fanciful whim of the composer, a capriccio exhibits extreme contrasts in the various parameters of a musical composition including melody, harmony, counterpoint, mood and texture. The composition embedded in these compositional parameters as its point of departure and development.
Date: August 1994
Creator: Walczyk, Kevin, 1964-
Partner: UNT Libraries
open access

Chaos, Cosmos, and Communion: Three Movements for String Quartet

Description: The three movements of this piece are related proportionally in that movements one and two represent three-fifths of the length of the whole. Movement three represents two-fifths of the length of the whole. Another proportional relationship exists between movements one and two. Movement one represents two-fifths of the length of the first two movements, while movement two represents three-fifths of the length of the two. An additional link between the three movements is pitch content. Movements… more
Date: August 1994
Creator: Moran, David W. (David Wayne)
Partner: UNT Libraries
open access

Contours

Description: Contours is scored for full wind ensemble and percussion, and is approximately nine minutes in length. The title refers to the way melodic shape or contour is used to create unity and variety in the piece. Contours is a single-movement work containing three sections that are unified by thematic and harmonic materials. The melodic material is generated by three twelve-tone rows, which are then used in combination with freely composed material. The first and last sections are highly contrapuntal … more
Date: August 1994
Creator: Hughes, Russell M., 1954-
Partner: UNT Libraries
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