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 Collection: ARTsource
34 With Scars
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The artwork consists of a piece of white fabric with dark stitching around the edges and some stitching in the center and the number 34. digital.library.unt.edu/ark:/67531/metadc8534/
[35 East Wacker Drive, Chicago, Illinois, United States]
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A building at 35 East Wacker Drive in Chicago, Illinois. The building was also formerly called the North American Life Building, the Pure Oil Building, and the Jewelers' Building. digital.library.unt.edu/ark:/67531/metadc9001/
64 Old Church Street
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The view rakes along the street side facade showing the exterior of the house. digital.library.unt.edu/ark:/67531/metadc41734/
66 Old Church Street
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The view shows a raking angle of the street side exterior facade of the house. digital.library.unt.edu/ark:/67531/metadc41765/
66 Old Church Street
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The detail view of the exterior facade is shown. digital.library.unt.edu/ark:/67531/metadc41766/
190 South La Salle
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View of the top of a skyscraper at 190 South La Salle Street in Chicago, Illinois. digital.library.unt.edu/ark:/67531/metadc8994/
311 South Wacker
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The view of the skyscraper at 311 South Wacker street in Chicago is shown near the Sears Tower. All 65 stories of the building are visible. digital.library.unt.edu/ark:/67531/metadc40627/
311 South Wacker
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The upper half of the skyscraper is shown in this view. The building is light in color and composed of several vertical elements. digital.library.unt.edu/ark:/67531/metadc40628/
311 South Wacker
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The aerial view shows the building in its setting as well as the cylindrical elements atop the skyscraper. digital.library.unt.edu/ark:/67531/metadc40629/
[333 West Wacker Drive, Chicago, Illinois]
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Southeast entrance to the building at 333 W. Wacker Drive in Chicago, Illinois. There are steps leading up to the entrance and two marble columns flank the doorway. The lower part of the building is made of stone with windows above. digital.library.unt.edu/ark:/67531/metadc8996/
[333 West Wacker Drive, Chicago, Illinois]
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Detail view of the marble columns surrounding an entrance to the building at 333 West Wacker Drive in Chicago, Illinois. digital.library.unt.edu/ark:/67531/metadc8997/
[333 West Wacker Drive, Chicago, Illinois]
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View of the glass facade of the building at 333 West Wacker Drive in Chicago, Illinois. digital.library.unt.edu/ark:/67531/metadc8999/
[333 West Wacker Drive, Chicago, Illinois]
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View of the glass facade of the skyscraper at 333 West Wacker Drive in Chicago, Illinois. digital.library.unt.edu/ark:/67531/metadc8995/
[333 West Wacker Drive, Chicago, Illinois]
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View of one corner of the skyscraper at 333 West Wacker Drive, in Chicago, Illinois. digital.library.unt.edu/ark:/67531/metadc8998/
590 Madison Avenue
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The view is of the sidewalk adjoining the building. digital.library.unt.edu/ark:/67531/metadc40654/
590 Madison Avenue
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The view is of the street level facade and includes the glassed atrium public space. digital.library.unt.edu/ark:/67531/metadc40653/
650 Apartments
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The view is of the apartment building in the distance with some parked cars. The facade is comprised of square shapes for windows and the laminate siding. Some yellow siding detail is also visible. digital.library.unt.edu/ark:/67531/metadc41002/
650 Apartments
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The view is of the facade of one of the four apartment modules. The facade is a rich reddish brown and bright yellow with many square windows and balconies. digital.library.unt.edu/ark:/67531/metadc41003/
Abbey Church of Ottobeuren
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The interior of the south transept is shown with its elaborately decorated ceiling and walls as well as the curved crossing pier. digital.library.unt.edu/ark:/67531/metadc40637/
Abbey Church of Ottobeuren
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A full view of the west facade is shown with its two bell towers. digital.library.unt.edu/ark:/67531/metadc40636/
Abbey Church of Ottobeuren
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The highly carved choir stalls are in a dark wood with relief decorations above. digital.library.unt.edu/ark:/67531/metadc51695/
Abbey Church of Ottobeuren
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The choir stall is adorned with a putto. digital.library.unt.edu/ark:/67531/metadc51697/
Abbey Church of Ottobeuren
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The pulpit is decorated with many figures of putti and angels. Surrounding the pulpit is a relief depicting the Assumption. digital.library.unt.edu/ark:/67531/metadc51698/
Abbey Church of Ottobeuren
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The baptismal font is highly carved and decorated with many figurative sculptures. digital.library.unt.edu/ark:/67531/metadc51699/
Abbey Church of Ottobeuren
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An angel and a putto decorate the choir stall. digital.library.unt.edu/ark:/67531/metadc51696/
Abbey Church of Ottobeuren
