You limited your search to:

 Collection: Texas Fashion Collection
Hat
Hat of white straw. Bonnet-style small summer hat of white Milan straw. The crown is formed of segments that arch over the head and enclose at back. Front with turned-back brim framing the face. Accented at right side by three black velvet circles. Lined inside along all edges with white grosgrain ribbon inner hatband. Retailer's label sewn to inner hatband: "Neiman-Marcus". Intended to be worn on the back of the head. digital.library.unt.edu/ark:/67531/metadc38044/
Hat
Sailor-style hat of tan straw and brown yarn. The "crushable" hat has a tan/brown straw crown, slightly domed, with base of brown crocheted yarn. The circular brim, set off-center to the crown, is of double-thickness. The join between the crochet band and the brim has inner brown grosgrain ribbon hatband. Designer's label sewn to inner hatband: "Hattie Carnegie / Inc / Original" When not worn, or padded, the had "deflates" or "crushes" down, the crocheted section not significantly supporting the crown. digital.library.unt.edu/ark:/67531/metadc38049/
Fan
Folding fan. Guards and sticks of lightly carved ivory (bone?) with scrolling foliate designs. The leaf is of white lace. Sticks are unadorned on the reverse. No visible labels, marks or signatures. Fan has alternately been identified as Irish lace or machine-made lace, and dated 1830's or 1880-1899. digital.library.unt.edu/ark:/67531/metadc38046/
Hat
Hat of natural straw. Circular straw crown, slightly domed, with black grosgrain ribbon around base and surrounded by shaped straw brim. Brim is rounded in front for about 2/3 of circumference, and bound up with red stitching at back to form three corners at back. All edges of brim turned-up and edged in black velvet ribbon. From above, brim shape resembles a baseball field. Inside of crown with black grosgrain inner hatband, to which is attached two black elastic cords to secure combs to help hold hat on wearer's head. At front of hat is stitched a small "F" on the inner hatband to show front of hat. Designer's label inside crown at inner band: "Wm Silverman / New York", with smaller logo-form tag sewn in under larger label: "Wm Silverman" with scissors, needle and thread. digital.library.unt.edu/ark:/67531/metadc38043/
Jumpsuit
Jumpsuit of pink, yellow, green and blue horizontal striped paper. The full-length rayon fiber remay paper pantsuit has olive green, pink, blue and tan stripes. Bodice is sleeveless, empire style, with with high rounded neckline and narrow spread collar, with stripes going horizontally. There is a center back zipper closure from the neck to hip-level. Pants are full-length, wide legged palazzo pants with vertical stripes. The pant legs are slit from the hem to mid-calf, and are unhemmed. The piece is lined in a white rayon fiber paper cloth. Retailer's label at inside left beneath the collar: "Change-In-Time / Boutique / Dallas, Texas". digital.library.unt.edu/ark:/67531/metadc30035/
Hat
Woman's black velour top hat. Designed after a man's top hat, this version has a cylindrical, slightly domed crown and narrow velour-covered brim which gently curves up. The brim has a second section below, also covered in black velour, that curves downwards, giving the brim an appearance of thickness. Around the lower part of the crown is a folded black silk taffeta grosgrain ribbon, with a large simulated silver metal buckle placed near the front on the right side of the hat. The buckle is of stamped metal simulating cut steel. The hat is lined in black silk. Embroidered label sewn to lining inside crown includes an oval frame containing a monogram, possibly RSCM, and "Gold Medal / Pattern" digital.library.unt.edu/ark:/67531/metadc30037/
Pillbox Hat
Pillbox hat of black velvet. The low, cylindrical, slightly domed hat is completely covered in black velvet. Affixed to the center front of the hat is a roughly fan-shaped aigrette of simulated gems and metallic braid with a surmounting spray of white feathers. The crown is lined in black fabric, and has a black grosgrain ribbon running along the inside bottom edge. Sewn to the inner ribbon is a plastic comb to secure the hat to the wearer's head. No labels. The aigrette is attributed to Robert Goossens, of Paris, who is known to have supplied to Balenciaga. digital.library.unt.edu/ark:/67531/metadc30205/
Handbag
Handbag. Rectangular frame of cast openwork brass floral designs with traces of gilding. Ball and snap closure and gilt brass suspension chain. Bag is of dark purple crocheted silk, with three different types of beading. Area at frame is plain all-over beading of purple/bronze iridescent cut beads. Below this, and at bottom of bag is fringe of looped beading. The main body of the bag has vertical stripes of beads arranged in horizontal rows. Lined with bright purple silk, trimmed in gold cording. Contains a small gold kid leather purse embossed with a stylized thorn pattern. digital.library.unt.edu/ark:/67531/metadc30207/
