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 Country: United States
 Decade: 1900-1909
 Collection: Texas Fashion Collection
Mourning Fan

Mourning Fan

Date: 1900/1925
Creator: unknown
Description: Folding mourning fan. Guards and sticks of plain black wood, shaped but not adorned. The leaf is of plain black cloth. No visible labels, marks or signatures.
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: [1907..1930]
Creator: unknown
Description: Pair of shoes of off-white leather. Designed with pointed toes, the shoes have uppers cut to create a large tongue with upper edged cut to a point. Applied to vamp is medium sized bow of same leather. Modified Louis heel covered with same leather. Retailer's label stamped inside: "Neiman Marcus"
Contributing Partner: UNT College of Visual Arts + Design
Handbag

Handbag

Date: 1900/1909
Creator: unknown
Description: Handbag. Rectangular frame of cast openwork brass floral designs with traces of gilding. Ball and snap closure and gilt brass suspension chain. Bag is of dark purple crocheted silk, with three different types of beading. Area at frame is plain all-over beading of purple/bronze iridescent cut beads. Below this, and at bottom of bag is fringe of looped beading. The main body of the bag has vertical stripes of beads arranged in horizontal rows. Lined with bright purple silk, trimmed in gold cording. Contains a small gold kid leather purse embossed with a stylized thorn pattern.
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1901
Creator: C.A. Verner Co. (Pittsburgh, PA)
Description: Pair of ladies' white heavy satin wedding shoes. Designed with pointed toes, the shoes have a fastening strap across instep with a single domed opalescent/milky white glass button. Across vamp is applied white satin bow with decorative gilt metal rectangular buckle with lobed ends. One buckle missing. Lined in white fabric. Sole of natural brown leather, heel covered in white satin. Medium-height heel with rounded sides and back, curving inwards and then flaring out to base, similar to a Louis heel. Stamped inside shoe in gilt: "C.A. Verner / Pittsburgh" Worn by Bess McChord (1874-1903) at her wedding to Clifford Dunnells, January 1, 1901.
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1900/1909
Creator: Wichert Shoe (New York, New York)
Description: Pair of lady's shoes of black kid leather and broadcloth. The "high button shoes" have black leather toe boxes with pointed toes and black leather sections at heels which extend from heel up the back of the shoe. The uppers are of black wool broadcloth. Shoes secure at outside edges with 12 circular, slightly domed black buttons. Upper edges lined with black leather, the rest lined with white cloth. The medium-height heel is rounded at sides and back, and squared-off at front. Although not technically a "stacked" heel, the layers can be seen. Maker's label sewn into lining at top: "Wichert / Shoe / Trade Mark / New York U.S.A." Retailer's gilt stamp on inside edge: "Norton's / Gainesville, Tex." Handwritten notation inside boot, just below upper edge: "36-1 36752 / 330".
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1907
Creator: unknown
Description: Pair of white kid ladies' shoes. Styled with pointed-toes, the white kid leather upper has a vamp decorated with geometric and stylized foliate designs in crystal beads. The shoes secure across instep with single ribbon tie on each, creating a "peep" just above toes. Lined in white leather. Natural brown leather sole. Heel is of medium height, rounded at back and tapering slightly to base. Similar to what would become a Cuban heel. Maker's code stamped inside: "35-C 3021" Worn by Norma Tiemann at her marriage to Val L. Lehmann in Brenham, Texas in 1907.
Contributing Partner: UNT College of Visual Arts + Design
Boots

Boots

Date: 1900/1909
Creator: unknown
Description: Pair of lady's boots of black leather and wool broadcloth. The "high button shoes" are designed with pointed toes gently rounded at tips. The lower part, including vamp, are of black leather. The upper part is of black wool broadcloth edged at scalloped top with black leather, and with black leather accent band running from heel partly up the back of the boot. The boots lace up along the front with 20 holes. Lined at top with reddish/orange fabric, the body of the shoe lined in white fabric. High heels are rounded at sides and back, flaring slightly to base, and curved at front. Black leather soles. Stamped notation inside: "3 1/2 B R251"
Contributing Partner: UNT College of Visual Arts + Design
Riding Boots

Riding Boots

Date: 1900/1920
Creator: unknown
Description: Pair of lady's riding boots of black/dark brown leather. The "high button shoes" are designed with pointed toes gently rounded at tips, the boots lace up along the back with 12 holes/hooks. Lined in white fabric. High heels are rounded at sides and back, flaring slightly to base, and curved at front. Black leather soles. Hand-written note: "3-13 / 38405 / 413" Retailer's label stamped in gilt, mostly illegible: "Portland Ore" Brand stamped in gilt: "STEPINSHU / Trade Mark / Pat. Applied" Stamped in sole: "WICHERT"
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1901/1909
Creator: unknown
Description: Pair of lady's boots or "High Button Shoes" of dark brown kid leather. The shoes, designed with pointed toes, lace closed along center front with laces 18 holes high. Medium height heels styled as a modified boulevard or Louis heel, with rounded sides and back, tapering to base, and with curved front section. Sole of black leather. Partially illegible notation stamped inside on lining: "050 8186K 6"(?)
Contributing Partner: UNT College of Visual Arts + Design
Boots

Boots

Date: 1900
Creator: unknown
Description: Pair of boots or "High Button Shoes" of gray/silver lamé cloth. The shoes, designed with pointed toes rounded at the tips, lace closed along center front with laces 18 holes high. The high heels are rounded at sides and back, tapering to center and flaring back out at base, and are curved at front. They are covered with the lamé fabric on the back and sides. The sole is of tan and brown leather, as is the cap on the heel. Shoes are lined in off-white cloth. Hand-written notation on inside lining, partly illegible: "37 / .... / 911"
Contributing Partner: UNT College of Visual Arts + Design