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The view is of the facade of one of the four apartment modules. The facade is a rich reddish brown and bright yellow with many square windows and balconies.
1987 ZYJ GODNIE! Solidarność nie pije
Poster used in the Polish Solidarity movement during the 1980s depicting five figures in reddish orange silhouette. The figure on the far left is chimpanzee like and the next four figures evolve to man. The man at the front of the line is holding a flower in one hand and his other hand holds up two fingers.
Abalone Fishing in Kazusa Province: Wanting to Eavesdrop
A woman in an elaborately decorated kimono is seated in the foreground. A seascape with a fisherman is seen behind the woman. On the right side of the artwork are several insets with Japanese text.
Abbey and Abbey Church of Melk
Total view of entrance gate
Abbey and Abbey Church of Melk
Overall view from the river
Abbey and Abbey Church of Melk
Telephoto view of abbey and towers
Abbey Church of Ottobeuren
The interior of the south transept is shown with its elaborately decorated ceiling and walls as well as the curved crossing pier.
Abbey Church of Ottobeuren
This interior view shows two side chapels. Elaborate Baroque decoration and pristine white walls are accompanied by two large windows in this particular view of the nave.
Abbey Church of Ottobeuren
A full view of the west facade is shown with its two bell towers.
Abbey Church of Ottobeuren
The view is straight up into the cupolas and shows the paintings with their relief texture encircling the frescoes. The arrangement of the subject matter in the paintings enhances the cupola shape. The subject matter appears to be scenes from the the life of St. Benedict, the Pentecost, and redemption.
Abbey Church of Ottobeuren
The highly carved choir stalls are in a dark wood with relief decorations above.
Abbey Church of Ottobeuren
An angel and a putto decorate the choir stall.
Abbey Church of Ottobeuren
The choir stall is adorned with a putto.
Abbey Church of Ottobeuren
The pulpit is decorated with many figures of putti and angels. Surrounding the pulpit is a relief depicting the Assumption.
Abbey Church of Ottobeuren
The baptismal font is highly carved and decorated with many figurative sculptures.
Abbey Church of Ottobeuren, Abbey Buildings
The south facing wing of an abbey building is visible in this view. Part of the facade is blocked by a clump of trees. The building is three-stories and in a restrained Baroque style.
Abbey Church of Ottobeuren, Abbey Buildings
The three-story abbey buildings and the inner courtyard are shown in this view. The buildings are decorated with quoins and simple pediments on some windows and less elaborate linear decoration around other windows. A small fountain is situated in the center of the courtyard.
Abbey Church of Ottobeuren, Altar of the Sacrament
The richly carved altar sits at the entrance to the choir.
Abbey Church of Ottobeuren, Imperial Hall of Statues of Hapsburg Emperors
The hall is highly decorated with sculptural details on the walls and ceilings. The ceiling also contains a painted scene. Lining the room are over life size statues of the Hapsburg emperors situated next to elaborate Corinthian columns. The room is opulent and above each window is a painted portrait.
Abbey Church of Ottobeuren, Library
The interior of the library is decorated in a Baroque style with ceiling painting, columns with Corinthian capitals. The ceiling includes a pale pink hue topped with a white relief floral motif.
Abbey Church of Ottobeuren, Picture Gallery
An interior view of a picture gallery with white walls. Frescoes and stucco decoration decorate the ceiling.
Abbey Church of Ottobeuren, Picture Gallery
A corridor outside the monks cells displays paintings and the arched ceilings are decorated with relief floral motifs.
Abbey Church of St.-Etiénne and Abbaye aux Hommes
No Description Available.
Abbey Church of St.-Etiénne and Abbaye aux Hommes
No Description Available.
Abbey Church of St. Michael
No Description Available.
Abbey Church of St. Michael
No Description Available.
Abbey Church of Val de Grace
Total from WSW
Abbey Church of Val de Grace
Façade, volutes, drum, dome
Abbey Church of Val de Grace
sculpture and entablature blocks at base of dome
Abbey Church of Val de Grace
portal pediment and entablature with Corinthian capitals
Abbey Church of Val de Grace
Diagonal total from SW, with Façade, drum and dome
Abbey Church of Val de Grace
detail fr SW: upper register of Façade, volutes, drum and sculpture
Abbey Church of Val de Grace
Interior: General view toward High Altar
Abbey Church of Val de Grace
Interior: baldachin with high altar, 1669, by Michel Anguier
Abe Lincoln the Great Emancipator
Painting of five male subjects in warm and cool hues of burnt-orange, dark blue, gray and black. Abraham Lincoln is depicted wearing his signature black top hat and black knee-length overcoat. The subject to the left of Abraham Lincoln appears to be in decorated military attire. The two subjects on the far right are also in military attire.
Abigail Smith Babcock (Mrs Adam Babcock)
Oil painting of Abigail Smith Babcock wearing a pink-colored gown and a fur-lined cloak. She is seated for the portrait, facing toward the right side of the painting. She appears to be holding beads in her hands.
Abraham and Melchizedek
No Description Available.
Abraham Lincoln Center
The building is clad in red brick, flat topped and unadorned.
Abraham Sacrificing Isaac
No Description Available.
Abraham Sacrificing Isaac
Isaac about to be sacrificed
Abraham Sacrificing Isaac
The horizontally oriented painting depicts a man in a red robe with a knife threatening a seated figure while a winged angelic figure reaches for the man with the knife.
Abraham Sacrificing Isaac
The painting detail shows the central portion with the action of the figures.
Abraham's Sacrifice of Isaac
prev. attr. to Veronese
Abraham's Sacrifice of Isaac
sacrifice at right
Abstract Composition
No Description Available.
Abstract Painting of Marcel Duchamp
No Description Available.
Abstraction
No Description Available.
Abstraction, Biarritz
No Description Available.
Accordion
A nineteenth-century rosewood accordion is visible in upright position with keys showing and bellows partially expanded.
Accordion
The accordion is upright with bellows partially expanded and keys visible.
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