Dress
Dress of bright multi-color patterned chiffon. The full-length dress has a straight, loose shape, with a round neckline and long handkerchief-style sleeves which extend past hem. Zipper at center back, extending from neckline to just below waist, with a single hook-and-eye closure at neckline. The printed pattern of the material includes concentric shapes with geometric and floral influences. Designer label sewn inside back to left of zipper: "Pierre Cardin / Paris New York" digital.library.unt.edu/ark:/67531/metadc30208/
Ensemble - Coat and Dress
Ensemble consisting of a coat and dress. The mid-length coat is of knit with a printed pattern of blue geometric shapes on a bright red ground, and has long sleeves and moderate collar with rounded points. Center-front opening with 4 square dark blue plastic buttons. Across back of coat is an attached belt of the same fabric, with buttons at each side, but does not extend around to the front. Fully lined in dark blue fabric. The mid-length dress is of the same fabric, and has short sleeves, a rounded neckline, and flares slightly to hem. The dress has a center-back zipper closure and is lined in the same fabric as the coat. Coat has a single retailer's label: "Lou Lattimore / Dallas" inside back at collar. Dress has slightly smaller version of same label, sewn inside at left of zipper near neckline. digital.library.unt.edu/ark:/67531/metadc30209/
Pumps
Pair of black suede pumps. Shoes have peep-toe design and are embellished across the vamp with an asymmetrical design in black ribbon and side 1/2 bow on outer side. 2 1/2" high continental set-in heels covered in black suede. Leather soles, grey leather lining. Printed grey cloth lining with logo "Lastep". Stamped inside heel of both shoes: "D13258 7 1/2A AAA / 6/A". Stamped on sole of each shoe: "The United States Shoe Co. / Reg U.S. Pat. Off. / Red Cross / Shoe" Stamped inside right shoe: "Red Cross Shoes" and "This product has no connection whatever / with the American National Red Cross". Use of the "Red Cross Shoe" brand was suspended during World War II when the American Red Cross objected. It was re-instated in 1948 on the condition they company publicly disclaimed all connection with the ARC. These shoes have the disclaimer stamped in the right shoe. digital.library.unt.edu/ark:/67531/metadc30206/
Coat
Coat of floral brocade and blue velvet. The mid-length wrap coat is made of Jacquard woven silk(?)in a pattern of flowers in blues, taupe, and browns on a dark brown ground, with metallic gold stitching throughout. The raglan sleeves and the collar are edged in wide bands of gathered ruched aqua blue/green velvet. Center front opening with no closures. The coat is lined in aqua blue/green velvet. No labels in garment. Owned by Mrs. Carlton L. Yager of California, aunt of the donor, who called it her "Opera Coat". digital.library.unt.edu/ark:/67531/metadc30232/
Hat
Hat of reddish-pink wool. The derby style hat has a domed crown made of four sections of cloth that meet at center. Each section has chevrons of stitching, which point towards the center of the crown, giving a subtle quilted effect. Narrow brim rolls upwards at sides and back. A black suede(?) bow is applied to base of crown at center left. Inside base of crown is a band of pink grosgrain ribbon. Sewn to inner ribbon band is maker's label: "Balenciaga / 10 Avenue George V Paris" and label "Made in France" digital.library.unt.edu/ark:/67531/metadc30237/
Jacket
Waist-length black simulated alligator jacket. The cropped shell is constructed of panels of leather blind-stamped to simulate alligator. Panels are edged with silver-colored circular metal grommeted eyelets, and are joined with knitted black cording. The high, rounded spread collar is of ribbed black knit. Zipper closure from throat to hem at center front. The jacket is unlined, and has two interior, black canvas, envelope pockets with snap closures. Label is located inside at center back, below the collar. "Paco Rabanne / Paris Made in France". Jacket was donated as part of an ensemble which also included black wool and cashmere knit sweater by Dior, and black hip-hugger trousers by Remy. The Valerian Stux-Rybar collection of materials was donated by Jean-Francois Daigre to the Metropolitan Museum of Art in memory of Daigre's companion V.Stux-Rybar. Part of collection was subsequently transferred from the Metropolitan Museum of Art to the Texas Fashion Collection. digital.library.unt.edu/ark:/67531/metadc30238/
Cloche
