UNT Theses and Dissertations - 87 Matching Results

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Primary view of Accent and Grouping Structures in the String Quartets of Béla Bartók
Bocanegra, Cheryl D.
May 2001
Primary view of The Aesthetics of Minimalist Music and a Schenkerian-Oriented Analysis of the First Movement "Opening" of Philip Glass' Glassworks
Wu, Chia-Ying (Charles)
May 2009
Primary view of Alberto Ginastera and the Guitar Chord: An Analytical Study
Gaviria, Carlos A.
December 2010
Primary view of Algorithmic Music Analysis: a Case Study of a Prelude From David Cope’s “From Darkness, Light”
Krämer, Reiner
May 2015
Primary view of An Analysis of Periodic Rhythmic Structures in the Music of Steve Reich and György Ligeti
Isgitt, David
August 2002
Primary view of An Analysis of Robert Nathaniel Dett's In the Bottoms
Miles, Debra A. (Debra Ann)
December 1983
Primary view of An Analysis of the Composition Process of Bartók's Eight Improvisations on Hungarian Peasant Songs, Op. 20
Kochbeck, Olivia M.
May 2000
Primary view of An Analytical Study of Paradox and Structural Dualism in the Music of Ludwig van Beethoven
Graf, Benjamin
May 2016
Primary view of Antoine Reicha's Theories of Musical Form
McCachren, Jo Renee
December 1989
Primary view of An Application of Grundgestalt Theory in the Late Chromatic Music of Chopin: a Study of his Last Three Polonaises
Spicer, Mark Joseph
December 1994
Primary view of Arvo Pärt and Three Types of His Tintinnabuli Technique
Kongwattananon, Oranit
May 2013
Primary view of The Aural Perception of Pitch-Class Set Relations: A Computer-Assisted Investigation
Millar, Jana Kubitza
May 1984
Primary view of A.B. Marx's Concept of Rondo and Sonata: A Critical Evaluation of His Explanations of Musical Form
Lang, Adelheid K.
July 1993
Primary view of Bach's Mass in B minor: An Analytical Study of Parody Movements and their Function in the Large-Scale Architectural Design of the Mass
Pérez Torres, René
December 2005
Primary view of Beethoven's Opus 18 String Quartets: Selected First Movements in Consideration of the Formal Theories of Heinrich Koch as Expressed in Versuch Einer Anleitung Zur Composition
Tompkins, Robert
December 2006
Primary view of Beethoven's Transcendence of the Additive Tendency in Opus 34, Opus 35, Werk ohne Opuszahl 80, and Opus 120
Kramer, Ernest J. (Ernest Joachim)
December 1989
Primary view of Composing-Out Notre-Dame: How Louise Bertin Expresses the Hugolian Themes of Fate and Decay in La Esmeralda
Walls, Levi
August 2018
Primary view of Consonance, Tertian Structures and Tonal Coherence in Wladimir Vogel's Dodecaphonic World
Hale, Jacquelyn
December 2002
Primary view of Continuous Harmonic Structure in J.S. Bach's Triple Fugues in The Well-Tempered Clavier and Art of Fugue
Hahn, Stephen (Stephen Ernst)
August 2019
Primary view of Crisis and Catharsis: Linear Analysis and the Interpretation of Herbert Howells' "Requiem" and "Hymnus Paradisi"
Davenport, Jennifer Tish
August 2018
Primary view of Deconstructing Webern's Op 25, Drei Lieder: a Multidimensional Assessment
Morgeson, Paul Taylor
August 2013
Primary view of Developing Variation and Melodic Contour Analysis: A New Look at the Music of Max Reger
McConnell, Sarah E.
August 2018
Primary view of Dialogo della musica antica et della moderna of Vincenzo Galilei: Translation and Commentary. [Part 1]
Herman, Robert H., 1934-
August 1973
Primary view of Dialogo della musica antica et della moderna of Vincenzo Galilei: Translation and Commentary. [Part 2]
Herman, Robert H.
August 1973
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