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  Partner: UNT College of Visual Arts + Design
 Collection: ARTsource
Arena of Nîmes
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An engaged column is visible in this detail view of the exterior of the amphitheater. Some deterioration is obvious. digital.library.unt.edu/ark:/67531/metadc40940/
Arena of Nîmes
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The detail of the upper story of the arena is visible and shows the sockets which held posts for the awnings. digital.library.unt.edu/ark:/67531/metadc40942/
Arena of Nîmes
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The arched tiers and deep entries are visible. digital.library.unt.edu/ark:/67531/metadc40937/
Arena of Nîmes
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The upper portion of pilaster and base of an engaged Doric column is visible in this view of the amphitheater. digital.library.unt.edu/ark:/67531/metadc40938/
Arena of Nîmes
Access: Use of this item is restricted to the UNT Community.
The upper portion of a pilaster and the base of an engaged column shows part of the exterior of the amphitheater. digital.library.unt.edu/ark:/67531/metadc40939/
Arena of Nîmes
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The exterior of the arena consists of two arched tiers. The stone is a light color and the theater is open-air. digital.library.unt.edu/ark:/67531/metadc40936/
Ariadne Abandoned by Theseus on Naxos
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No Description digital.library.unt.edu/ark:/67531/metadc8114/
Aristide Sommati
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The portrait is drawn in charcoal on paper. The lines are expressive and bold. A faint drawing is also visible from the opposite side of the paper. digital.library.unt.edu/ark:/67531/metadc41173/
Arlington National Cemetery
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A wreath is situated in front of the Tomb of the Unknown Soldier. digital.library.unt.edu/ark:/67531/metadc40748/
Arlington National Cemetery
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The view of the cemetery includes that of a single guard. digital.library.unt.edu/ark:/67531/metadc40749/
Arlington National Cemetery
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View of grounds with view of single guard's back and a wreath in front of the Tomb of the Unknown Soldier. digital.library.unt.edu/ark:/67531/metadc40747/
Arlington National Cemetery
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This view shows a detail of a commemorative inscription dedicated to women in the services. digital.library.unt.edu/ark:/67531/metadc40907/
Arlington National Cemetery
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This view of a close-up of a colonnaded walkway with railing. digital.library.unt.edu/ark:/67531/metadc40905/
Arlington National Cemetery
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A close aerial detail view of a reflecting pool is shown here. digital.library.unt.edu/ark:/67531/metadc40755/
Arlington National Cemetery
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This close view of the cemetery shows the gravestone for Robert Francis Kennedy. digital.library.unt.edu/ark:/67531/metadc40752/
Arlington National Cemetery
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The arched colonnade of the amphitheater is shown in close detail. The capitals are Doric in style. digital.library.unt.edu/ark:/67531/metadc40751/
Arlington National Cemetery
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The view of the cemetery is straight into the dome and colonnade of the amphitheater. Much of the seating is also shown. digital.library.unt.edu/ark:/67531/metadc40750/
Arlington National Cemetery
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An entrance is visible in this view and includes two arched columns flanking the entry drive. digital.library.unt.edu/ark:/67531/metadc40754/
Arlington National Cemetery
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A close architectural detail is visible. digital.library.unt.edu/ark:/67531/metadc40756/
Arlington National Cemetery
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This view includes a reflecting pool at an oblique angle. digital.library.unt.edu/ark:/67531/metadc40753/
Arlington National Cemetery
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A very close view of the exterior of the memorial to women in the services is shown. digital.library.unt.edu/ark:/67531/metadc40912/
Arlington National Cemetery
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The view shows the memorial for women in military service at a raking angle and also shows part of the reflecting pool. digital.library.unt.edu/ark:/67531/metadc40911/
Arlington National Cemetery
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The view shows a built work consisting of a gallery on the top of the building, several arched niches and a large domed niche. digital.library.unt.edu/ark:/67531/metadc40910/
Arlington National Cemetery
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A detail view of the rear entrance to the women's memorial is shown. digital.library.unt.edu/ark:/67531/metadc40914/
Arlington National Cemetery
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A close view of the draining mechanism of a reflecting pool is shown. digital.library.unt.edu/ark:/67531/metadc40913/
Arlington National Cemetery
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A view of a staircase is shown. The stairs lead down to a reflecting pool. digital.library.unt.edu/ark:/67531/metadc40908/