Cloche-style hat of off-white wool felt. The hat has a deep, cylindrical, domed crown of off-white or cream felt which extends downwards on one side. Around the crown is black zig-zag stitching, and on the side where the crown extends downwards is an applied strip of felt, looped, secured through a stiffened loop of red grosgrain ribbon. The hat is unlined, with a black grosgrain ribbon inner hatband. Sewn to inner ribbon band is maker's label: "Schiaparelli / Paris". digital.library.unt.edu/ark:/67531/metadc30234/
Hopsacking Pants
Men's pants of embroidered "hopsacking". The tailored trousers are made in the style of jeans, but of an ochre/golden brown cotton hopsacking material. Full-length, the legs flare slightly to hems. Jeans-style pockets, two welt pockets on front and two patch pockets on back. Waistband has beltloops spaced throughout. Zipper fly at front with three buttons to secure waistband. The pants have an all-over embroidery in vertical and horizontal bands of stylized leaves, triangles, and other shapes in gold, white, green, yellow, and magenta. There are no labels in the garment. The Valerian Stux-Rybar collection of materials was donated by Jean-Francois Daigre to the Metropolitan Museum of Art in memory of Daigre's companion V.Stux-Rybar. Part of collection was subsequently transferred from the Metropolitan Museum of Art to the Texas Fashion Collection. digital.library.unt.edu/ark:/67531/metadc30239/
Dress
Dress of printed cotton. The floor-length dress is of cotton with a printed geometric design of a lattice of black rectangles on white background. It is sleeveless, with black spaghetti straps. There is a wide black "belt" of "quilted" cotton just below the bust, with a bow in front. The dress has a center back zipper closure with two hook-and-eye closures at top. It is fully lined in thin white fabric. The designer's label is sewn inside bodice: "Clifton / Wilhite / Dallas"; a second label is sewn just below designer's label: "Lot 6464 Size 14" digital.library.unt.edu/ark:/67531/metadc30236/
Dress
Dress. Full-length sleeveless evening dress of printed silk. The bodice has a rounded neckline, bust darts, and widens slightly at hips. The silk print on the bodice is of horizontal stripes of black, yellow, green, and red. The skirt starts at a dropped waist, and is a slight "A" line in form. The printed on the skirt is of an Op Art pattern of pink, red, black, green, and purple squares and circles within squares, and with two large black squares, one on front and one on back. Black band at hem. The dress has a center back zipper closure and is lined in black silk. It has an accompanying black silk belt, 2" wide, with two domed buttons covered in black silk as closures. The dress has two labels sewn inside at back collar, to right of zipper. Maker's label: "Axel / of Denmark / 42" and second tag "Pure silk / by D'Este" [care instructions pictographs] and on reverse [care instructions pictographs] "Made in / Italy". digital.library.unt.edu/ark:/67531/metadc30233/
Sunbonnet
Sunbonnet of brown linen. Made of a plain weave with both white and brown threads, the hat has pasteboard staves within the brim, a crenelated buttoning crown and long tail. The crown and tail are separate pieces, sewn together at neck seam, with the tail fastening to the sides of the brim by 3 off-white buttons on each side. The tail is semi-circular in shape, and the narrow chin ties are hemmed by hand. Poke-style bonnets are generally those that have brims stiffened either through quilting or plain starched fabric. Sunbonnets that rely on staves for brim support are not considered poke-style sunbonnets. The TFC thanks Rebecca Jumper Matheson for her research on this object. digital.library.unt.edu/ark:/67531/metadc30075/
Cocktail Dress
Cocktail dress. The bodice of the dress is of sheer black wool, with a Peter Pan style collar and short sleeves which are shirred at the ends. There is a narrow black satin ribbon at waist where the bodice meets the skirt. The skirt is composed of three layers. The innermost layer is of thick black chiffon, the middle layer is thin black chiffon/crepe. The outer layer is of panels of black and white printed hounds tooth/plaid chiffon, the panels arranged vertically and slit from 5" below waistline to hemline. The panels are gathered/pleated into the waistband. At the top of each slit is an applied black satin bow, forming a row of bows around the hip-line of the skirt. Each panel has side borders of black satin ribbon. The dress has a center-back zipper from neckline to below hips, with a single hook-and-eye at top of collar. There is an inner black grosgrain ribbon waistband, with hook-and-eye closure. The bodice is lined in sheer black material. Designer's label inside skirt: "Galanos" digital.library.unt.edu/ark:/67531/metadc30072/
Ensemble - Dress and Jacket
