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 Country: United States
 Collection: Texas Fashion Collection
Slippers

Slippers

Date: 1970/1979
Creator: Gustinettes
Description: Pair of slippers of red silk and gold metallic brocade. The shoes are designed with pointed toes, and a panel of gold leather that extends from below the throat, up and over the instep, and almost to the instep, sewn down, and echoing the point of the toes. Crossed with a gold cord bow with large rhinestones set at each end. Almost flats, the shoes have low, carved heels with a profile similar to a compacted Louis heel. Brand stamp: "Gustinettes / Trade Mark" Stamped inside: "6 1/2M 52770"
Contributing Partner: UNT College of Visual Arts + Design
Slippers

Slippers

Date: 190u
Creator: unknown
Description: Pair of slippers of light green silk. Designed with slightly pointed toes, and with a small, almost square mother-of-pearl decorative buckle across vamp. Uppers are edged with green satin ribbon. Modified Louis heel, flaring at base. Stamped inside: "The Balta / [line illegible] / B. Altman & Co. / Paris New York" Stamped on sole: "The Balta" Handwritten inside: "a 5307 / 30160"
Contributing Partner: UNT College of Visual Arts + Design
Slippers

Slippers

Date: 1890
Creator: unknown
Description: Pair of party slippers of pale pink silk satin. Shoes have rounded toes, and wide self strap across instep, which secures with domed coral-colored button on outside edge. Strap, vamp, and upper edges of shoe are edged in slightly darker pink silk ribbon. 1 3/4" high modified Louis or cuban heel. Marked inside shoe: "3-C" (size?)
Contributing Partner: UNT College of Visual Arts + Design
Suit

Suit

Date: 1946
Creator: Adrian, Gilbert, 1903-1959
Description: Street suit of gray wool. A daytime or street suit consisting of two pieces. A) Jacket, with squared padded shoulders, no collar, and long sleeves. Opening along the central front, the jacket has a series of 5 hook-and-eye closures, and has a band that extends from upper left, across opening, and secures through a wide loop just below the right shoulder. The jacket is lined in a peach/mauve silk. B) Skirt. The straight skirt was originally just below knee length, but has been lengthened by the addition of material almost matching the lining of the jacket. The skirt has a center back zipper closure. It is currently unlined, but has evidence of the alterations. Jacket: At center back of inside neckline is designer's label: "Gilbert / Original"; at right inside seam: "Frost Bros / San Antonio". Skirt: No labels, possibly removed.
Contributing Partner: UNT College of Visual Arts + Design
Suit

Suit

Date: 1941/1945
Creator: Forstmann
Description: Two-piece suit of beige worsted wool gabardine of tropical weight. The jacket is medium-length and semi-fitted, with a roll collar having wide pointed revers. It has tuck-over wide padded shoulders and long, narrow sleeves. There are slight vertical gathers at waistline, starting at sides and running around back. The center front opening has three large plated metal buttons shaped as trumpet flowers. The jacket is lined in peach crepe. The matching skirt is mid-length, with a narrow waistband that laps over and secures with two hook-and-eye closures. Skirt has four inverted pleats beginning 41.5 cm below waistband and extending down 30 cm. to bottom of skirt, two at front, two at back. Side zipper closure, top of which is where waistband secures. Skirt is unlined, and has no labels. There are three labels in the coat: Designer's label at inside left: "Forstmann / 100% Virgin Wool / © F.W. Co." Retailer's label at inside back collar: "Sanger's / Dallas" Coat and Suit Industry National Recovery Board label inside right side at seam "135776".
Contributing Partner: UNT College of Visual Arts + Design
Sunbonnet

Sunbonnet

Date: 1900/1909
Creator: unknown
Description: Sunbonnet of off-white calico cotton with a tiny repeated print of three stylized leaves in brown. The brim of the hat is quilted in L-shaped rows of stitching and is very stiff from starch and stiffening material within it. The crown is gathered along the entire length of the seam where it attaches to the brim. The crown and tail are formed from a single piece of fabric, and the tail is stitched flat to the lower sides of brim. The neck is adjustable, having outer neck ties stitched to the lower corners of the brim on both sides. The chin ties are of the same fabric, with unfinished edges. The long tail on the bonnet indicates that it was used as a field bonnet. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Contributing Partner: UNT College of Visual Arts + Design
Sunbonnet

Sunbonnet

Date: 1910
Creator: unknown
Description: Sunbonnet of blue cotton with white lace trim. The brim is slightly square-shaped and heavily starched. The top of the crown is stitched to the brim in a flat seam, with fullness created in the lower crown through a set of 3 snaps on each side which fasten the crown to the brim, giving the lower crown a crenelated shape. The bonnet has no tail, and has self-fabric chin ties of blue ribbon. The left tie is formed from two pieces of fabric pieced together, while the right tie is of a single length of fabric. The ties are narrow hemmed, except for one side of a lower section of left tie, which is cut along the selvage and left unfinished. There are no labels or marks in the piece. The fact that this bonnet does not have a tail probably indicates that this was a visiting bonnet rather than a field bonnet. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Contributing Partner: UNT College of Visual Arts + Design
Sunbonnet

Sunbonnet

Date: 1890/1899
Creator: unknown
Description: Sunbonnet of brown linen. Made of a plain weave with both white and brown threads, the hat has pasteboard staves within the brim, a crenelated buttoning crown and long tail. The crown and tail are separate pieces, sewn together at neck seam, with the tail fastening to the sides of the brim by 3 off-white buttons on each side. The tail is semi-circular in shape, and the narrow chin ties are hemmed by hand. Poke-style bonnets are generally those that have brims stiffened either through quilting or plain starched fabric. Sunbonnets that rely on staves for brim support are not considered poke-style sunbonnets. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Contributing Partner: UNT College of Visual Arts + Design
Sunbonnet

Sunbonnet

Date: 1890/1899
Creator: unknown
Description: Sunbonnet of white cotton broadcloth. The hat has a square-shaped brim with an outer layer of off-white weave material with a plain-weave backing, and crocheted trim. The brim is thin and does not appear to contain much stiffening material or starch. The crenelated crown fastens to brim by a series of 9 buttons on top and 2 buttons on each side. The crown is trimmed with the same crocheted trim as is the brim. The crown and tail are of a made of a single length of fabric. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Contributing Partner: UNT College of Visual Arts + Design
Swim Cap

Swim Cap

Date: 1964
Creator: Kleinert's
Description: Bathing or swim cap of rubber covered in bright blue synthetic, coarse hair. Courreges copy. Maker's stamp on inside crown: "Kleinert's / Made in U.S.A. / Back"
Contributing Partner: UNT College of Visual Arts + Design