UNT Theses and Dissertations - 714 Matching Results

Search Results

prev Results: 631 - 654 next
open access

A Survey of the Solo and Chamber Works for Trumpet, Horn, Trombone, Euphonium and Tuba By the Hungarian Composer Frigyes Hidas

Description: Hidas composed more than 135 compositions. Of these 135 compositions 67 feature the trumpet, horn, trombone, euphonium, and tuba in a solo setting, a homogenous chamber setting, or a heterogeneous chamber setting. The first section of this project presents the significance of the topic, state of research, and methodology. Chapter one provides a narrative detailing the collaboration of Hidas with Gusztáv Höna and László Szabó, Sr. Chapter two provides a brief description of characteristics found… more
Date: August 2013
Creator: Gill, Jonathan B.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Susan Botti's Cosmosis: A Conductor's Analysis with Performance Considerations

Description: In 2005, composer Susan Botti won the coveted Prix de Rome in musical composition and spent eleven months in residency at the American Academy in Rome. That same year, the University of Michigan Wind Symphony, under the direction of Michael Haithcock, premiered her exciting new work Cosmosis at the College Band Directors National Association Conference in New York City. The bi-annual conference is a venue for the premiere of new works for wind ensembles and bands, and the 2005 conference saw t… more
Date: May 2007
Creator: Schroeder, Angela
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Symphonic Fantasia Han-Kook Oui Ja-Yeon (Nature in Korea): Score and Critical Commentary

Description: The Symphonic Fantasia Han-Kook oui Ja-Yeon (Nature in Korea ) is a single-movement orchestral piece, which is divided into 5 characteristic sections - each section has programmatic subtitles (Rocks, River, Sea, Wind, and Mountain) and its own idée fixe motive. The degree of texture (homophonic/polyphonic), dynamics (strong/weak), density (thick/thin), velocity (fast/slow), and orchestration (emphasizing various sections of the orchestra) is determined by depiction of the subtitles. The c… more
Date: August 2004
Creator: Han, Sang-Eun
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Symphonic Poem "New Life" for Orchestra and Yang-Chin

Description: Symphonic Poem New Life is a composition in one movement for orchestra and yang-chin. The work is divided into six continuous sections. It is written in resultant form which is a cumulative process by which all major musical elements return at the end of the work. The tritone is the prominent interval used throughout the piece. Some graphic notation is also employed. The work has a performance time of approximately 13-15 minutes. The yang-chin is a Chinese string instrument similar to the Hunga… more
Date: May 1990
Creator: Leung, Chi Cheung
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Symphony in Three Movements

Description: Symphony in Three movements is an orchestra work scored for two flutes, two oboes, two clarinets in Bb, two bassoons, two horns in F, three trumpets in Bb, three trombones, one tuba, percussion and strings. The percussion consists of timpani, vibraphone, temple block, tom-tom, suspended cymble, bass drum, and gong. The piece is not based on any non-musical image. The three movements of this work, I.(variation-like) II.(ternary) III.(fantasia-like), are based on the combination of the solemn cer… more
Date: December 1994
Creator: Park, Ki-Seob
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Syncretisms for wind quintet and percussion: A study in combining organizational principles from Southeast Asian music with western stylistic elements.

Description: Syncretisms is an original composition scored for flute, oboe, clarinet, horn, bassoon, and marimba (2-mallet minimum, 4 recommended) with an optional percussion part requiring glockenspiel and chimes, and has an approximate duration of 6 min. 45. sec. The composition combines modern western tuning, timbre, and harmonic language with organizational principles identified in music from Southeast Asia (including music from cultures found in Thailand, Cambodia, Malaysia, and Indonesia). The accomp… more
Date: May 2008
Creator: Seymour, John
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Systematic Composition and Intuition in a Concerto for Organ and Orchestra

Description: Historically, composers have used methods in addition to inspiration in writing music. Regardless of the source materials they used, composers ultimately rely on their musical sensitivity to inform the compositional decision-making. Discuses the rotational aspects of decimals that are created from certain prime-number denominators, and focuses on the prime number 17. Shows how these decimals can be transformed by converting them to different number bases. Looks at the Golden Proportion and its … more
Date: August 2003
Creator: Worlton, James Timbrel
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Taiwan music teacher attitudes toward the arts and humanities curriculum.

