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 Decade: 2000-2009
 Collection: College of Visual Arts + Design Archival Project
CK 05-2
This painting's background is predominately white and has many vertical wavy parallel multi-colored lines. digital.library.unt.edu/ark:/67531/metadc27195/
CL 05-3
Painting has white background and many multi-colored horizontal wavy lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27196/
CO 06-1
This painting consists of a white background with many curved multi-colored lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27199/
CP 06-2
This oil painting has a predominately white background and many circular multi-colored lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27200/
CU 08-2
This square painting has a predominately light peach background and includes many gray curved lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27209/
Curved Edges and Grid
This square painting consists of two yellow sections with grid patterns and texture. Across the surface is a rough swath of purple which reveals the scratched and grid pattern texture of the underlying layer. digital.library.unt.edu/ark:/67531/metadc102408/
Cycling Round the Geometric Sky
The horizontal painting is divided into colorful geometric shapes. Across the bottom edge are five large and dark comma shapes and across the top edge are small similar marks. digital.library.unt.edu/ark:/67531/metadc102409/
Dialectics
The sculpture consists of a yellow head shape with a secondary face appearing in an oval shape on the surface. Protruding vertically out of the top of the head are three leaf like covered elongated shapes. digital.library.unt.edu/ark:/67531/metadc102329/
Different Orders, Number 4
The horizontal painting is divided into two large and one narrow sections. Each are decorated with grid patterns and connecting the two larger vertical sections is a large white X. digital.library.unt.edu/ark:/67531/metadc102410/
Different Orders, Number 6
The horizontal painting is divided into three basic geometric shapes. Each is decorated with a grid pattern and across the yellow section is a large black swath of paint in a vertical comma shape. digital.library.unt.edu/ark:/67531/metadc102411/
Different Orders, Number 8
The horizontal painting consists of several geometric shapes in blues and oranges. Across the surface is a large yellow green swath arcing across the canvas. digital.library.unt.edu/ark:/67531/metadc102412/
Faux Blue and Pink Diamond Squares Speed West Eastward
The horizontal painting is divided into several divisions. Grid patterns in various incarnations cover the surface and foiling this are two horizontal dark drips of thick paint. digital.library.unt.edu/ark:/67531/metadc102413/
Five Orange Strokes Two Down with Eggs and Grid
The square painting consists of a blue background upon which the scratched grid reveals an underlying pattern of egg shapes. Across the center of the painting are four bright orange streaks, horizontal and vertical. digital.library.unt.edu/ark:/67531/metadc102414/
Five Purples Running to the West
The horizontal painting is divided vertically into two sections across which run horizontally running amounts of thick paint. Drawn onto the surface of the canvas is a grid. digital.library.unt.edu/ark:/67531/metadc102415/
Flock
The orange platter contains a yellow face in low relief in the center and surrounding the face are highly textured blue bird silhouettes. digital.library.unt.edu/ark:/67531/metadc102331/
Grid Junctions or Roller Coaster Ride
The horizontal painting consists of two grid patterns angled toward each other. Across the surface of the canvas is a large lime green area of thick paint that runs toward the bottom edge of the canvas. A pink wedge runs across the lower right. digital.library.unt.edu/ark:/67531/metadc102417/
Identi-Tea
The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. This view shows the detail of the artist's right thumbprint. digital.library.unt.edu/ark:/67531/metadc129778/
Identi-Tea
The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. digital.library.unt.edu/ark:/67531/metadc129777/
The Jumping Frog is Dead and Buried or Gray Grid Triple Purple
The horizontal painting is divided vertically into two portions, both of which share a grid pattern texture. Sweeping across both dark and light areas is a large black swath revealing the various textures and grids. A light pinkish color of thick paint appears splattered and squirted in the lower portion on the right hand side of the painting. digital.library.unt.edu/ark:/67531/metadc102422/
The Jumping Frog is Dead and Buried or Gray Grid Triple Purple, No. 2
The horizontal painting is vertically divided into two portions. Across the bottom edge are several pink splashes. digital.library.unt.edu/ark:/67531/metadc102421/
