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 Collection: ARTsource
Results 2801 - 2850 of 3,516
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Doryphoros
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The close detail view shows the head in profile. The carving marks are visible in the closely cropped hair. The marble of the face is smooth but the stone is mottled with brown specks. digital.library.unt.edu/ark:/67531/metadc42438/
Doryphoros
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This view shows one foot of the depicted man. Restoration can be seen as well. digital.library.unt.edu/ark:/67531/metadc32336/
Doryphoros
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This detail view is extremely close of the figure's right hand and the support. digital.library.unt.edu/ark:/67531/metadc32337/
Doryphoros
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This detail view of the sculpture shows the genitalia of the man represented. Also visible is the palm of his right hand. digital.library.unt.edu/ark:/67531/metadc32335/
Doryphoros
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The statue is seen here in 3/4 length view. His face is turned away. A large visible crack can be seen in his wrist. The texture of the marble is mottled and pale in color. digital.library.unt.edu/ark:/67531/metadc32330/
Doryphoros
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The view of the sculpture is seen from a three-quarters angle from behind. The view is of the head to below the buttocks. From this angle, the support piece beneath the right hand is visible. digital.library.unt.edu/ark:/67531/metadc42441/
Double Bell from Cameroon
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No Description digital.library.unt.edu/ark:/67531/metadc47584/
A Draped Woman called Baebia
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The marble sculpture depicts a woman in heavily draped clothing. digital.library.unt.edu/ark:/67531/metadc42977/
A Draped Woman called Baebia
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Carved marble in the shape of a woman in heavily draped clothing is the subject of this sculpture. digital.library.unt.edu/ark:/67531/metadc42976/
A Draped Young Woman with Lavish Curls
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The marble sculpture depicts a woman in heavily draped clothing and with lavishly curled hairstyle. She has her right arm raised above her chest. digital.library.unt.edu/ark:/67531/metadc43391/
A Draped Young Woman with Lavish Curls
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This close view of the marble sculpture shows the woman's head and torso. digital.library.unt.edu/ark:/67531/metadc43402/
Drum, Dong Son Style
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The drum head is decorated with a concentric patterned design. digital.library.unt.edu/ark:/67531/metadc52048/
Drum, Dong Son Style
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The drum's cylindrical middle flares to the bottom and the top curves outward like a shallow bowl shape. There are some handle shapes at the lower edge of the top section. The entirety is decorated with shallow geometric patterning. digital.library.unt.edu/ark:/67531/metadc52127/
The Duchess of Marlborough Dozing Off at Blenheim Palace
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The long and loose marks create a depiction of a languid figure on a couch with a dog in the woman's lap. digital.library.unt.edu/ark:/67531/metadc41233/
Durga Temple
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This detail view shows several pillars of the east and south sides of the temple. digital.library.unt.edu/ark:/67531/metadc44269/
Dying Gaul from Pergamum
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Total from front center. From the Greek Hellenistic Period. digital.library.unt.edu/ark:/67531/metadc42789/
Dying Niobid
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No Description digital.library.unt.edu/ark:/67531/metadc42989/
Dying Niobid
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Detail: half-length from front right of sculpture entitled Dying Niobid. Roman copy, 2nd c. AD? Found in Rome, Via Collina; from the Greek Classical Period. digital.library.unt.edu/ark:/67531/metadc42988/
Dying Niobid
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Found in Rome, Via Collina. From the Greek Classical Period. Total from front center. digital.library.unt.edu/ark:/67531/metadc42987/
Earl of Derby and Lady Hamilton with Their Infant Son
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Painting depicting Earl of Derby and Lady Hamilton with their infant son. digital.library.unt.edu/ark:/67531/metadc49904/
East Pediment of the Temple of Zeus at Olympia
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Overall view of central portion (up to horse on right side) of the East Pediment of the Temple of Zeus at Olympia. From the Greek Classical Period. digital.library.unt.edu/ark:/67531/metadc43012/
East Pediment of the Temple of Zeus at Olympia
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Seated figure of the seer in the sculpture entitled East Pediment of the Temple of Zeus at Olympia. From the Greek Classical Period. digital.library.unt.edu/ark:/67531/metadc43013/
The East Pediment, Temple of Aphaia at Aegina
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The Fallen Warrior (King Laomedon). Originated in Aegina, from the Greek Archaic Period. digital.library.unt.edu/ark:/67531/metadc42744/