(At Right) Ensemble of printed silk. This cocktail or dinner ensemble in the "New Look" consists of a dress and bolero-style jacket of printed floral Ikat silk with a black ground and floral design in gray, browns and dark brown/mauve shades. The dress is mid-calf-length, sleeveless, and with a boat neckline. Tailored to fit, with bust darts, there is an attached bow of the same fabric just below the bust on the front. Slightly dropped waist, with box pleating from waist down the skirt. At front there are two box pleats that start at bow and continue down the front of the dress. Center back zipper closure. The dress has built-in under-structure consisting of inner half-slip of off-white satin, and three layers of stiffened netting petticoats, all with horsehair braid at hem. The matching jacket is of the same cloth, cropped short in the bolero style. It has 3/4-length sleeves and no collar. The center-front opening has no closures. It is fully lined in a brown silk organza. Sewn into the hem are French weights. There is no label in the dress. The jacket has a single designer's label: "Printemps-Ete 1956 / Christian Dior / Paris" which has stamped on it "80615". The "1956" appears embossed, not printed, and the black backing of the label is cut away behind the "1956". The Spring/Summer 1956 line was called the Flèche ("Arrow")Line. Photograph is from the exhibition "Haute Couture - The Great Paris Designers", held at The Grace Museum, Abilene Texas, October 17 - December 30, 2000, and shows ensemble as displayed. digital.library.unt.edu/ark:/67531/metadc30071/
Handbag
Handbag. Arched frame of silver (plated?), lightly chased and engraved. Openwork areas on sides of frame allow rings from suspension chain to slide up and down acting as "locks". Mesh bag with enameled design of flowers. Inside bag are makers tag marked: "Mesh / Whiting & Davis Co. / Bags / Reg. U.S. & Can." and brand tag marked "El Sah". digital.library.unt.edu/ark:/67531/metadc30077/
D'Orsay Pumps
Pair of brown suede D'Orsay Pumps. The shoes have brown suede rounded toe box and heel area, but are open at sides to the sole. Small inverted V cut at front creating "peep-toe" effect. On top of vamp is sewn on brown suede "tie" forming the effect of a bow. Brown suede ankle strap. Thick 3 1/2" high spike heel covered in brown suede. Marked inside heel of both shoes: "17061-1 / 6 S / 11310X"; Stamped on sole of both shoes: "Pandora / Footwear" The D'Orsay Pumps style of shoes is named after Count d'Orsay, a 19th century leader of French Society. digital.library.unt.edu/ark:/67531/metadc30078/
Purse
Purse / Handbag for afternoon use. Rectangular plain polished gunmetal / steel frame with ball/snap closure and matching chain of elongated links. Body of purse formed of gunmetal / steel mesh, with linked chain latticework along bottom edge, terminating in small spheres. Purse of gunmetal mesh, suitable for afternoon use. Inside of frame is engraved "Bessie H. Brown" and "Dallas Texas 4205 Swiss Avenue" digital.library.unt.edu/ark:/67531/metadc30074/
Sunbonnet
Sunbonnet of black silk taffeta. The brim of the hat has 6 shirred hoops with deep padding in between, and a ruffled edge of the same fabric. At center back of neck, on the tail of the hat, is a flat bow of black silk taffeta, and the ties are of black silk taffeta ribbon. The crown is lined with brown glazed cotton fabric. The TFC thanks Rebecca Jumper Matheson for her research on this object. digital.library.unt.edu/ark:/67531/metadc30079/
Dress
Day dress of black silk taffeta. The dress, in the style of the Aesthetic or Reform Movement, is full-length, with a slender silhouette. The front and back of the bodice is styled of tiny vertical knife-pleats, which gather into the rounded neckline. The side panels of the bodice are plain, and there is a line of 14 snaps along the left side forming the closure. The long sleeves are smooth, with slight pleating at the padded shoulders, and they taper to the pointed wrists. The sleeves have 5 hidden snaps and a line of 12 domed non-functioning black taffeta covered buttons on each sleeve. Bodice and skirt are divided by a thin black band. Skirt is fully pleated with tiny vertical knife-pleats. Bodice is lined with thin black crepe. Label sewn inside at back below neckline: "Harbison / Vandervoort's St Louis" Not shown is the accompanying cummerbund of black taffeta, the waistband of large horizontal pleats with a large fan/bow at back with wide, trailing ribbons. (43" from waist to lowest point of ribbons) digital.library.unt.edu/ark:/67531/metadc30076/
Beaded Bag
Handbag. Rectangular bronze frame chased with scrolling floral forms. Ball/snap closure and bronze chain. Body of purse of off-white woven cloth covered in beaded design of red, pink, green, black, and white in an American Indian or possibly Caucasian motifs. Originally lined in pink silk. Frame is marked "Germany". digital.library.unt.edu/ark:/67531/metadc30073/
Dress