Number 68
This abstract painting is predominately black with some wavy vertical strokes of green, pink, and white. digital.library.unt.edu/ark:/67531/metadc27169/
Number 69
The mostly pink painting also includes black, white and green parallel wavy lines. digital.library.unt.edu/ark:/67531/metadc27170/
Number 126
Black and orange painting consists of vertical wavy parallel lines and perpendicular lined texture. digital.library.unt.edu/ark:/67531/metadc27178/
Number 132
This orange and black painting consists of vertical curved, wavy, and parallel lines. digital.library.unt.edu/ark:/67531/metadc27179/
Number 133
This predominately black and orange painting consists of curved and wavy parallel lines with heavy texture. digital.library.unt.edu/ark:/67531/metadc27180/
Number 142
Mostly green painting also consists of black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27181/
Number 149
This mostly orange painting also includes vertical, parallel wavy and curvy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27183/
Number 154
This painting with a predominately white background contains many multi-colored curved and jagged vertical lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27202/
Number 155
This painting has a predominately white background and includes many multi-colored jagged lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27203/
Number 165
This horizontal panel has a predominately white background with many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27206/
Number 168
This square painting consists of a light green background and many curved multi-colored lines and heavy texture. digital.library.unt.edu/ark:/67531/metadc27207/
Number 169
This vertical painting is predominately purple and has many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27208/
Numbers 136, 142, 126, and 127
Four paintings are hung in a square grouping. Three of the panels are predominately orange and black while the upper right hand panel is a light green with black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27184/
Numbers 143, 144 and 145
Three green panels with vertical black wavy lines are hung in a horizontal linear fashion. digital.library.unt.edu/ark:/67531/metadc27185/
Purple Grid Yellow Edge Yellow Road
The square painting consists of a purple ground that has been scratched through with a grid pattern. Horizontally across the top portion is a loose yellow brush stroke and across the bottom edge a similarly hued stripe. digital.library.unt.edu/ark:/67531/metadc102418/
Self-Contained Unit
The sculpture consists of two brown shapes resembling seed pods. Each half has an interior texture. Around the edge of each half are hinges with small wheels on the ends. digital.library.unt.edu/ark:/67531/metadc129780/
Snail
The sculpture depicts a large blue-green hand with four fingers outstretched. A pink spiral circles the back of the hand and crosses over three vertical black bar openings. digital.library.unt.edu/ark:/67531/metadc102341/
So, Number 2
The drawing consists of a grid drawn with graphite with a splash and run of India ink. digital.library.unt.edu/ark:/67531/metadc102419/
System
The slug shape forms the base and emerging from the top of it are two pipes terminating in funnel like shapes one of which is covered. In the surface of the lower portion are two circular screen covered openings. digital.library.unt.edu/ark:/67531/metadc129784/
That
The drawing consists of a grid drawn in graphite with angled marks at each corner. India ink foils the grid pattern with its loose pattern. digital.library.unt.edu/ark:/67531/metadc102420/
Three Strokes and Some Eggs
The square painting consists of a layering of grids. Variations in the colors in the bottom layer of paint creates shapes which the scratched out grid lines reveal. On the top most layer are three vertical streaks of a light color paint. digital.library.unt.edu/ark:/67531/metadc102424/
Untitled
This painting consists of curved vertical lines. digital.library.unt.edu/ark:/67531/metadc27205/
Untitled
This watercolor and ink painting consists of wavy and jagged multi-colored lines. digital.library.unt.edu/ark:/67531/metadc27204/
The World is Geometric, Number 1
The rectangular painting consists of two portions divided diagonally and across both divisions marches a series of orange vertical strokes. The dark green and pinkish portions are further delineated with grid patterns. digital.library.unt.edu/ark:/67531/metadc102423/
Yellow Runs on Grid and Blue or Last One In
The rectangular painting is divided into three vertical portions which are further demarcated with grid patterns. Running vertically are three long drips of thick yellow paint. digital.library.unt.edu/ark:/67531/metadc102425/