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 Country: United States
 Decade: 1900-1909
 Collection: Texas Fashion Collection
Wedding Shoes

Wedding Shoes

Date: 1902
Creator: unknown
Description: Wedding shoes of off-white leather. The shoes have pointed toes, and a "Mary-Jane" style strap across the instep which secures with a domed opalescent button. At throat of each shoe is a rectangular ornamental buckle covered with matching leather. The medium-high heel tapers slightly to the base and is covered with matching leather on the rounded sides and back; it has the same natural brown colored leather on the heel's curved inside and on the soles of the shoes. Retail's label stamped inside one shoe: "Sanger Bros. / Dallas Texas" Stamped inside both shoes on leather upper: "36-2 68082" The shoes are accompanied by a shoe bag of tan colored raw silk with a Japanese character style embroidery motif of blue silk worked in satin stitch. Worn by Jessie Knapp Nunnally of San Angelo, TX, at her wedding in 1902.
Contributing Partner: UNT College of Visual Arts + Design
Mourning Ensemble - Bodice and Skirt

Mourning Ensemble - Bodice and Skirt

Date: 1900/1903
Creator: unknown
Description: Black silk mourning ensemble consisting of bodice and skirt. The bodice of black silk is fitted and boned, with a high, standing black silk band collar with appliqued black lace medallions. It has full-length, modified bishop sleeves that gather into the armseye. Below the gathered cap, in the portion corresponding to the upper arm, the fullness of the sleeve is controlled with top-stitched vertical tucks. From the elbow to the cuff the fullness is again released in a bishop sleeve silhouette. The sleeves gather again into wide black silk cuffs with appliqued black lace medallions and four narrow bands of black velvet ribbon. The bodice front is constructed on the lines of a bolero jacket, with a deep V-shaped opening and wide ruffled collar which is constructed of horizontally tucked black crepe-patterned silk. The released fullness of the tucking creates the ruffled finish. The ruffled portion is edged with two narrow bands of black velvet ribbon. The bodice front has a bib fill of gathered black silk and tulle net that is secured with hook-and-eyes beneath the left collar overlay. The fill area disguises the true front opening which is secured with thirteen hook-and-eyes. The main body of the bodice, ...
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1900~
Creator: unknown
Description: None
Contributing Partner: UNT College of Visual Arts + Design
Hat

Hat

Date: 1904
Creator: unknown
Description: Hat of dull golden horsehair mesh over wire framework. Cylindrical crown widening to base of horsehair constructed in a spiral, on wire armature. Side of crown with wide black velvet band with self bow at back. Slightly oval brim of same horsehair set so sides are wider than front or back. Brim slopes slightly from crown to outer rim, with thin wire framework to retain shape. Attached at sides are sprays of artificial flowers and leaves. Underside of brim lined with gathered extremely fine pale chiffon. Crown has inner rigid structure that extends below brim, creating a "support" that rests on wearer's head. Exterior of inner structure lined with black velvet, inner lining of white fabric with "drawstring" center gather. No labels or tags.
Contributing Partner: UNT College of Visual Arts + Design
Wedding Shoes

Wedding Shoes

Date: 1901
Creator: C.A. Verner Co. (Pittsburgh, PA)
Description: Pair of ladies' white heavy satin wedding shoes. Designed with pointed toes, the shoes have a fastening strap across instep with a single domed opalescent/milky white glass button. Across vamp is applied white satin bow with decorative gilt metal rectangular buckle with lobed ends. One buckle missing. Lined in white fabric. Sole of natural brown leather, heel covered in white satin. Medium-height heel with rounded sides and back, curving inwards and then flaring out to base, similar to a Louis heel. Stamped inside shoe in gilt: "C.A. Verner / Pittsburgh" Worn by Bess McChord (1874-1903) at her wedding to Clifford Dunnells, January 1, 1901.
Contributing Partner: UNT College of Visual Arts + Design
Wedding Shoes

Wedding Shoes

Date: 1907
Creator: unknown
Description: Pair of white kid ladies' shoes. Styled with pointed-toes, the white kid leather upper has a vamp decorated with geometric and stylized foliate designs in crystal beads. The shoes secure across instep with single ribbon tie on each, creating a "peep" just above toes. Lined in white leather. Natural brown leather sole. Heel is of medium height, rounded at back and tapering slightly to base. Similar to what would become a Cuban heel. Maker's code stamped inside: "35-C 3021" Worn by Norma Tiemann at her marriage to Val L. Lehmann in Brenham, Texas in 1907.
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1908/1910
Creator: Drew Shoe Company (Portsmouth, Ohio)
Description: Pair of lady's shoes of brown leather. The shoes, designed with gently pointed toes, are of the Oxford style of brown leather with openwork at sides of instep and with laced closure at instep of 4 holes height. The medium height heels are styled as a modified Cuban or continental heel, with rounded sides and back, tapering to base, and slightly curved at front. The heels covered with matching leather. Sole of tan leather, with rubber/composite on heel. Stamped in lining on one shoe: "Arch Rest / Drew / Portsmouth. O." Stamped into lining of shoe: "8 1/2 AAA 75537 / 6003" Stamped on inner sole: "[drawing of arrow] INTERIOR / DREW / [illeg]CK REST" Tooled into inner sole at heel: "SNUG-FITTING / HEEL" Molded into rubber of heel: "Biltrite"
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1908/1910
Creator: unknown
Description: Pair of lady's shoes of black leather and gray suede. The shoes, designed with pointed toes, are of black leather on toe box, and gray suede on heel, back, and strap across instep, which closes with button on outside of foot. Medium high heels are covered in matching suede and are styled as a modified boulevard or Louis heel, with rounded sides and back, and with curved front section. Sole of black leather. Retailer's stamp on sole: "MacDougall & Southwick Co. / Seattle, Wash." Hand-written notation on lining: "40 00 20704"
Contributing Partner: UNT College of Visual Arts + Design
Sunbonnet

Sunbonnet

Date: 1900/1909
Creator: unknown
Description: Sunbonnet of off-white calico cotton with a tiny repeated print of three stylized leaves in brown. The brim of the hat is quilted in L-shaped rows of stitching and is very stiff from starch and stiffening material within it. The crown is gathered along the entire length of the seam where it attaches to the brim. The crown and tail are formed from a single piece of fabric, and the tail is stitched flat to the lower sides of brim. The neck is adjustable, having outer neck ties stitched to the lower corners of the brim on both sides. The chin ties are of the same fabric, with unfinished edges. The long tail on the bonnet indicates that it was used as a field bonnet. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Contributing Partner: UNT College of Visual Arts + Design
Boots

Boots

Date: 1900
Creator: unknown
Description: Pair of boots or "High Button Shoes" of gray/silver lamé cloth. The shoes, designed with pointed toes rounded at the tips, lace closed along center front with laces 18 holes high. The high heels are rounded at sides and back, tapering to center and flaring back out at base, and are curved at front. They are covered with the lamé fabric on the back and sides. The sole is of tan and brown leather, as is the cap on the heel. Shoes are lined in off-white cloth. Hand-written notation on inside lining, partly illegible: "37 / .... / 911"
Contributing Partner: UNT College of Visual Arts + Design