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The view is straight up into the cupolas and shows the paintings with their relief texture encircling the frescoes. The arrangement of the subject matter in the paintings enhances the cupola shape. The subject matter appears to be scenes from the the life of St. Benedict, the Pentecost, and redemption. digital.library.unt.edu/ark:/67531/metadc50951/
Abbey Church of Ottobeuren
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This interior view shows two side chapels. Elaborate Baroque decoration and pristine white walls are accompanied by two large windows in this particular view of the nave. digital.library.unt.edu/ark:/67531/metadc40644/
Abbey Church of Ottobeuren, Abbey Buildings
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The south facing wing of an abbey building is visible in this view. Part of the facade is blocked by a clump of trees. The building is three-stories and in a restrained Baroque style. digital.library.unt.edu/ark:/67531/metadc40638/
Abbey Church of Ottobeuren, Abbey Buildings
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The three-story abbey buildings and the inner courtyard are shown in this view. The buildings are decorated with quoins and simple pediments on some windows and less elaborate linear decoration around other windows. A small fountain is situated in the center of the courtyard. digital.library.unt.edu/ark:/67531/metadc40639/
Abbey Church of Ottobeuren, Altar of the Sacrament
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The richly carved altar sits at the entrance to the choir. digital.library.unt.edu/ark:/67531/metadc51700/
Abbey Church of Ottobeuren, Imperial Hall of Statues of Hapsburg Emperors
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The hall is highly decorated with sculptural details on the walls and ceilings. The ceiling also contains a painted scene. Lining the room are over life size statues of the Hapsburg emperors situated next to elaborate Corinthian columns. The room is opulent and above each window is a painted portrait. digital.library.unt.edu/ark:/67531/metadc40640/
Abbey Church of Ottobeuren, Library
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The interior of the library is decorated in a Baroque style with ceiling painting, columns with Corinthian capitals. The ceiling includes a pale pink hue topped with a white relief floral motif. digital.library.unt.edu/ark:/67531/metadc40641/
Abbey Church of Ottobeuren, Picture Gallery
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An interior view of a picture gallery with white walls. Frescoes and stucco decoration decorate the ceiling. digital.library.unt.edu/ark:/67531/metadc40642/
Abbey Church of Ottobeuren, Picture Gallery
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A corridor outside the monks cells displays paintings and the arched ceilings are decorated with relief floral motifs. digital.library.unt.edu/ark:/67531/metadc40643/
Abbey Church of St.-Etiénne and Abbaye aux Hommes
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No Description digital.library.unt.edu/ark:/67531/metadc43821/
Abbey Church of St.-Etiénne and Abbaye aux Hommes
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No Description digital.library.unt.edu/ark:/67531/metadc43820/
Abbey Church of St. Michael
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No Description digital.library.unt.edu/ark:/67531/metadc44093/
Abbey Church of St. Michael
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No Description digital.library.unt.edu/ark:/67531/metadc44083/
Abe Lincoln the Great Emancipator
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Painting of five male subjects in warm and cool hues of burnt-orange, dark blue, gray and black. Abraham Lincoln is depicted wearing his signature black top hat and black knee-length overcoat. The subject to the left of Abraham Lincoln appears to be in decorated military attire. The two subjects on the far right are also in military attire. digital.library.unt.edu/ark:/67531/metadc8643/
Abigail Smith Babcock (Mrs Adam Babcock)
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Oil painting of Abigail Smith Babcock wearing a pink-colored gown and a fur-lined cloak. She is seated for the portrait, facing toward the right side of the painting. She appears to be holding beads in her hands. digital.library.unt.edu/ark:/67531/metadc8000/
Abraham Lincoln Center
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The building is clad in red brick, flat topped and unadorned. digital.library.unt.edu/ark:/67531/metadc36472/
Abraham Sacrificing Isaac
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The horizontally oriented painting depicts a man in a red robe with a knife threatening a seated figure while a winged angelic figure reaches for the man with the knife. digital.library.unt.edu/ark:/67531/metadc48737/
Abraham Sacrificing Isaac
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The painting detail shows the central portion with the action of the figures. digital.library.unt.edu/ark:/67531/metadc48738/
Abstract Composition
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No Description digital.library.unt.edu/ark:/67531/metadc8789/
Abstract Painting of Marcel Duchamp
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No Description digital.library.unt.edu/ark:/67531/metadc8716/
Abstraction
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No Description digital.library.unt.edu/ark:/67531/metadc8438/
Abstraction, Biarritz
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No Description digital.library.unt.edu/ark:/67531/metadc7972/
Accordion
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No Description digital.library.unt.edu/ark:/67531/metadc41414/
Accordion
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The accordion is upright with bellows partially expanded and keys visible. digital.library.unt.edu/ark:/67531/metadc41404/
Accordion
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A nineteenth-century rosewood accordion is visible in upright position with keys showing and bellows partially expanded. digital.library.unt.edu/ark:/67531/metadc41403/
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