Dress of black crepe. Elbow length dolman sleeves with underarm insert. Blouson bodice with gathered skirt. Center back closure of self fabric covered buttons and bound buttonholes on bodice. Center back zipper closure in skirt. Contoured black grosgrain petersham is 5" wide at center front and 4" wide at center back closure. Style number 1637.
Maternity ensemble of black silk faille. (a) Top has a short shawl collar with double layer short sleeves, top layer of sleeve is split into tulip shape. Three button center front closure with circular self-covered buttons. A-lined and very wide at the bottom. Unlined with built-in shoulder pads. (b) Skirt is mid-length with elastic waist and two small slits at center front and center back hem. Unlined.
Indian Sari Ensemble of light green georgette with black machine embroidery and silver beading. a) Short-sleeve choli (blouse) with hook & eye closure at center front. Floral embroidery and beading. b) Sari with matching embroidery/beading.
A) Dress of indigo blue lace with silver metallic threads woven throughout. The full-length dress has a shallow V-neck in front, and a low V-neck in back with turned back, pointed "collar". The long sleeves each have a series of 4 tiny snaps from wrist upwards along arm. There is a deep ruffle or flounce of the same material at the waist, simulating a peplum. The long skirt is slightly scalloped at the hem, and is longer in back forming a slight train. B) small matching belt
Two-piece gray flannel daytime suit. A) Fitted jacket. Single breasted with closure of nine buttons; bound buttonholes. Two faux tri-flap pockets on the chest. long suit sleeves. Modified Peter Pan collar has points at shoulders. Front hemline has points matching collar. Lined in mauve crepe. Designer Label: Vera Maxwell / Original B) Skirt. Full length; A-lined.
Blouse of creme silk crepe with hand-screened figures. Long sleeved, with zippered cuffs, the shirt has a convertible collar and center front opening with three carved circular mother of pearl (simulated?) buttons and one small circular mother of pearl button at collar. The shirt is hand-screened with figures reminiscent of Minoan/archaic Greek figures, including men, women, dolphins, and figures in horse-drawn chariots. Most figures embellished with lines of sequins in complimentary colors, women's dresses with beading as well. Unlined. No labels in garment.
Clutch style coat of floral brocade and blue velvet. The mid-length wrap coat is made of jacquard woven silk in a pattern of flowers in blues, taupe, and browns on a dark brown ground, with metallic gold stitching throughout. The raglan sleeves and the collar are edged in wide bands of shirred aqua blue/green velvet. Center front opening with no closures. The coat is lined in aqua blue/green velvet. No labels in garment.
Robe of black nylon with printed geometric design in blues, green and white. Half-length sleeves. High collar. Center back zipper closure. Maker's label "Gottex" / Made in Israel / 100% Nylon" Size label "L". Care label "Hand wash / Mild soap - cool water / Don't wring - dry in shade".
Day ensemble consisting of a white linen top and matching white linen skirt. a) Semi-fitted white linen top. Shallow V-neckline with standard notched collar and short lapels. Short sleeves cut in one with jacket body supplemented by two triangular shaped gussets under the arm. Lapped center front opening with single round plastic white button and in-seam (yoke seam) buttonhole supplemented by single snap closure. Front has a bias yoke which cuts across bustline. Lower front piece is also bias. Back has darts which form release tucks at waistline. Sides are vented at hem. Fully lined in white silk. b) Matching knee-length, semi-tailored skirt with folded white cotton bias for a waistband. Left side zipper closure supplemented by single hook&eye closure on waistband. Folded hem. Fully lined in white silk.
Summer cape of white cotton pique. Shawl collar extends to hem. Two white silk frogs at neckline for front closure. About waist length. Unlined; padded shoulders.
Cocktail ensemble of pale blue and gold brocade. a) Pale blue and gold brocade dress with 3/4 sleeves. Lined in pale aqua blue silk. Front snap closure. Designer Label: "EISA" b) Peplum underskirt hem faced with matching brocade and topped with same silk as lining of dress.