Ebih-Il, the Superintendent of Mari
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No Description digital.library.unt.edu/ark:/67531/metadc7947/
Ebih-Il, the Superintendent of Mari
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No Description digital.library.unt.edu/ark:/67531/metadc7948/
Education of the Virgin
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No Description digital.library.unt.edu/ark:/67531/metadc7915/
Education of the Virgin
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No Description digital.library.unt.edu/ark:/67531/metadc7914/
Edward VI as a Child
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No Description digital.library.unt.edu/ark:/67531/metadc8831/
Eight Studies of Wild Flowers
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No Description digital.library.unt.edu/ark:/67531/metadc7818/
Envelope Bag
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The clutch bag is cream colored with muted green and yellow embroidered decoration. digital.library.unt.edu/ark:/67531/metadc41226/
Epidauros Theater
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The view shows the orchestra and seats from the east. There are people milling around the modern orchestra section. digital.library.unt.edu/ark:/67531/metadc42339/
Epidauros Theater
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The view from the southeast shows rows of seating. digital.library.unt.edu/ark:/67531/metadc42340/
Epidauros Theater
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The overall view is from outside the seating area and looks toward the northeast. digital.library.unt.edu/ark:/67531/metadc32286/
Epidauros Theater
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The view from the southeast shows a close view of the seats. A few tourists occupy some seats. digital.library.unt.edu/ark:/67531/metadc32284/
Epidauros Theater
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The view is overall and from the east. digital.library.unt.edu/ark:/67531/metadc42338/
Epidauros Theater
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The overall view downward from the uppermost seating area is towards the orchestra. digital.library.unt.edu/ark:/67531/metadc42341/
Epidauros Theater
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This overall view northeast is from outside the seating area. digital.library.unt.edu/ark:/67531/metadc42342/
Epidauros Theater
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The view shows a modern orchestra addition with people milling around. The seats are empty. digital.library.unt.edu/ark:/67531/metadc32283/
Epidauros Theater
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The detail view shows the entrance, retaining wall and some seats. The view is from the east. digital.library.unt.edu/ark:/67531/metadc42343/
Epidauros Theater
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The overall view is downward from the uppermost seating. The landscape is visible southwest of the theater. digital.library.unt.edu/ark:/67531/metadc32285/
Epidauros Theater
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The detail view shows the entrance, retaining wall and some seats. The view is from the east. digital.library.unt.edu/ark:/67531/metadc32287/
Epidauros Theater
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The view is overall and from the east. digital.library.unt.edu/ark:/67531/metadc32282/
Equestrian Monument to Marcus Aurelius
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Total from right front of the Equestrian Monument to Marcus Aurelius (r. 161-180). From the Roman Imperial Period. Restored in the 1990's. digital.library.unt.edu/ark:/67531/metadc43265/
Erechtheion
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Close detail of NW corner with Ionic column, entablature of Erechtheion (1999). From the Greek Classical Period, restored in the 1990s. digital.library.unt.edu/ark:/67531/metadc42368/
Erechtheion
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Close detail of Ionic column on E colonnade of Erechtheion (1999). From the Greek Classical Period, restored in the 1990s. digital.library.unt.edu/ark:/67531/metadc42366/
Erechtheion
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View from Southeast with remains of the old Temple of Erechtheion (1999). From the Greek Classical Period, restored in the 1990s. digital.library.unt.edu/ark:/67531/metadc42360/
Erechtheion
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Detail of columns and entablature of E colonnade (under reconstruction in 1984), from E of Erechtheion (1999). From the Greek Classical Period, restored in the 1990s. digital.library.unt.edu/ark:/67531/metadc42293/
Erechtheion (1999)
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From the Greek Classical Period, the Erechtheion temple was restored in 1990s. digital.library.unt.edu/ark:/67531/metadc42361/
Façade of St. Mark's Basilica
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General view of Façade of St. Mark's Basilica from W, at sunset. From the Byzantine Era. digital.library.unt.edu/ark:/67531/metadc45451/
Façade of St. Mark's Basilica
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Raking view of upper façade from SW at sunset: delicate carving and Bronze Horses of St. Mark. From the Byzantine Era. digital.library.unt.edu/ark:/67531/metadc45452/