Lottery ticket used during the Polish Solidarity movement during the 1980s. Four tickets, each stamped with a number in purple, depict a pencil, broken on one end in the center of the ticket. The Polish Solidarity logo is in the lower right hand corner.
The view is a facade detail with entrance and tower as a structural piece punctuated with circular openings and small horizontal windows across the top.
The view is of the entire street side facade which is made up a gradation of six hues of stone with white at each end. Each section hosts a large vertical window with multiple panes at the top of which are three-dimensional pyramidal shapes.
The view is raking upward and shows the majority of the street side facade. The vertical windows have a series of horizontal smaller windows above and punctuating the top of the facade are a series of tiny windows spaced apart. The pyramidal shapes at the top of the vertical windows is clearly shown in this view.
The view shows the large entrance side of the museum with the two sides supported by large towers punctuated with tall vertical entrances and circular windows above. Across the top of the building is a series of small horizontal windows divided in the center by a larger square window. This side of the building is white.
Painting of black, green, peach, red, blue, brown, dark gray and white shapes and forms. Two dark gray figures and two blue human heads at the center of the plane. Green and brown overlapping imagery on the far right panel.
The sculpture is created from bronze pieces shaped like parts of violins and other similar instruments. They are stacked and piled one upon another to create a vertical sculpture.
Postcard used in the Polish Solidarity movement during the 1980s depicting a bird wearing a crown breaking out of an egg that is decorated with a red pattern.
A close view of the glass tower reveals the white triangular panels inside. Vertical concrete buttresses are clearly seen and the glass wall continues upward to create the glass tower on the corner of the museum.
A close view of the concrete buttresses attachment to the building and the support of the glass tower are shown in this detail of the museum's glass facade.
The view is of the immense interior space underneath the glass tower. Several people mill around inside the foyer and give scale to the large glassed space.
The interior is shown and the light entering the building through the glass tower is reflected on the floor. Structural supports are visible as are entrances and hallways to galleries.
The view is of the entire south side of the museum and shows the glass walls as well as the glass geometrical shaped towers on either end. Banners grace the side of the building as well.
The exterior wall is shown at a raking angle with the large glass geometric tower in the background. A banner announcing an Anish Kapoor exhibition is also visible.
The view of the exterior is seen from the inside of the large first floor space. Some of the white triangular panels are visible in the glass ceiling panels.
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