Search Results

Primary view of An Analysis of the Representation of Queen Elizabeth I of England in the Operas by Rossini, Donizetti, and Thomas in the Context of Nineteenth-Century Vocal Style and Historical Influence
Hsiao, Han
August 2020
Primary view of The Captain of the People in Renaissance Florence
Hamilton, Desirae
August 2015
Primary view of Companion to the Gods, Friend to the Empire: the Experiences and Education of the Emperor Julian and How It Influenced His Reign 361-363 AD
Lilly, Marshall
August 2014
Primary view of Depicting Affect through Text, Music, and Gesture in Venetian Opera, c. 1640-1658
Hagen, Emily
May 2018
Primary view of The French Ballet De Cour and Its Predecessors, 1400-1650
Bice, John Arch
January 1952
Primary view of Girolamo Savonarola and the Problem of Humanist Reform in Florence
Norred, Patricia A.
August 1988
Primary view of Humphrey Duke of Gloucester and the Introduction of Italian Humanism in Fifteenth Century England
Doyle, John F. (John Francis)
December 1991
Primary view of Liturgy, Music, and Patronage at the Cappella di Medici in the Church of San Lorenzo in Florence, 1550-1609
Kim, Hae-Jeong
August 1995
Primary view of Music and Patronage in Milan 1535-1550 and Vincenzo Ruffo's First Motet Book
Getz, Christine Suzanne, 1957-
1991
Primary view of The Mystery of the Chalumeau and Its Historical Significance as Revealed Through Selected Works for Chalumeau or Early Clarinet by Antonio Vivaldi: A Lecture
Braun, Lindsay Taylor
May 2016
Primary view of Naples and the Emergence of the Tenor as Hero in Italian Serious Opera
Ekstrum, Dave
May 2018
Primary view of The Prologue in the Seventeenth-Century Venetian Operatic Libretto: its Dramatic Purpose and the Function of its Characters
Miller, Robin A. (Robin Annette)
August 1998
Primary view of Purchasing Power Parity and the Efficient Markets: the Recent Empirical Evidence
Yuyuenyongwatana, Robert P. (Robert Privat)
December 1988
Back to Top of Screen