Cape of black, gray, and off-white wool tweed with 5" collar. Single button closure at collar (button missing). 8.5" x 13" panels on front either side next to 12" arm slits with 1 self-covered button each. Lined in dark gray silk. Knee-length. Designer's label: "Balenciaga / 10, Avenue George V. Paris"
Red woven wool dress with red leather belt. a) Red woven wool knee-length dress. Long straight sleeve with functioning zipper at cuff. Medic collar. 2 long front patch pockets extend around side. Empire waist seam (short bodice). 2 verticals seams from center shoulder to hem. 22 inch zipper in back. Curved back seams 2 inches below back shoulder to bodice. 6 belt loops. Back seam at elbow on sleeves. Two hook and eye closures on back of collar. Lined in red silk. Designer label on left side of zipper: Geoffrey Beene. SAKS 5th Avenue on inside seam of dress. b) Red leather belt. Front light red back dark red. Three belt holes.
Evening dress of dark yellow/gold chiffon with vertical lines of cut beads and crystal rhinestones at upper bodice and sleeves. V-shaped neckline; elbow length sleeves. Full length with inserted waist styled straight at waist and V-shaped at bottom. Left side zipper closure. Belt loops at sides; belt missing.
Jacket in bolero style of white cotton pique weave. Closure-less front with collarless neckline; elbow-length sleeves. Midriff length back; front center slopes to a "V" at waist length.
Kutchi Dress of the Pashtun Peoples, Afghanistan. Full-length. Bodice of various fabrics and embellishments. Rounded neckline with slight standing/band collar of primarily yellow bead-work with blue bead squares containing red bead centers. "Collar" below neckline of pendant silver-colored coins. Shoulder areas of purple with primarily yellow stitching forming scroll-work. Front "bib" of dark red outlined with same bead-work as neckline, and sewn with 9 horizontal rows of green tear-drop shaped beads and a line of silver-colored coins. Center part of bodice of black fabric with all-over red reflective circles. Wide "waist" of dress with geometric bead-work band of white, green, red, blue, and orange, with band of small circular mirrors and two lower borders of fringe tipped with white and green beads, and lowest border of coins. Sleeves of dark green velvet with bands of rickrack of silver and gold, and stitching matching the shoulder areas. Edged with bead-work and with row of silver-colored coins. Skirt is full-length, and full, and is of dark blue/black fabric printed with white and grey pattern of small flower blossoms, paisley shapes, dots, leaves, etc. Hem of dress with wide embroidered band, upper section with horizontal band of squares of various colors (reddish, green, orange, pale green, purple), center band of yellow, and lower band of reddish/magenta. Unlined. No labels or tags.
Thai temple dancer costume with jewelry and head piece, including: A) Skirt in wrap style of black cotton printed in gold and red scroll design. Ankle length. Closure of two hook & bars on 1" waistband. B) Bodice/top of red synthetic satin. Strapless. Center back hook & eye closure. D) Shoulder drape of green tulle (narrow). E) Waist drape of green tulle. Constructed with three pleats across the top, large hanging triangle at the center and hanging drape off of one end.
