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  Partner: UNT College of Visual Arts + Design
 Collection: ARTsource
Abbey Church of Ottobeuren, Picture Gallery
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An interior view of a picture gallery with white walls. Frescoes and stucco decoration decorate the ceiling. digital.library.unt.edu/ark:/67531/metadc40642/
Abbey Church of Ottobeuren, Picture Gallery
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A corridor outside the monks cells displays paintings and the arched ceilings are decorated with relief floral motifs. digital.library.unt.edu/ark:/67531/metadc40643/
Abbey Church of St.-Etiénne and Abbaye aux Hommes
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No Description digital.library.unt.edu/ark:/67531/metadc43821/
Abbey Church of St.-Etiénne and Abbaye aux Hommes
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No Description digital.library.unt.edu/ark:/67531/metadc43820/
Abbey Church of St. Michael
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No Description digital.library.unt.edu/ark:/67531/metadc44093/
Abbey Church of St. Michael
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No Description digital.library.unt.edu/ark:/67531/metadc44083/
Abbey Church of Val de Grace
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Total from WSW digital.library.unt.edu/ark:/67531/metadc47620/
Abbey Church of Val de Grace
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Façade, volutes, drum, dome digital.library.unt.edu/ark:/67531/metadc47621/
Abbey Church of Val de Grace
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detail fr SW: upper register of Façade, volutes, drum and sculpture digital.library.unt.edu/ark:/67531/metadc47625/
Abbey Church of Val de Grace
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portal pediment and entablature with Corinthian capitals digital.library.unt.edu/ark:/67531/metadc47623/
Abbey Church of Val de Grace
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Diagonal total from SW, with Façade, drum and dome digital.library.unt.edu/ark:/67531/metadc47624/
Abbey Church of Val de Grace
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sculpture and entablature blocks at base of dome digital.library.unt.edu/ark:/67531/metadc47622/
Abbey Church of Val de Grace
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Interior: General view toward High Altar digital.library.unt.edu/ark:/67531/metadc47626/
Abbey Church of Val de Grace
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Interior: baldachin with high altar, 1669, by Michel Anguier digital.library.unt.edu/ark:/67531/metadc47627/
Abe Lincoln the Great Emancipator
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Painting of five male subjects in warm and cool hues of burnt-orange, dark blue, gray and black. Abraham Lincoln is depicted wearing his signature black top hat and black knee-length overcoat. The subject to the left of Abraham Lincoln appears to be in decorated military attire. The two subjects on the far right are also in military attire. digital.library.unt.edu/ark:/67531/metadc8643/
Abigail Smith Babcock (Mrs Adam Babcock)
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Oil painting of Abigail Smith Babcock wearing a pink-colored gown and a fur-lined cloak. She is seated for the portrait, facing toward the right side of the painting. She appears to be holding beads in her hands. digital.library.unt.edu/ark:/67531/metadc8000/
Abraham and Melchizedek
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No Description digital.library.unt.edu/ark:/67531/metadc7828/
Abraham Lincoln Center
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The building is clad in red brick, flat topped and unadorned. digital.library.unt.edu/ark:/67531/metadc36472/
Abraham Sacrificing Isaac
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The horizontally oriented painting depicts a man in a red robe with a knife threatening a seated figure while a winged angelic figure reaches for the man with the knife. digital.library.unt.edu/ark:/67531/metadc48737/
Abraham Sacrificing Isaac
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The painting detail shows the central portion with the action of the figures. digital.library.unt.edu/ark:/67531/metadc48738/
Abraham Sacrificing Isaac
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No Description digital.library.unt.edu/ark:/67531/metadc46964/
Abraham Sacrificing Isaac
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Isaac about to be sacrificed digital.library.unt.edu/ark:/67531/metadc46965/
Abraham's Sacrifice of Isaac
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prev. attr. to Veronese digital.library.unt.edu/ark:/67531/metadc46269/
Abraham's Sacrifice of Isaac
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sacrifice at right digital.library.unt.edu/ark:/67531/metadc46270/
Abstract Composition