Description: The purpose of the study was to investigate teacher attitudes toward following the Taiwanese arts and humanities curriculum and the relationship of teacher attitudes to four selected curriculum integration factors. These include (1) The quantity of content areas taught in music class, (2) Teachers' satisfaction of their students' learning outcomes, (3) Teachers' confidence in planning lessons, and (4) The number of years spent in curriculum integration. Questionnaires were distributed to 85 str… more
Date: August 2007
Creator: Lai, Lingchun
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Te Deum

Description: Te Deum is a single movement work for chorus and orchestra. It employs an ensemble comprising the complement of string, woodwind, and brass instruments typically available in a small symphony orchestra with an expanded percussion section. The choral forces are in proportional relation to the instrumental forces are in proportional relation to the instrumental forces and it is sung in the original Latin. The intended performance time is approximately 18 minutes. Temporal aspects of the work are … more
Date: May 1994
Creator: Piekarski, James
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Teacher Communication in Title I Elementary Music Classrooms: Perceptions of Elementary Music Classroom Teachers

Description: The increasing cultural diversity in the United States has brought not only richness, but also complex challenges, to various segments of American society, particularly with regard to public schools. As the student population continues to diversify while teacher population remains predominately White, female, and middle class, teacher awareness in the classroom might be an integral piece to assist students marginalized by stereotypes in feeling more empowered in the school community. Through q… more
Date: December 2013
Creator: Mason, Lindsey Lea
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Teaching the Bass Tuba: A Survey of Current Trends in the College and University Applied Studio in the United States

Description: An investigation of current practices in the teaching of the bass tuba in the applied studios of U.S. colleges and universities as determined by survey. Survey recipients were low brass teachers at American colleges and universities who were members of one or more of the following professional organizations: International Tuba Euphonium Association, College Music Society, National Association of College Wind and Percussion Instructors. Topics examined are: general practices among teachers, in… more
Date: December 2006
Creator: Mitchell, William Kenneth
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Tele: Using Vernacular Performance Practices in an Eight-Channel Environment

Description: Examines the use of vernacular, country guitar styles in an electro-acoustic environment. Special attention is given to performance practices and explanation of techniques. Electro-acoustic techniques-including sound design and spatialization-are given with sonogram analyses and excerpts from the score. Compositional considerations are contrasted with those of Mario Davidovsky and Jean-Claude Risset with special emphasis on electro-acoustic approaches. Contextualization of the piece in referenc… more
Date: August 2003
Creator: Welch, Chapman
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Temporal Distortions: a Composition for Orchestra

Description: Temporal Distortions is 18-20 minutes in length and is written for an orchestra including 2 flutes (2nd flute doubling on piccolo), 2 oboes, 2 Bb clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, timpani, 3 percussionists playing tri-toms, vibraphone, snare/tenor drum, medium suspended cymbal, Glockenspiel, bass drum, and large tam-tam; and multiple string parts for violin I a & b, violin II a & b, viola a & b, cello and double bass. Temporal Distortions was inspired by the theoretical c… more
Date: August 1995
Creator: Frank, Robert J., 1961-
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Temporality and Rhythmic Structure in Thirteen Drums by Maki Ishii and Rebond a by Iannis Xenakis

Description: This dissertation will focus on the concepts of musical time of two solo multiple-percussion compositions, Thirteen Drums (1985) by Maki Ishii and Rebond A (1987-1989) by Iannis Xenakis. The aesthetic experience of musical works is tied to the perception of musical time. Performers have to understand the concepts and methods of construction of musical time in order to interpreting composer’s works. The model of cognitive process in neuroscience of music and the information processing theory fro… more
Date: August 2014
Creator: Liu, Yi-Jan
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

The Texas Bandmasters Association: A Historical Study of Activities, Contributions, and Leadership (1920-1997)

Description: The purpose of the study was to investigate the leadership role of the Texas Bandmasters Association (1920-1997) in the development of the band program in Texas. It sought to determine TBA's effect on the band movement in Texas, and ascertain how the TBA has contributed to the emphasis on performance focus that is associated with the Texas band tradition. In doing so, the study also provided information regarding the association's goals, purposes, activities, and contributions during the time… more
Date: May 2000
Creator: Shoop, Stephen Scott
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Texas Middle School Choral Directors’ Beliefs About Repertoire Selection

Description: Secondary choral directors often demonstrate a wide variety of organizational, instructional, and musical skills to promote and nurture thriving programs. Among the many tasks executed, choosing repertoire might be viewed as one of the most important duties performed. Material chosen for study is often the vehicle through which curricular concepts are taught. Multiple factors might influence middle school choral directors’ beliefs about repertoire choices. Ironically, repertoire choices mi… more
Date: December 2011
Creator: Williams, Scott Michael, Jr.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Thematic and Formal Narrative in Respighi’s Sinfonia Drammatica