Thailand - Hmong Hill Tribe Festival Attire A) Bodice of Black satin bodice with square neckline. Neckline "framed by embellished bands consisting of red outer and inner borders, "zig-zags" of red and blue bands, and applied flower-shaped pink and iridescent sequins with beads. Bands extend down front of bodice, and are around cuffs of the long sleeves. Around the neckline and cuffs of the 3/4-length sleeves are hung beaded pendants with silver-colored coins. Front opening along left side vertical band, with 4 hidden snaps. Unlined. No labels or tags in garment. B) Skirt, Knee- or Below-Knee-Length skirt of finely pleated black fabric. Wrap style, with plain panels at ends. Narrow waistband. Unlined, but faced at ends and with band near hem. No labels or tags in garment. C) Apron, Vertical front panel of black satin with an embellished "frame" composed of wide bands of decoration. Red outer and inner borders, "zig-zags" of red and blue bands, and applied flower-shaped pink and iridescent sequins with beads. Hung in rows across the apron are beaded pendants with silver-colored coins. Wide waistband matching the "frame" of the vertical panel, hung with beaded/coin pendants along most of lower edge. No labels or tags in garment. The following parts have separate records, not housed with garment: D) D) Hat. Hat formed of an open circle of black nylon(?) satin lined in black cotton. Upper portion with wide "rim" projecting out, from which hangs a fringe of white/clear beads, each of the 43 strands ending in a French Indo-China 10 centime coins, . The main body of the hat is covered with a "trellis" of blue and red ribbon, within each intersection there is a pink or white flower-head bead. Width: 10" (approx); Circumference: 32 1/2" (approx); Height: 4" without fringe. E) Necklace
Festival garment of Karen Hill Tribe A) Tunic. Black cotton square mid-length tunic, sides sewn except arm-holes, vertical slit at center front/back to form head-hole/neckline. Head-hole slit and arm holes edged with tiny white seeds. Body of tunic with horizontal bands of embroidery in various patterns (checkerboards, zig-zags, diamonds, "flowers") and colors (red, green, yellow, purple, pink, blue, orange), and horizontal bands of white seeds. At each side, and at center front and center back are "tassels" formed from the embroidery yarn. Bottom edge of tunic with fringe. Unlined. No labels or tags in garment. B) Skirt. Wrap skirt formed of rectangular panel of hand-woven cotton with horizontal woven wide stripes of red and black, with narrow stripes of green white, yellow, red, and black. Narrow ends with embroidered bands/edging of white triangles, red, yellow, green, pink, white, black, brown, etc. geometric inter-lace forms. 32 1/4" x ca. 68". No labels or tags in garment. c ) Necklace of nickel silver, large disk.
Uzbekistan Wedding ensemble a) Pants - ikat in diagonal stripes, white, pinks, purples, etc. and with green upper panels b) Dress - matching ikat, no green panels c) Coat - Purple, embroidery, floral edging d) Veil- white, embroidered, beads, etc. f) Face shield of matching silk ikat covered cardboard with gold fringe along bottom edges. Machine embroidered in yellow lotus(?) flowers with gold bugle bead centers. E) Headpiece. Ornate headpiece of cardboard in the kokoshnik style. Large, triangular panel is covered in gold couched metallic cording with beaded rosettes and sequin backgrounds. Lower edge with fringe of gold beads ending in gold teardrop beads. Upper edge with multicolored row of feathers. Elastic strap across back holding it into shape, and to secure to wearer's head.
Handbag of multicolored glass beads in floral garden pattern with birds. Silver metal frame in rectangular shape with red jeweled snap closure. Bag has rounded corners at bottom, transparent beaded fringe and chain handle. Pink satin lining. Trimmed with bead fringe.
Nubian Ensemble. A) Jirjara robe (Nubian-style young woman's galabeya) of sheer black machine made lace with floral pattern woven into the lace. Full-length, with rounded neckline. Wide rounded, almost boat-neckline edged with row of large, spaced golden discs. A second row of gold discs runs slightly lower across upper chest. Long sleeves with slight cuffs. Dropped waist with wide horizontal pin-tucks. Skirt gathered into sewn band just below bottom pin-tuck. B) Under-dress of blue cotton printed with ancient Egyptian-inspired motifs including lotus and flying birds, done in gold, red, and black. Full-length, with "keyhole" neckline, lower part of keyhole with scalloped edge. Slits at side seams from hem up to mid-calf. Very short sleeves. Garment cut to create very slight "A"-line shape, by cutting in under arms. Unlined. C) Head scarf of very fine black fabric. Triangular in shape, with edging of crochet/knitting of black yarn threaded with small clear crystal/glass cylindrical beads. Outer edge of beaded loop "tassels" of the same beads.
