ARTsource - 115 Matching Results

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Musical Squash

The painting is an abstract of a cut open acorn squash in hues of green and gold against a brown background with a black, musical staff and two clef symbols in the upper right of the canvas. The lower right has abstract shapes in red, green, blue, and brown.

Date: 1942

Creator: Morgan, Maud

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Nelikon

No Description Available.

Date: 1948

Creator: Hepworth, Barbara

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

The New Rich

Painting of red, yellow, blue, green, white and gray featuring ten figures performing various tasks such as cooking.

Date: 1941~

Creator: Ruiz, Antonio

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 02: The World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home.

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 04: The Negro was the largest source of labor to be found after all others had been exhausted.

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 06: And the migrants kept coming.

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 08: They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops.

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 10: They were very poor.

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 12: The railroad stations were at times so overpacked with people leaving that special guards had to be called to keep order.

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 14: Among the social conditions that existed which was partly the cause of the migration was the injustice done to the Negroes in the courts.

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 16: Although the Negro was used to lynching, he found this an opportune time for him to leave where one had occured.

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 18: The migration gained in momentum.

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 20: In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement.

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 22: Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night...

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 24: Child labor and a lack of education was one of the other reasons for people wishing to leave their homes.

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 26: And people all over the South began to discuss this great movement.

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 28: The labor agent who had been sent south by northern industry was a very familiar person in the Negro counties.

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 30: In every home people who had not gone North met and tried to decide if they should go North or not.

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 32: The railroad stations in the South were crowded with people leaving for the North.

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 34: The Negro press was also influential in urging the people to leave the South.

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 36: In Chicago and other cities they labored in the steel mills

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 38: They also worked in large numbers on the railroad.

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 40

No Description Available.

Date: 1949

Creator: Bess, Forest Clemenger

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

Number 40: The migrants arrived in great numbers.

No Description Available.

Date: 1940/1941

Creator: Lawrence, Jacob

Item Type: Artwork

Partner: UNT College of Visual Arts + Design

ARTsource - 115 Matching Results

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Musical Squash

Nelikon

The New Rich

Number 02: The World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home.

Number 04: The Negro was the largest source of labor to be found after all others had been exhausted.

Number 06: And the migrants kept coming.

Number 08: They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops.

Number 10: They were very poor.

Number 12: The railroad stations were at times so overpacked with people leaving that special guards had to be called to keep order.

Number 14: Among the social conditions that existed which was partly the cause of the migration was the injustice done to the Negroes in the courts.

Number 16: Although the Negro was used to lynching, he found this an opportune time for him to leave where one had occured.

Number 18: The migration gained in momentum.

Number 20: In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement.

Number 22: Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night...

Number 24: Child labor and a lack of education was one of the other reasons for people wishing to leave their homes.

Number 26: And people all over the South began to discuss this great movement.

Number 28: The labor agent who had been sent south by northern industry was a very familiar person in the Negro counties.

Number 30: In every home people who had not gone North met and tried to decide if they should go North or not.

Number 32: The railroad stations in the South were crowded with people leaving for the North.

Number 34: The Negro press was also influential in urging the people to leave the South.

Number 36: In Chicago and other cities they labored in the steel mills

Number 38: They also worked in large numbers on the railroad.

Number 40

Number 40: The migrants arrived in great numbers.