Description: Respighi’s scarcely-known orchestral work Sinfonia Drammatica lives up to its title by evoking a narrative throughout the course of its three movements. In this dissertation, I argue how the work’s surface, subsurface, and formal elements suggest this narrative which emerges as a cycle of rising and falling dramatic tension. I explain how Respighi constructs the work’s narrative in the musical surface through a diverse body of themes that employ three motives of contour. The disposition and m… more
Date: May 2014
Creator: Amato, Alexander G.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Theobald Boehm and the History of the Alto Flute, Including the Facsimile Edition of His Arrangement of Beethoven's Largo From the Concerto for Piano, Op. 15, No. 1 for Alto Flute and Piano (C. 1858), With Three Recitals of Selected Works by Griffes, Telemann, Bartok, Jolivet, Gaubert and Others

Description: An historical perspective of Theobald Boehm (1794-1881) and his design of the modem alto flute. Chapters I and II discuss the development of design, playing technique and repertoire of the ancestors of the modem alto flute beginning with the Renaissance consorts detailed in the treatises of Agricola, Praetorius and Mersenne, through the Baroqueflate d'amour and its use in the music of J.S. Bach, to Boehm's alto flute design (c. 1855) and its use in early twentieth-century orchestral and chamber… more
Date: May 1997
Creator: Redcay, Andrea
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

A theoretical analysis of selected solo repertoire for saxophone by Paul Bonneau.

Description: The primary purpose of this dissertation is to provide greater insight into the compositional design of Paul Bonneau's Caprice en forme de valse solo pour saxophone and the Piece Concertante Dans L'Esprit "Jazz" pour saxophone alto et piano through a detailed analysis of the pieces. Paul Bonneau's Caprice en forme de valse is a major work for saxophone. It has been referred to as one of the most technically demanding works in the classical saxophone repertoire. In addition, the Caprice has been… more
Date: August 2002
Creator: Johnson, Keith T.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Theorizing Atonality: Herbert Eimert’s and Jefim Golyscheff’s Contributions to Composing with Twelve Tones

Description: In 1924, Herbert Eimert’s Atonale Musiklehre was the first published text to describe a systematic approach to composing atonal music. It contains significant contributions to the discourse on the early development of twelve-tone composition. While Eimert uses the term “atonal” to describe his compositional approach, his definition of atonality demands that all twelve tones be present with none repeated, and that they present as complexes not ordered rows. Eimert’s discussion of atonality diffe… more
Date: August 2014
Creator: Weaver, Jennifer L.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Theory and Practice in the Traditional Chinese Music: Observations and Analysis

Description: Chinese music has one of the longest histories of development of all music cultures of the world. A system of music (theory) was formulated, in its unique way, but is differed fundamentally from its occidental counterpart. The discussion of this thesis focuses on the following two aspects: (1) the observations on those musical and non-musical factors, which had conditioned the course of development of Chinese music and (2) the analysis of selected examples to summarize the tonal structures and … more
Date: December 1994
Creator: Huang, Hsun-Pin
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

This Creature, Bride of Christ

Description: This Creature, Bride of Christ is a composition for soprano, alto flute, viola, marimba, and computer running custom software for live interactive performance in the Max/MSP environment. The work is a setting of excerpts from The Book of Margery Kempe, an early autobiographical manuscript depicting the life of a Christian mystic. The thesis discusses the historical, sociological, and musical context of the text and its musical setting; the use of borrowed materials from music of John Dunstable,… more
Date: May 2010
Creator: Bober, Nicholas Bradburn
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Thomas Jefferson: Life lines

Description: Thomas Jefferson: Life Lines is a five movement composition based on excerpts from Thomas Jefferson's personal letters. The material presented focuses on the intimate, human qualities of the man. The musical treatment of this material illuminates and amplifies different aspects of the inner Jefferson. The music is as diverse and varied as Jefferson's interests. The style, tone and form of the music are directly tied to Jefferson's words. Two fundamental components of Jefferson's being, the rati… more
Date: August 2000
Creator: Spaniola, Joseph T.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Three Motivic Topics in Beethoven's Piano Quintet, Op. 16

Description: The first movement of the Piano Quintet, Op. 16 of Ludwig van Beethoven works out three significant motivic "topics": a chromatically filled-in second, appearing first as 5 - #5 - 6 (Bb - B - C in Eb major); the emphasis om the submediant, both as vi in Eb major and as the tonal region of C minor; and the melodic interval of the sixth, which, when inverted to become a descending third, determines the structure of tonal regions at crucial points in the movement. These three motivic topics are in… more
Date: August 1995
Creator: Gratton, J. Brian (John Brian)
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
Back to Top of Screen