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No Description digital.library.unt.edu/ark:/67531/metadc8789/
Abstract Painting of Marcel Duchamp
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No Description digital.library.unt.edu/ark:/67531/metadc8716/
Abstraction
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No Description digital.library.unt.edu/ark:/67531/metadc8438/
Abstraction, Biarritz
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No Description digital.library.unt.edu/ark:/67531/metadc7972/
Accordion
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No Description digital.library.unt.edu/ark:/67531/metadc41414/
Accordion
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The accordion is upright with bellows partially expanded and keys visible. digital.library.unt.edu/ark:/67531/metadc41404/
Accordion
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A nineteenth-century rosewood accordion is visible in upright position with keys showing and bellows partially expanded. digital.library.unt.edu/ark:/67531/metadc41403/
Accordion
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The accordion is partially expanded and the keys are visible. digital.library.unt.edu/ark:/67531/metadc41407/
Accounting
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An grounded airplane is depicted in the monochromatic postcard. digital.library.unt.edu/ark:/67531/metadc41346/
Accounting
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The monochromatic postcard includes a depiction of an airplane in the air. There is some Japanese text along the bottom edge. digital.library.unt.edu/ark:/67531/metadc41347/
Accumulation of Cans
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Total view from front of accumulation of cans. From the Contemporary Period. digital.library.unt.edu/ark:/67531/metadc50307/
Achemid Stone Capital with Kneeling Bull Protomes
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Total from front left of the Achemid Stone Capital with Kneeling Bull Protomes, from the Apadana (audience hall), Palace of Susa. from Royal Audience Hall, Palace of Artaxerxes. From the Ancient Near Eastern Period. digital.library.unt.edu/ark:/67531/metadc43271/
Achilles
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The painting consists of a large red vertical field on a darker red/black field. digital.library.unt.edu/ark:/67531/metadc8816/
Achilles Discovered Among the Women
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A figure wearing a red dress wields a sword among a group of people some of whom are on the floor rummaging through trinkets and jewels. digital.library.unt.edu/ark:/67531/metadc48044/
Achilles Discovered Among the Women
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A close view of the woman wearing white and two figures behind her is featured in this detail view. digital.library.unt.edu/ark:/67531/metadc48046/
Achilles Discovered Among the Women
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In the painting detail, a close view of the figure wearing red is shown. digital.library.unt.edu/ark:/67531/metadc48045/
Achilles Discovered Among the Women
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The center portion of the painting and the main focus of the action is shown in this detail. The figure raises the sword and women rummage through the trinkets and jewels. digital.library.unt.edu/ark:/67531/metadc48047/
Acid Pitcher
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The pitcher has a wide spout, a large curved handle and is glazed white. digital.library.unt.edu/ark:/67531/metadc41559/
Acoustic / Electric Guitar (Chrysalis Model)
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The main front view of the guitar is visible with its red body. digital.library.unt.edu/ark:/67531/metadc41415/
Acute Calm Pink
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Painting entitled Acute Calm Pink. digital.library.unt.edu/ark:/67531/metadc51206/
Acute Calm Pink
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forms, brushwork digital.library.unt.edu/ark:/67531/metadc51207/
Adam and Eve After the Expulsion from Paradise
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prev. attr. to Veronese digital.library.unt.edu/ark:/67531/metadc46262/
Adam and Eve After the Expulsion from Paradise
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prev. attr. to Veronese digital.library.unt.edu/ark:/67531/metadc46263/
Adam and Eve Eating the Forbidden Fruit and God Discovering Them, north doors trumeau relief, Orvieto Cathedral, Orvieto, Italy
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The relief decoration on the north doors of the Orvieto Cathedral show Adam and Eve eating the forbidden fruit and God discovering them. Large deeply-carved foliage runs across the top of the relief. digital.library.unt.edu/ark:/67531/metadc36457/
The Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc8177/
Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc7886/