Dress. The mid-length dress has a pink crepe under-dress/slip which is overlaid with a black net sheath embellished with lavish black bead-work in the forms of rose-heads forming a trellis and fan-shapes in the openings of the trellis. The dress is sleeveless, with a high boat neckline. At natural waist is an attached pink satin belt with bow in front. Center back zipper, with section of hooks-and-eyes at upper part. The dress is accompanied by a long rectangular pink chiffon scarf. There are two labels in the dress, the Retailer's label "Neiman-Marcus" sewn inside at waist to right of zipper, and maker's label sewn inside near top of under-dress on left of zipper "Made in British Crown / Colony Hong Kong". No labels on scarf. digital.library.unt.edu/ark:/67531/metadc30225/
Ensemble - Dress and Bolero Jacket
Ensemble. The dress is of ivory wool, full-length, and sleeveless with a scoop-neck. Slightly A-line, with a slit at left side from hem up 18". Neckline is lower in back than front, and there is a center back zipper closure with hook-and-eye at top. The dress is fully lined in cream fabric. Designer's label in dress at side seam: "Norman Norell / New York". The accompanying bolero jacket is of red-orange with long sleeves. The cuffs, mandarin collar, hem, and center-front opening are edged with a wide band of off-white fur (fox or mink?). The jacket is decorated with closely-sewn rhinestones. The jacket is fully lined in cream fabric, and has a single hook-and-eye closure near throat. The jacket has no labels. digital.library.unt.edu/ark:/67531/metadc30222/
Boots
Pair of black suede boots. Over-calf-height square-toed boots lace up front, with 3 rows of eyelets at bottom and 15 hooks above. Block heel is covered in black suede. Lined in off-white kid leather and with a rubber and leather sole. Impressed in rubber sole: "Made in France". Stamped on lining inside: "Charles Jourdan / Paris" and "8 1/2 2A 468069 LE" digital.library.unt.edu/ark:/67531/metadc30221/
Evening Gown
Evening gown of heavily beaded beige silk satin. The bodice of the full-length gown has an empire waist, a wide scoop neckline, and is sleeveless. It has princess seaming, and internal boning at center front of the neckline. The skirt has fullness from the widening of the panels. The skirt and lower part of the bodice are beaded with floral/foliate forms in pinks, browns, yellows, clear and iridescent beads. The upper part of the bodice, in a deep band around neckline, back, and straps, is totally covered in iridescent sequins, beaded flower heads in bronze/brown and clear beads. The bodice is lined and has internal structures to help support and give form to the gown. The skirt is lined with stiff netting, and has an internal attached net crinoline. The gown has a center back zipper closure with hook-and-eye at top. There are no labels in the garment. digital.library.unt.edu/ark:/67531/metadc30227/
Pumps
Pair of deep wine red leather pumps. Shoes have a V-throat on vamp and are edged with thin bands of taupe leather around vamp and along outside panel ending in a triangular shape. 3 1/2" Continental set-back heel almost a stiletto, but wider and more oval in cross-section. Stamped in each shoe: "Charles Jourdan / Paris" and "Orient". Stamped inside each heel: "39 B / 63586 E". Stamped on sole: "Leather / Leder / Cuir / Made in / France" digital.library.unt.edu/ark:/67531/metadc30220/
Ensemble - Jacket and Skirt
Ensemble consisting of jacket and skirt. The fitted black velvet jacket is encrusted with gold braid/ribbon in a lattice/trellis pattern over the entire surface, with added buttons, cabochons, beads, etc. lavishly sewn over the surface. The jacket has a no collar, and short capped sleeves. From the natural waist flares a peplum. The jacket has a center front closure of hooks-and-eyes. Unlined, it has built-in shoulder pads. No label in jacket. The accompanying straight skirt is full-length, of heavy black crepe. Center back zipper closure with hook-and-eye at waistband. Designer's label inside skirt at side seam: "Adrian / custom", along with a second label, typed on white grosgrain ribbon, sewn in: "Neiman Marcus 417 / Size 12". This garment reflects Adrian's celebration of the lifting of wartime restrictions on types and quantities of materials and trimmings that could be used in making clothes. digital.library.unt.edu/ark:/67531/metadc30229/
Ensemble - Blouse and Skirt
Ensemble of gold and silver Lurex knit consisting of blouse and skirt. Long sleeved blouse with round neckline and ties at wrists. Trimmed at lower hem with wide black ribbon which ties at side. Matching full-length skirt. On both pieces the knitting is done to simulate the effect of fine pleating. Each piece has designer label. digital.library.unt.edu/ark:/67531/metadc30223/
Dress
