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 Country: United States
 Decade: 1900-1909
 Collection: Texas Fashion Collection
Boots

Boots

Date: 1900/1918
Creator: Hamilton-Brown Shoe Co.
Description: Pair of boots or "High Button Shoes" of brown leather. The shoes, designed with pointed toes rounded at the tips, lace closed along center front with laces 16 holes high. The medium height, stacked heels are rounded at sides and back, and are curved at front, tapering slightly to ground. The sole is of tan leather. The shoes are lined in off-white cloth. The base of the heel is of brown rubber(?) with molded marks. Maker's mark in sole: "Hamilton-Brown / Makers / [illeg] Molded into heel: "Cushion Comfort Heel 2" Stamped in lining: "450 24512H"
Contributing Partner: UNT College of Visual Arts + Design
Boots

Boots

Date: 1908/1910
Creator: unknown
Description: Pair of boots or "High Button Shoes" of gray/very pale blue leather. The shoes, designed with pointed toes rounded at the tips, lace closed along center front with laces 16 holes high. The high heels are rounded at sides and back, tapering to center and flaring back out at base, and are curved at front. The sole is of tan leather. Shoes are lined in matching leather and off-white cloth. Retailer's stamp on lining: "Byrn's Boot Sh [partly illeg] / Kansas City"
Contributing Partner: UNT College of Visual Arts + Design
Boots

Boots

Date: 1900/1999
Creator: Anne Klein (House of) (New York, New York)
Description: Pair of black suede boots. Ankle-height boots of black suede, with pointed toes and decorative stitch accent at opening. Black suede tassel on heel from opening. 2 1/4" high "stacked" spike heel of black leather(?). Upper is lined in black leather, inner sole lined with red leather. Sole of dark brown leather. Stamped in each shoe: "Anne Klein / New York". Stamped on sole: "Anne / Klein / Made in Italy / 7 1/2 / M"
Contributing Partner: UNT College of Visual Arts + Design
Child's Dress

Child's Dress

Date: 1900/1910
Creator: unknown
Description: Child's "apron" dress of woven red and blue striped flannel with collar and one box pleat in front. Center front opening with snap at neckline. No belt - possibly missing.
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1902
Creator: Harbison, Samuel
Description: Day dress of black silk taffeta. The dress, in the style of the Aesthetic or Reform Movement, is full-length, with a slender silhouette. The front and back of the bodice is styled of tiny vertical knife-pleats, which gather into the rounded neckline. The side panels of the bodice are plain, and there is a line of 14 snaps along the left side forming the closure. The long sleeves are smooth, with slight pleating at the padded shoulders, and they taper to the pointed wrists. The sleeves have 5 hidden snaps and a line of 12 domed non-functioning black taffeta covered buttons on each sleeve. Bodice and skirt are divided by a thin black band. Skirt is fully pleated with tiny vertical knife-pleats. Bodice is lined with thin black crepe. Label sewn inside at back below neckline: "Harbison / Vandervoort's St Louis" Not shown is the accompanying cummerbund of black taffeta, the waistband of large horizontal pleats with a large fan/bow at back with wide, trailing ribbons. (43" from waist to lowest point of ribbons)
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1909/1912
Creator: unknown
Description: Dress of midnight blue velvet with cream silk(?) bodice overlaid with pleated sheer black fabric. Rounded neckline edged with black lace, with wired standing collar at back of neck. Long pointed sleeves of matching velvet with wide collars of black net/corded lace overlaying cream silk sleeves trimmed with cream lace. Long, full skirt gathers onto waist under a 3" wide, attached velvet belt trimmed with net covered in black sequins and jet beads with round buckle. Hem with wide black net/corded lace band over sheer black silk(?), with narrow triple-layer black silk gauze ruffle at bottom. With accompanying bolero style vest of black net with applique cording/corded lace. Fastens across front with narrow ribbon of midnight blue velvet with central "pendant" butterfly of black sequins and jet bead as head of butterfly.
Contributing Partner: UNT College of Visual Arts + Design
Dressing Gown

Dressing Gown

Date: 1900~
Creator: unknown
Description: Dressing gown/wrapper of black peau de soie. Mother Hubbard style, full-length, shawl collar trimmed with 2 tiers of ruffles of same, and white lace and black velvet ribbon and then bands of white cording overlaid with/couched down with black stitching. Long sleeves with turned 3" back-turned cuffs with white cording and black velvet trim. Hook and eye closure CF. Long velvet ribbon ties at throat. Pleated at center back, with short horizontal diamond-shaped "belt" across lower back, below which is more pleating. Label: "Meyer Jonasson & Co / Pittsburg. New York"
Contributing Partner: UNT College of Visual Arts + Design
Driving Coat

Driving Coat

Date: 1900/1914
Creator: unknown
Description: Driving Coat or "Duster" of light tan linen (blend?). Full-length, wide skirted, with high neckline and black collar having wide points at front. Single breasted opening set to left of center, with two hidden small white buttons (1 at throat, one at left collar bone), and five large circular buttons with black outer rims and center of the tan linen. Full-length sleeves with wide turned-back cuffs faced with black and with two non-functioning buttons matching but smaller than opening buttons. Two large patch pockets at hips. Unlined. No labels in garment.
Contributing Partner: UNT College of Visual Arts + Design
Fan

Fan

Date: 1906
Creator: unknown
Description: None
Contributing Partner: UNT College of Visual Arts + Design
Handbag

Handbag

Date: 1900/1909
Creator: unknown
Description: Handbag. Rectangular frame of cast openwork brass floral designs with traces of gilding. Ball and snap closure and gilt brass suspension chain. Bag is of dark purple crocheted silk, with three different types of beading. Area at frame is plain all-over beading of purple/bronze iridescent cut beads. Below this, and at bottom of bag is fringe of looped beading. The main body of the bag has vertical stripes of beads arranged in horizontal rows. Lined with bright purple silk, trimmed in gold cording. Contains a small gold kid leather purse embossed with a stylized thorn pattern.
Contributing Partner: UNT College of Visual Arts + Design