Handbag with cast and chased silver frame decorated with openwork figures of children harvesting grapes. Ball/snap closure. Silver suspension chain of alternating oval links and links formed of three flower-heads. Bag is oval shaped, black wool with petite point embroidery decoration on each side of a bouquet of trumpet shaped flowers. Pink satin lining. Hallmarked "800" on frame.
Rabari Tribe Festival Attire: A) Kanchali (Jacket/Vest/Top): Backless top with short sleeves and "V" neckline in front. Front and side panels covered with embroidery, primarily geometric designs, in rusts, orange, white, blue, yellow, green, and white. Three ties in back, at neck, upper, and middle back. Partly lined in red fabric. No labels or tags in top. B) Ghaghro (Skirt): Full-length skirt of heavy red fabric. Drawstring waist. Waistband with horizontal bands of: Vertical purple, yellow, and red striped silky fabric; thin band of red fabric; thin band of green fabric; thin band of orange fabric; thin band of black fabric. Body of skirt gathered into the waistband. Two horizontal rows of repeated large embroidered motifs of potted flowers with pairs of birds, interspersed with smaller motifs of flowers. Each design with inset small circular mirrors in embroidered frames. Lower section/hem with wide band of embroidered and appliqued decorations. From top: "wave" line with leaf-shaped forms, horizontal band of hearts laid side-ways with connecting line; Large band with flower heads, fines and leaves, with mirrors at center of each flower; Scroll with alternating leaf forms; Blue wave line, orange line, green line, orange wave line, purple line, orange line, green line, purple line, wide band of dark purple with diamond-stitching; purple line; black line; red line; green line; orange line; purple line; red line. Unlined. No labels or tags in skirt. C) Ohdni (Head scarf/shawl): Large pieced rectangular shawl in red, blue, brown, and black. Ornamented with embroidery, applique, mirrors, and band of coins. Central square set with large and small mirrors in rows, with embroidered borders/frames of red and purple. Set around central square are appliqued "Maltese cross" forms of white and orange fabric set with mirrors. Ends with large red panels repeating the "Maltese cross" forms but without …
Egyptian Ensemble. A) Galabeya. Full-length galabeya of black cotton, with rounded neckline cut at base to for a shallow "V". Caftan style, with long sleeves and slit from hem upwards on right side. Front of galabeya with embroidered and applique decoration. Around neck and front of bodice is floral decoration and scrolls in gold, greens, red, and blue, and central shield-shaped gold satin applique piece with embroidered scroll work in gold and blue. Lower part of galabeya with matching, but inverted similar gold satin appliques with embroidered scrolls, and embroidered floral forms. Long sleeves with thin rectangular embroidered gold bands along wrist. Unlined. B) Head Scarf. Rectangle of fine red fabric, lower edge scalloped. Upper edge with sewn border incorporating spaced gold cylindrical beads. Ends of scarf and scalloped area of lower edge with thin crocheted/sewn band with spaced gold tear-drop beads and simulated gold coins. Applied to center of scarf are two bands of red crocheted/knitted net with gold spherical beads and pendant simulated gold coins.
