UNT Theses and Dissertations - 145 Matching Results

Search Results

Results: 1 - 24 next
Primary view of Accessibility and Authenticity in Julia Smith's Cynthia Parker
Buehner, Katie R.
December 2007
Primary view of Alban Berg as Liedkomponist: An Analytical Study of his Two Settings of "Schliesse mir die Augen beide," 1907 and 1925
Ray, Karen, 1951-
May 1986
Primary view of Allusions and Borrowings in Selected Works by Christopher Rouse: Interpreting Manner, Meaning, and Motive through a Narratological Lens
Morey, Michael J.
May 2019
Primary view of An analysis of Brahms' Quintet in B minor, op. 115, for clarinet and strings
Graham, Jack E. (Jack Eldon)
January 1968
Primary view of The Anthem in America: 1900-1950
Fansler, Terry Lee
August 1982
Primary view of Anton Bruckner's Treatment of the Credo Text in His Last Three Masses
Lee, Namjai
December 1985
Primary view of Asserting Identity in Wagner's Shadow: The Case of Engelbert Humperdinck's Königskinder (1897)
Kinnett, Forest Randolph
August 2004
Primary view of The "Beethoven Folksong Project" in the Reception of Beethoven and His Music
Lee, Hee Seung
December 2006
Primary view of "Being" a Stickist: A Phenomenological Consideration of "Dwelling" in a Virtual Music Scene
Hodges, Jeff
May 2010
Primary view of Belle Musique and Fin' Amour: Thibaut de Champagne, Gace Brulé, and an Aristocratic Trouvére Tradition
Bly, Emily
December 2008
Primary view of Beyond the Human Voice: Francis Poulenc's Psychological Drama La Voix humaine (1958)
Beard, Cynthia C.
May 2000
Primary view of Beyond the "Year of Song": Text and Music in the Song Cycles of Robert Schumann after 1848
Ringer, Rebecca Scharlene
May 2007
Primary view of Bridging the Fantastical Gap: Dread and the Uncanny in the Score of "It Follows"
Johnson, Kinley
May 2020
Primary view of Busoni's Doktor Faust
Harrison, Charles Scott
August 1976
Primary view of Cadential Syntax and Mode in the Sixteenth-Century Motet: a Theory of Compositional Process and Structure from Gallus Dressler's Praecepta Musicae Poeticae
Hamrick, David (David Russell)
May 1996
Primary view of Carlo Milanuzzi's Quarto Scherzo and the Climate of Venetian Popular Music in the 1620s
Gavito, Cory Michael
August 2001
Primary view of Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz.
West, Aaron J.
December 2008
Primary view of Centonization and Concordance in the American Southern Uplands Folksong Melody: A Study of the Musical Generative and Transmittive Processes of an Oral Tradition
Bevil, J. Marshall (Jack Marshall)
August 1984
Primary view of The Chevalier de Saint-Georges: An Exponent of the Parisian Symphonie Concertant
Braun, Melanie
August 1982
Primary view of The Choral-Orchestral Works of Hector Berlioz
Alexander, Metche Franke
May 1978
Primary view of The Christmas Cantatas of Christoph Graupner (1683-1760): Volume 2
Schmidt, René R.
August 1992
Primary view of Clavichord Traits in Selected Late Eighteenth-Century Keyboard Pieces
Clark, Alice Ham
May 1983
Primary view of A Comparative Study of Harmonic Tension in Hindemith's Piano Sonatas and in His Theoretical Writings
Tull, Charlotte
August 1957
Primary view of A Comparison of the Use of Music in the Holy Eucharist of the Roman Catholic Church and the Sabbath Morning Service of the Jewish Synagogue in the Middle Ages
Simmons, Sandra K. (Sandra Kay)
July 1971
Back to Top of Screen