Arlington National Cemetery
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This view of the cemetery shows the gravestones of many veterans. digital.library.unt.edu/ark:/67531/metadc40904/
Arlington National Cemetery
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The view shows some built components, a roadway and some landscaping. digital.library.unt.edu/ark:/67531/metadc40909/
Arlington National Cemetery
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This view is a detail of a reflecting pool and a wall containing inscriptions. digital.library.unt.edu/ark:/67531/metadc40906/
Armor
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Five detailed depictions of armor stand in front of two or three more partially visible figures. The work is monochromatic on a brown ground. digital.library.unt.edu/ark:/67531/metadc52140/
Armored Train in Action,
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Cubist style painting of green, yellow, blue and white schema. Various abstract shapes layered upon another. digital.library.unt.edu/ark:/67531/metadc8928/
Around the Fish
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No Description digital.library.unt.edu/ark:/67531/metadc8584/
'Artistes'
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Painting entitled 'Artistes' (Mother and Child). digital.library.unt.edu/ark:/67531/metadc51308/
The Artist's Daughter with a Parakeet
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No Description digital.library.unt.edu/ark:/67531/metadc7993/
Artists of 'Die Brcke'
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Painting depicting Artists of 'Die Brcke:' Heckel, Kirchner, Schmidt-Rottluff (left to right) and Otto Mller. digital.library.unt.edu/ark:/67531/metadc51024/
Asa Benjamin
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Portrait of Asa Benjamin, visible from the waist up. He is wearing a dark coat with a light-colored shirt visible at the collar. digital.library.unt.edu/ark:/67531/metadc8005/
Asante Helmet
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The helmet consists of alternating silver and gold leaf decorative strips moving from the front to the back. There is a gold rim around the front edge. All of the metalwork is decorated with repoussé technique. digital.library.unt.edu/ark:/67531/metadc41217/
Aspendos Aqueduct with Pressure Tower
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The water flow regulator consists of a stone with a hole in the center. It is part of the pressure tower. digital.library.unt.edu/ark:/67531/metadc51785/
Aspendos Aqueduct with Pressure Tower
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Close detail of the surface of the brick is shown at a raking angle. digital.library.unt.edu/ark:/67531/metadc51782/
Aspendos Aqueduct with Pressure Tower
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The tower constructed of stone is visible and bears the weight of the arched aqueduct structure. digital.library.unt.edu/ark:/67531/metadc51781/
Aspendos Aqueduct with Pressure Tower
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The upper portion of the aqueduct and the abutting arches are visible. digital.library.unt.edu/ark:/67531/metadc51784/
Aspendos Aqueduct with Pressure Tower
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The full height of the aqueduct is visible with its abutting arches. digital.library.unt.edu/ark:/67531/metadc51783/
Assault
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A large group of soldiers with swords drawn charge into battle. The drawing is done in black on red with some pink highlights. digital.library.unt.edu/ark:/67531/metadc52158/
Assumption of the Virgin
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No Description digital.library.unt.edu/ark:/67531/metadc8070/
At the Cafe
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A man and woman are seated at a bright red booth in a cafe. digital.library.unt.edu/ark:/67531/metadc41174/
At the Fair
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The painting depicts an outdoor carnival or festival with booths, sun shielded with awnings, selling items while in the background a tent is visible. Children play and men and women walk around the fair grounds. Large trees complete the background. digital.library.unt.edu/ark:/67531/metadc52143/
At the Samovar
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The woman faces the viewer and is in front of a large samovar situated in front of the man seated at the table on which are also a pitcher, coffee cup and saucer, and a glass with a spoon in it. The table is covered with a blue tablecloth. digital.library.unt.edu/ark:/67531/metadc36441/
At the Table of Monsieur and Madame Natanson
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Oil painting depicting several people seated around a table. digital.library.unt.edu/ark:/67531/metadc8066/
Atahualpa, Fourteenth Inca, One of Fourteen Portraits of Inca Kings
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The portrait is inside a roundel with the text, "el tirano Bastardo, Atahualpa," encircling the portrait. The man holds a staff with a sun burst at the end and wears a highly decorated cape. digital.library.unt.edu/ark:/67531/metadc41704/
Athena (from a colossal statue)
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The entire bust is shown in this view. It is from an angle so that the attachment of the bust to the pedestal can be seen. Athena wears a toga over both shoulders with a sphinx on her hat. Her gaze is slightly downward. digital.library.unt.edu/ark:/67531/metadc32325/