Dress and belt. The dress has an empire-length bodice of white organdy with short sleeves, deep V-neckline in front and shallow boat neckline in back and is densely beaded with large and small white beads. From the lower edge of the beaded bodice a band of blue silk satin with a printed pattern of different sizes of white polka dots extends down to dropped waist length, covering the midriff. The full skirt, of the same polka dot material, is above-the-knee length, and has box pleats which start from the dropped waist level. The dress has a zipper closure along the left side seam of the midriff section, and the closure continues up along the lower part of the empire bust line seam to the base of the V-neckline with a series of alternating covered snaps and hook-and-eyes. The bodice section is lined with white organdy, the midriff section with blue silk, and the skirt is unlined. Designer's label is sewn inside bodice near right armhole: "Givenchy" "Made in France", with a second label sewn underneath with handwritten notation "80932". The dress has an accompanying belt covered with matching blue fabric with printed polka dots and backed with black leather. The buckle is also covered with blue polka dot fabric. The belt has no labels or marks. Not shown in photo are matching high-heeled pumps by Rene Mancini, Pairs, and matching envelope clutch handbag also by Mancini. From Givenchy's Spring 1992 Collection. digital.library.unt.edu/ark:/67531/metadc30252/
Sunburst Dress
Black "sunburst" evening dress with bustle. The fitted, full-length sheath is of black silk satin with black velvet "sunburst" motif repeated over the dress. The gown is strapless, with diagonally draped over-panels that meet at center front and form a large bow which tilts up to cover the left shoulder. There is a zipper closure along the left sideseam with hook-and-eye closure at neckline which is concealed by the bust panel, which is snapped to the dress and bow. The back waistline seam has a three-tiered ruffled bustle which has a snap at left side to accommodate the zipper. The skirt flares from knee to hemline. There is a boned black silk inner bodice with bust pads and bust and waist stays. The inner bodice has a zipper closure at left side, just inside the outer zipper. Designer's label inside garment, stitched over right side bone: "Givenchy / Made In / France". Photograph is from the exhibition Haute Couture - The Great Paris Designers, held at The Grace Museum, Abilene Texas, October 17 - December 30, 2000, and shows the gown as displayed with a hat by Balenciaga (Accession #: 1981.022.026). digital.library.unt.edu/ark:/67531/metadc30250/
Evening Gown
Evening gown of ivory satin and black lace. Garment is a full-length, A-line ivory satin dress with 3 wide horizontal bands of applied black lace on skirt and an attached black lace empire-style over-bodice. The bodice, consisting of overlapping lace scallops, has a deep square neckline and full-length sleeves. There are two covered snap closures on each wrist and a series of paired covered snap closures down center back. The dress has a center-back zipper with a single hook-and-eye fastener at the neckline. The ivory silk inner bodice has internal steel(?) boning for shaping, and fastens with a center-back zipper and internal grosgrain band waist stay. Inside the gown is a full-length, attached ivory satin slip with horsehair hem. The dress is piece-lined in ivory organza with a horsehair hem. Designer label stitched into garment at right center-back, beside the zipper "Oscar de la Renta" with second label "Made in U.S.A." sewn below. Hand written on the designer label is notation "4677S". digital.library.unt.edu/ark:/67531/metadc30258/
Tunic
Tunic of gold brocade. Knee-length A-line tunic with open rounded neckline and 3/4-length sleeves. The neckline, cuffs and hem are embellished with applied bands of gold, silver, topaz and rose-colored bugle beads, sequins and rhinestones. Center back zipper closure with four hook-and-eye closures at the neckline. digital.library.unt.edu/ark:/67531/metadc30254/
Ballgown
Ensemble of red/coral/dark rose satin. The strapless dress has an empire bodice which curves up in front at bust and is lower in back. The full-length A-line skirt is pleated into the waistband with inverted box pleats. The gown has a center back zipper closure with two hook-and-eye closures and two snaps on the placket. The inner construction is complex, with red grosgrain ribbon bust and waist stays with hook-and-eye closures and a boned white horsehair inner bodice which is lined with red chiffon. Inner structure has its own center back zipper closure which is behind outer zipper. There is an attached full-length red satin petticoat with horsehair hem and nylon net inner structure to support front skirt pleats. The skirt is piece lined in red chiffon. The accompanying bolero jacket is of matching red satin with all-over quilting in a patterns of waves and arcs in a red thread. The cropped jacket is semi-fitted, and has an open curved neckline and center-front opening with no closure, all trimmed in a band of red satin. Each of the set-in long sleeves has a (non-functioning) large, red satin-covered button near the cuff; the cuffs are trimmed in a band of red satin. The jacket is lined in olive green satin, which shows the quilting, and has built-in shoulder pads. There are no labels in the garment. digital.library.unt.edu/ark:/67531/metadc30259/