Festival Attire, Hmong Tribe, Eastern Thailand-Western Laos. A) Bodice. Waist/upper hip-length, of black velvet with all-over printed pattern in textured "paint" of leaves/flowers in dark reds/purples done in "dots", outlined in silvery white. No collar. Center front opening edged on inside with wide band of needlework with "zig-zag" in red, pink, and green cross-stitch, bordered in green and yellow, and in band of sparkly silver ovals containing green, red, and yellow metallic reflective strands. Outer edge of "saw teeth" in groups of red, green, pale green, and white. Cuffs of the long sleeves with same wide bands. Back of bodice with "flap" at neck, edged with pink and green, upper section of black cloth with printed flowers in green, pink, purple, and white, edged in places with gold. Lower part of flap of cross-stitch/needlework in pink and green with dark on white forming zig-zig-based pattern. Bodice lined in white fabric printed with dense, all-over pattern of small purple flowers with green leaves. No labels or tags in bodice. b) Skirt. Wrap-style skirt, knee-length or lower. Wide woven blue waistband into which main body of skirt is tightly pleated. Upper section of skirt of plain blue fabric. Lower part of a blue denim-like fabric similar to waistband (indigo dyed) with white resist pattern of bands and blocks and circles. This panel, itself pleated into upper panel, is embellished with horizontal bands of pink/magenta stitching, and a band of green ribbon with pink diamond shapes. Long blue fabric ties. No tags or labels in skirt. c) Apron. Narrow "apron" set horizontally. Waistband consist of (from top to bottom): Band of printed fabric with narrow blue border with blue printed design, then band of blue with white flowerheads separated by gold "x" shapes, then thinner lower border; Wider band of needlework with pink …
Hmong Hill Tribe festival ensemble, Thailand/Laos A) Bodice/jacket. Jacket of black velour, waist-length. Center front opening with no closures. On either side is wide applied band of embroidery in pink, green, white, and metallic gold, with braid border and outer colored "saw-tooth" edges of pink, green, red, and white triangles. Mid-length sleeves with matching wide bands at cuffs. Back of jacket with small square "flap" hanging from neckline made with same embroidered band. Fully lined in blue cloth printed with all-over dense floral pattern in pinks, blue, green, white, and yellow. No labels or tags in garment. B) Skirt. Mid-length skirt of various fabrics in horizontal bands. Uppermost band of black cotton(?) with elastic waistband. Next band from top is of blue cotton(?) heavily pleated into upper band, and with horizontal red lines embroidered/sewn in - one near top of panel, two near bottom of panel, with narrow band of "lattice" embroidered between the lower lines. Third panel from top is a dark brown/black more open-weave fabric with subtle reddish threads forming a repeated design of squares(?) around the band. This band has narrow dark purple velvet bands near the edges. Bottom band of skirt is a black velour. Unlined. No labels or tags in garment. C) Apron. Long vertical panel of black velour "novelty fabric" printed in metallic neon colors in a design of stylized feathers and shapes, with all-over blue iridescent(?) "sequin" dots. Front of apron with applied vertical bands of machine embroidered decoration in pinks, greens, white, and red consisting of heart shapes containing pairs of birds, within frames of spirals, zig-zags, straight lines, etc. forming diamond-shapes. Bands edged with pink ribbon. Running vertically down apron are three rows of small flower heads of colored felt(?) with golden metallic beads and opalescent/sparkly plastic flower-heads. Reverse of apron …
Thai traditional temple dancer ensemble of yellow, green and red. a) Bustier style top of yellow/orange synthetic. Center back hook & eye closure. b) Skirt of red satin synthetic with horizontal rows of gold trimmed and white pleated decorations. Ankle length; elastic waist. c,d,e) Belt/panniers of green satin synthetic constructed with two strung on pleated/folded panels. f) Panel of green synthetic satin with jeweled edging.
