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 Collection: Texas Fashion Collection
Dress

Dress

Date: 1970
Creator: Cardin, Pierre, 1922-
Description: Dinner dress of printed silk organza. The dress is composed of two parts. The caftan-like outer layer of the dress consists of a square silk organza cocoon printed in psychedelic motifs in purples, blues, pinks and chartreuse. It has a high rounded neckline with center back opening secured with six loops and covered buttons. There are applied flat cuffs at the wrist openings and waist-level slits at center front to accommodate the sash. There is a center front slit from hem to knee-level. The inner dress is a matching, full-length, sleeveless sheath in printed silk of the same design. It has a high rounded neckline with center back zipper closure from neck to hip with a single hook-and-eye closure at the neckline. The outer caftan and inner sheath are joined at the neckline. There is a printed silk organza sash of the same fabric that meets at center front and secures with two hook-and-eye closures and has self ties to disguise closure. The sash is swing tacked at the back. There is a center front slit from the hem to knee-level. Lime green silk panels are inset at sideseams, running from the underarm to the hem, and may be later ...
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1920
Creator: unknown
Description: Dress of navy wool gabardine in two parts. The main body of the tubular-shaped dress is full-length, sleeveless, with a round neckline. It has decorative bead-work at upper bust, on back at shoulders and down spine, in a line from right hip down to hem, and around hem. The bead-work includes lines of red and clear beads, spirals and "bursts" of clear and red beads, circular ornaments of red beads, and a roundel at front to bottom right at hem of a scene of a wine jug against a blue, clear and green background. The dress has an opening from left shoulder to waist which is secured with a line of hidden snaps, and is decorated with nine cloth and plastic circular non-functioning buttons arranged in groups of three. The dress is unlined. The dress has with it a detachable cropped camisole of white cotton with center front hook-and-eyes closure and white elastic waistband. The sleeves of the camisole are of navy wool gabardine, bell-shaped, and match the dress. They are decorated with the same style bead-work as the dress, including lines of red and clear beads running from shoulders to wrist, clear and red beaded spirals and "bursts", and ...
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1960
Creator: Millers, Raymond
Description: Dress. Floor-length dress of ivory knit, overlaid with a gold netting. Sleeveless and with a boat-neckline, the sheath-style dress has ornate heavy gold cording around neckline, armholes, along side-seams, and hem. The skirt has small side slits, and a center lapped zipper closure located along center-back of garment with hook-and-eye closure at top of zipper. Lined with a light polyester.
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1972
Creator: Amey, Ronald
Description: Dress of multi-colored velvets. The floor-length dress has an empire waist and bell-shaped long sleeves. The upper, bodice, section is made of a sheer, multi-colored fabric woven with bands of gold thread. Over the bodice is applied sections of burnout velvet in various colors, forming bands running up the bodice, over the shoulders, and down the back, another band forming a 1" high collar, and as 2" bands around each wrist. The sections are bordered in gold cording. The lower, skirt, section is of green velvet printed in browns, greens, and gold in an abstract geometric/organic design. Fully lined in green silk(?). Center back zipper from neckline to just above waist. Three hook-and-loop closures on collar. Designer label sewn alongside zipper at shoulder-blade height at right: "Ronald Amey / New York". Evidence of removed label at inside, center front of dress below neckline.
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1980?
Creator: Rossi, Pilar
Description: Full-length evening dress of copper and olive polyester. Bodice has two sections of material which form a v-neckline in front and which are joined in back of neck by 3 cloth covered buttons, separating and falling almost all of the way down the back of the dress. Empire waistband,3 ½” wide, is gathered and pleated and wraps around to the back. Full-length wrap-style skirt. Center back zipper closure. The bodice is lined in orange polyester.
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1985
Creator: Halston, 1932-1990
Description: Dress of blue chiffon. The floor-length dress is formed of two layers, an inner sheath, and an outer layer which is fully ruched, covering the inner sheath completely with layers of draping, and affixed to the inner layer at the neckline, zipper, and at cuffs. The dress has a V-neck at both front and back. The ruching forms "swags" which join at the neckline and center seams on front and back. The three-quarter length sleeves are similarly ruched, anchored along seams running from shoulder to wrist. Center back zipper and hook-and-eye closure. Inner grosgrain ribbon band just below bust which secures with hook-and-eye closure. Designer's label sewn inside at ribbon band: "Halston".
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 2000?
Creator: de la Renta, Oscar
Description: Tunic-style evening dress of royal blue hammered silk. Full-length, narrowing to hem and with a slit up the side. Dress has a round neckline with hook-and-eye closure at back and has wide, straight, bracelet-length sleeves. Hand-written notation on the designer label: "8634 #2"
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1969/1970
Creator: DHJ Industries
Description: Maxi paper bridesmaid dress of Reemay spun polyester "paper". The long dress is printed with a pattern of impressionistic flowers in greens, pink, blues and purples on a yellow ground. It has a high, rounded neckline with no collar, and opens with a zipper at center back from collar to just above waist. The long, fitted sleeves have a thin band at cuff which extends to be tied into a bow. Empire waistline, from which extend box pleats. The dress appears to have a full, floor-length skirt, but the skirt is actually divided, forming pant legs. No designer labels in garment, but original tag is preserved with it: Obverse: "'Wear-a-while'* / Fashions / with / Reemay [trademark symbol] / Du Pont's Fabulous / New 100% Spun Bonded Polyester / DuPont Reemay brings an entirely new quality to 'conven- / ience fashions'. It has an unusual surface appearance, it / is strong and it is colorfast. Garments of Reemay may be / washed a few times and need no ironing if you use / normal wash-and-wear procedures / DHJ Industries Inc. / [trademark symbol] Registered Du Pont Trademark / * Trademark of / DHJ Industries, Inc." Reverse: "Du Pont / Reemay ...
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 2000?
Creator: de la Renta, Oscar
Description: Evening dress of bright green hammered silk. The tunic-style dress is full-length, tapering to lower hem in a V-line and with a slit up the side. Rounded collar/neckline and long, bat-wing style sleeves. Inner attached shoulder pads. Hand-written note on the designer label: "8624 #2"
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1958
Creator: McCardell, Claire
Description: Monastic Dress of red and black floral printed cotton. The dress is street-length, with natural shoulders, long sleeves and a high scoop neckline. At the waist is a black leather belt which passes through the garment at the sides, allowing the sides of the dress to be loose and flowing. The belt has a snap closure, and is designed to look "tied" at front. Also referred to as a Trapeze dress. Dress has two labels sewn inside at back of collar. Designer's label: "Claire McCardell Clothes / by Townley" and Retailer's label: "Neiman-Marcus" Belt has stamped in white on the back: "10 Claire McCardell 608" From the original Carrie Marcus Neiman Foundation collection assembled by Stanley and Edward Marcus.
Contributing Partner: UNT College of Visual Arts + Design