Cocktail Dress
Cocktail dress of black silk gazar. The halter-style neckline of the dress ends in straps at center back of the fitted, dropped-waist bodice. The skirt is a semi-full, gathered, mid-thigh length. There is a boned inner bodice of black silk tulle with bust pads, grosgrain bust and waist stays fastening with hooks-and-eyes, an elaborate closure involving halter drape and inner and outer zippers down the left sideseam and five snaps that secure the halter panel and disguise the zipper. Fully lined in black chiffon. Label stitched on right side of inner bodice "Givenchy" and "Made In France". Underneath Givenchy label is sewn-in tape with hand-written note: "80 945" digital.library.unt.edu/ark:/67531/metadc30253/
Coat
Coat of black wool and chinchilla fur. The full-length black wool coat is tailored to fit at waist and flares out at skirt. Long sleeves, and center front opening with 8 circular buttons covered with same black cloth, and 3 hook-and-loops spaced along the opening. The coat has a Peter Pan collar of brown and taupe striped fur identified as chinchilla. From the hips down to the hem is trimmed with matching fur, arranged so the stripes run horizontally around the skirt of the coat. The coat is fully lined in black cloth. Single retailer's label at inside back of collar: "Neiman-Marcus / Dallas". digital.library.unt.edu/ark:/67531/metadc30101/
Handbag
Large Handbag. Rectangular gilt frame with ball/snap closure set with cabochon green stones. Body of bag formed of red, silver, grey, and black beads in a mosaic/Turkish carpet pattern. Bottom of bag with beaded fringe matching body of bag. Lined in pale peach satin with one pocket and attached small coin purse. Sewn into lining is woven tag "Made In France"; Marked on frame "Made In France". digital.library.unt.edu/ark:/67531/metadc30017/
Handbag
Beaded handbag. Rectangular gilt metal frame with suspension chain and ball closure. Body of bag is covered with multi-colored glass beads forming a picture of a bird and flowers amid scrolling forms, same image on each side. Bottom of bag with blue beaded loops of fringe. Interior lining of blue satin, with attached circular mirror on a ribbon. European, either Paris or Vienna. digital.library.unt.edu/ark:/67531/metadc30010/
Ensemble - Dress and Coat
(At Left) Evening ensemble of brown silk shantung. The camisole is sleeveless, with a boat neckline. Center back closure with 10 small circular buttons covered with matching fabric. The blouse is lined in dark brown silk, and has an inner structure of net and metal boning. The understructure extends below the top to give structure to the skirt. The inner net and boning layer has a center back closure of 14 hook-and-eyes, matching along same line as outer closure. The skirt is of matching materials, A-line, below-the-knee length. It has a 2" waistband decorated with horizontal ruching. Center-back zipper closure with two hook-and-eyes in waistband. The skirt has an attached black rayon gorgette underslip, and an attached black nylon petticoat. The petticoat has a horsehair braid incorporated in the hem for stiffening. The matching swing coat is calf length, with a rolled collar and short sleeves. It is constructed with several layers of organza for structure and a tuck panel around the coat for decoration and flounce. Lined in brown silk. There are no labels in the garment. Photograph is from the exhibition "Haute Couture - The Great Paris Designers", held at The Grace Museum, Abilene Texas, October 17 - December 30, 2000, and shows suit as displayed. From the original collection of the Dallas Museum of Fashion, which later became the Texas Fashion Collection. digital.library.unt.edu/ark:/67531/metadc30014/
Dress
Dress of polychrome cotton print. The floor-length dress is of cotton fabric with a raised "zig-zag" texture, in the style of cotton piqué weaving. It is printed with a series of horizontal bands in geometric designs in blues, reds, greens, tan/brown, orange, and purple. The sleeveless dress has a shallow boat neckline in front and deep squared-off neckline at back. The fitted bodice section ends at the natural waist, into which the long skirt is slightly gathered. The front of the skirt has two patch pockets of the same material, with the print matched to disguise the pockets. One of the lower bands of the skirt is embellished with applied non-functional circular gold-colored "buttons". The hem of the dress has a 7 cm. wide band horizontal band of red wool trim, from which hangs red wool fringe. The center back zipper closure has a single hook-and-eye at top. The dress is lined in red fabric. The dress has two labels sewn inside. At left side at seam is designer's label "Lanvin / Paris New York"; at right side near zipper is size label "6". digital.library.unt.edu/ark:/67531/metadc30013/