Nubian Ensemble. A) Jirjara robe (Nubian-style young woman's galabeyah) of sheer black machine-made lace with scattered "tendrils" of various sized dots all-over which extend from hem upwards. Full-length, with rounded neckline and slight "V" at front. Full-length sleeves flaring to wrist. B) Under-dress of white cotton embroidered with ancient Egyptian-inspired motifs, including lotus blossoms. Full-length, with rounded neckline with small "V" at front. Neckline edged with green embroidery. Short sleeves edged with similar green embroidery, as are the short slits from the hem upwards. "Bib" at front of upper part of dress with green, yellow, blue, red, and pink embroidery of stylized lotus, scrolls, border lines, etc. Front of skirt with large embroidered motif of lotus(?) growing from bowl, with other blossoms around, in same colors. Back is plain. Unlined. C) Head scarf of very fine black fabric. Triangular in shape, with edging of simulated gold-colored coins. With suite of costume jewelery of gold-colored metal hung with faux coins, consisting of: 1) Necklace. Simple gold chain suspending triangular "net" of gold quaterfoil-shaped links hung with tiers of faux coins. Simple hook fastener. "Cascade" style. 2) Headpiece (?). Formed of two linked triangles of net with 6-lobed openwork links, hung with tiers of faux coins. At center point is large heart-shaped pendant hung with fringe of coins on short beaded strands. 3) Earrings. Pair. Simple hook suspends horizontal bar from which hangs a triangular "cascade" of tiers of faux gold coins hung on a net of quatrefoil-shaped links. 4) Bracelet. Cuff-style openwork wire bracelet with fringe of tiny spherical bells. 5) Bracelet. Cuff-style bracelet of openwork metal hung with a triangular "cascade" of tiers of faux gold coins hung on a net of quatrefoil-shaped links.
India Sari: a) Choli bodice of turquoise blue synthetic crepe with zardozi gold metallic embroidery and beading at shoulder and on short sleeves. b) Sari of matching turquoise blue synthetic crepe with zardozi gold metallic embroidery and beading.
Cosmetic case of silver in envelope shape with etching. Plunger opening. Gold interior of floral design with mirror and openings to hold makeup. Silver chain handle alternates between chain links and bars.
Egyptian belly-dancing costume: a) skirt b) top c) veil k & l) Slipper style shoes of metallic silver. Stamped "City Slips" Items on an individual record, not housed with garment: Suite of jewelry, of silver-colored metal, hung with faux coins: D) Belt E) Headpiece F) Bracelet w/ring G) Anklet H & I) Earrings (Pair) J) Necklace
Traditional Korean child's Hanbok ensemble of rayon damask. A) Wrap dress (Chima) of red large floral damask with with red net "suspenders", and ties of red satin. B) Jacket-like upper garment (Jeogori) of green large floral rayon damask. Cropped, square neckline that wraps at bust with long red ties. Long sleeves with stripes of red, green, yellow, pink, blue, and white with red printed symbols.
Uzbekistan festival ensemble. a) Caftan/Dress of silk ikat. Full-length, very slight A-line, long sleeves. Shaped neckline. Body of caftan/dress of silk ikat in pattern of rectangular blocks of purple, white, yellow, and reddish-black with central ikat patterns of green, black, yellow, and pinkish, with white "eyes". Neckline is edged with band of rhinestones following the scrolling shapes, and continuing down to and across bust. Within band are small areas of "cutouts" backed with fine white mesh. Cuffs with scalloped edges and decorative stitching following edges. Unlined. No labels in garment. b) Coat of complimentary ikat. Full-length, sleeveless, center-front opening with no closure. Edges of neckline, center-front opening, hem, and deep side-slits are all edged with heavy yellow embroidered applique of scrolling bands with "strawberry-leaf" shapes, with yellow mesh backed openwork on leaves, tubular beads along the scrolling bands, and iridescent flower-shaped sequins accenting the edges. Unlined. The ikat pattern is same as dress, but predominantly in greens, blues, yellows, and white rather than reds and purple. No labels in coat. C) Hat. Square, box-form hat of stiffened dark brown(?) velvet almost totally covered in heavy gold metallic thread embroidery and with fine gold bugle beads and gold sequins. From top edge of crown is fringe of long bead strands of gold bugle beads ending in gold teardrop beads. Fringe is longer at sides and back, short in front. Lined in printed cotton, red with floral and white with floral. Whole interior is "shellacked" with glue to stiffen. 6 1/4" square x 3" high, not counting fringe.
Handbag of bronze, brass and aqua metal beads in floral pattern. Rectangular shape, Art Nouveau silver frame with white and green enamel with red, blue, and light green cabochons. Filigree snap closure has large, circular green cabochon. Fringe of self with ends finished in clusters of 3 brass beads. Double chain handle can be worn as single to extend handle longer.
Complete "Geisha" traditional Japanese women's ensemble, of the Kyoto style. The complete ensemble includes various under garments and accessories not seen in images, as well as primary components: Kimono - Salmon colored polyester outer garment with woven geometric design ground decorated with cherry blossoms, mums, and other flowers. Applique of flowers across back of neck/right shoulders. Hand sewn, this is a "Spring" kimono.; Obi of white, silver, and orange brocade; Sash of pink and white shibori; Obi Jimi braided orange cord belt to tie around obi; Tabi socks; Geta sandals (not in images); Fan, and traditional wig, embellished with artificial flowers.
Shirt of red silk jacquard with repeating floral motif. Chinese style with no sleeves and opens half way down front of garment. Front closes with two frogs. Mandarin collar of same fabric. Label: turquoise diamond with stylized S in center, Suzy (?) / SEOUL KOREA / SIZE 7
A) Abaya (robe) of black polyester. Large, rectangular, almost square garment with center-front opening. Undefined neckline, straight across back, and straight down on either side of neck. Armholes at upper edges of sides. Unlined. Label at inside center back below neckline with Arabic script. B) Tarha (shawl/head cover) of black polyester net/mesh. Large rectangular panel, one edge of which has applied band of black with gold edging and foliate form along the length. That edge is to from the "front" of the tarha, with the band forming the edging to frame the face, and is sewn together below chin. No labels or tags in garment. C) Niqab (face veil) of black polyester with beadwork. Black velvet head-band/ribbon at top, from which hangs the niqab from three black braided cords at nose and either side of face. The face-covering veil is formed of a roughly rectangular piece of fine black polyester mesh, folded over at top to create a "flap"/2nd layer of cloth over the face. Along the lower edge of the "flap" is beaded fringe band composed of circular silver beads and dark blue tubular beads forming a "zig-zag" line along the edge. The under layer of the veil is roughly cut along the lower and right edges. No fastener, to be pinned closed. No labels or tags in garment. The gold trim on the tarha (head scarf) and the bead work on the niqab (veil) would not be seen on the streets in a city - strictly a Bedouin style.
Yao Tribe Festival ensemble. A) Pants. Black cotton(?) pants, 3/4 or longer in length. Plain waistband and upper section. Thighs, outsides of legs, and lower legs areas are intricately decorated, created in part by sewing together bands of woven work, and in part by bands of cross-stitch. The decorations are geometric forms, stylized natural forms, etc. in green, yellow, white, red, orange, pink, and black. No labels or tags in pants. B) Coat/Jacket/Top. Black cotton upper-body garment, full-length. Large "collar" of dark red fuzzy "pom-pom" edging with scattered green, yellow, and blue strands at base of trim and in places around neck. Long sleeves edged at ends in narrow bands of red and white applied fabric. Center front opening with no fasteners. Slits at sides from hem to waist create "ties" from the front flaps of the garment, which are trimmed in blue edging. At top of each side slit are attached three long tassels of magenta/pink yarn with beaded tops. No tags or labels in coat. C) Hat. - stored separately, on individual record. D)"Hat Scarf". Black strip of cotton(?) which terminates at each end in square panel with internal stiffening agent (cardboard?). Edged on two sides in magenta/pink/reddish "pom-pom" edging. Center of each panel with applied printed square of fabric with geometric motif of crosses in pink, green, red, and blue. No tags or labels in hat scarf. E) Back apron/belt panel. Central vertical panel consisting of black cotton vertical rectangle with wide border of blue silk(?). Backed with black cotton. Extending from each side at top are very long rectangular bands/ties. From panel outwards on each side: Vertical stripes of yellow, green, white, pink, white, blue, white, green, white; 5 squares of patchwork/embroidery in pink and green with small touches of orange, red, blue, etc.; Vertical bands …
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