Pumps
Pair of green suede pumps. Vamp of shoe with 5 bands of green satin ribbon running across the vamp and throat. The throat has V-cut sections on either side, with crossing bands of suede where the V intersects the ribbon. Lined in cream/grey kid leather. 2 1/2" high modified continental heels, covered in green suede. Stamped inside right shoe: " 'Charmant' / Fashions / A. Harris & Co. Dallas". Noted inside both shoes: "38 - 0 14465" digital.library.unt.edu/ark:/67531/metadc30091/
Dinner Gown
Dinner gown of red velvet. The full-length dress is of deep red velvet, embroidered in black to form an all-over pattern of "fish scales". Neckline is rounded, higher in front than back, and has full-length sleeves with a modified leg-of-mutton effect at the shoulders and zipper closures at wrists. The bodice is seamed, and has a natural waistline. The neckline, waistline, and upper part of sleeves/shoulders are edged in black cording/braid. Skirt is slightly gathered into the waistline braid. Center back zipper closure with hook-and-eye closure at neck. Small panel lining front of bodice at bust, the rest of the gown unlined. No label sewn in garment, but retains original paper tag: obverse: "Vera Maxwell / Original"; reverse: "Vera Maxwell / Original / Fibre Content / 100% Wool / Style 121 / Size [blank] / Mat. [blank] / Account No. [blank]". This gown is one of the "Dance Hall Girl" dresses from Ms. Maxwell's Southwest American Collection. digital.library.unt.edu/ark:/67531/metadc30090/
Ensemble - Blouse and Pants
Lounge ensemble in pink silks. The pantsuit consists of a blouse and pants. The blouse is of pink silk, constructed as two layers. The inner lining layer is of plain pink gauze. The outer layer is of pink silk heavily decorated with patterns created by shibori technique dying. The blouse has long sleeves and a center-front zipper closure that runs almost the entire length of the garment and has a single hook-and-eye at throat. The collar, cuffs, hem, and flap over the zipper are a small ruffle of the same materials. The shibori patterns use green, yellow, blue, and the original white of the fabric to create bands of tiny "puckers", large circular forms, and abstract shapes. The pants are of pink silk taffeta, about ankle length, with elastic cuffs. Plain waistband, with zipper closure at center front and single hook-and-eye at waistband. Described in early records as harem pants, but lacking the fullness associated with that style. Both garments have the same series of labels. Designer's label: "Martine Grandval / Made in France Paris"; material label "100% Silk"; and retailer's label: "ViV / Neiman-Marcus / Made in France". The shibori fabric may be of Indian, Pakistani, or Asian origin, based on the particular way that the shibori tye-dying technique has been used on the garment. digital.library.unt.edu/ark:/67531/metadc30096/
Suit
Street suit of gray wool. A daytime or street suit consisting of two pieces. A) Jacket, with squared padded shoulders, no collar, and long sleeves. Opening along the central front, the jacket has a series of 5 hook-and-eye closures, and has a band that extends from upper left, across opening, and secures through a wide loop just below the right shoulder. The jacket is lined in a peach/mauve silk. B) Skirt. The straight skirt was originally just below knee length, but has been lengthened by the addition of material almost matching the lining of the jacket. The skirt has a center back zipper closure. It is currently unlined, but has evidence of the alterations. Jacket: At center back of inside neckline is designer's label: "Gilbert / Original"; at right inside seam: "Frost Bros / San Antonio". Skirt: No labels, possibly removed. digital.library.unt.edu/ark:/67531/metadc30093/
Sunbonnet
Sunbonnet of white cotton broadcloth. The hat has a square-shaped brim with an outer layer of off-white weave material with a plain-weave backing, and crocheted trim. The brim is thin and does not appear to contain much stiffening material or starch. The crenelated crown fastens to brim by a series of 9 buttons on top and 2 buttons on each side. The crown is trimmed with the same crocheted trim as is the brim. The crown and tail are of a made of a single length of fabric. The TFC thanks Rebecca Jumper Matheson for her research on this object. digital.library.unt.edu/ark:/67531/metadc30065/