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Skirt Ensemble
Ensemble consisting of jacket, blouse, skirt, belt and hat.
Evening Coat
Evening coat of gold metallic brocade in a floral motif with multicolored rectangles. Cocoon-style, with white fox collar, the full-length barrel sleeves with matching fur trimmed cuffs. The coat has a single button closure, and pink silk satin lining. Label: "Hattie Moss / Walnut at Seventeenth / Philadelphia"
Skirt Suit
Two-piece gray faille moire wool and nylon suit. Jacket is long, with wide notched collar, is double breasted, has bound button holes, and buttons below waist. It has a sculptural double-breasted front panel, that maintains a vertical linear center front, rounded shape visually flanks stomach area. The skirt is straight; slightly below knee length.
Dress
Dress of polychrome cotton print. The floor-length dress is of cotton fabric with a raised "zig-zag" texture, in the style of cotton piqué weaving. It is printed with a series of horizontal bands in geometric designs in blues, reds, greens, tan/brown, orange, and purple. The sleeveless dress has a shallow boat neckline in front and deep squared-off neckline at back. The fitted bodice section ends at the natural waist, into which the long skirt is slightly gathered. The front of the skirt has two patch pockets of the same material, with the print matched to disguise the pockets. One of the lower bands of the skirt is embellished with applied non-functional circular gold-colored "buttons". The hem of the dress has a 7 cm. wide band horizontal band of red wool trim, from which hangs red wool fringe. The center back zipper closure has a single hook-and-eye at top. The dress is lined in red fabric. The dress has two labels sewn inside. At left side at seam is designer's label "Lanvin / Paris New York"; at right side near zipper is size label "6".
Dinner Gown
Dinner gown of red velvet. The full-length dress is of deep red velvet, embroidered in black to form an all-over pattern of "fish scales". Neckline is rounded, higher in front than back, and has full-length sleeves with a modified leg-of-mutton effect at the shoulders and zipper closures at wrists. The bodice is seamed, and has a natural waistline. The neckline, waistline, and upper part of sleeves/shoulders are edged in black cording/braid. Skirt is slightly gathered into the waistline braid. Center back zipper closure with hook-and-eye closure at neck. Small panel lining front of bodice at bust, the rest of the gown unlined. No label sewn in garment, but retains original paper tag: obverse: "Vera Maxwell / Original"; reverse: "Vera Maxwell / Original / Fibre Content / 100% Wool / Style 121 / Size [blank] / Mat. [blank] / Account No. [blank]". This gown is one of the "Dance Hall Girl" dresses from Ms. Maxwell's Southwest American Collection.
Ensemble
Ensemble in black and oatmeal colored wool, consisting of: A) Jacket: Semi-fitted wool in abstracted herringbone weave with black and oatmeal yarns running double throughout; moderately rounded neckline with asymmetrical mandarin collar; full-length raglan sleeves with overarm seam and undersleeve; double breasted front opening with eight round, plastic, oatmeal colored buttons and four bound buttonholes supplemented by single hook & eye inside lap at waist; vertical welt pockets on front lined in black silk; fully lined in black silk. Designer's label at inside collar: "Balenciaga / 10 Avenue George V Paris" and "Made in France". Retailer's label at inside side seam: "Neiman-Marcus" B) Dress: Knee length dress; bodice of black wool gauze with jewel neckline; sleeveless; lapped center front opening with four round self-covered buttons and bound buttonholes supplemented by single snap and hook & eye; bodice gathers into seam at natural waistline; gathered hip yoke of same gauze; straight skirt of matching herringbone has three snaps at center front opening; folded hem; gauze is lined in black silk organdy; skirt is unlined.
Handbag
Handbag. Rectangular silver art deco openwork frame set with tiny marcasites and circular cabochon black stones (onyx?). Bag is of black silk velvet. Handle of black silk velvet with two silver rings set with marcasites. Lined with dusty pink ribbed silk, and containing a small rectangular mirror. Marked on frame: "MD" in a square; Diamond shaped mark with an M over a K; and an illegible shield-shaped punch.
Jumpsuit
Jumpsuit of pink, yellow, green and blue horizontal striped paper. The full-length rayon fiber remay paper pantsuit has olive green, pink, blue and tan stripes. Bodice is sleeveless, empire style, with with high rounded neckline and narrow spread collar, with stripes going horizontally. There is a center back zipper closure from the neck to hip-level. Pants are full-length, wide legged palazzo pants with vertical stripes. The pant legs are slit from the hem to mid-calf, and are unhemmed. The piece is lined in a white rayon fiber paper cloth. Retailer's label at inside left beneath the collar: "Change-In-Time / Boutique / Dallas, Texas".
Reticule
Reticule. Drawstring handbag/purse of black knit with openwork band along top through which drawstring is threaded. Running around center of bag are three horizontal bands of blue beads bordered by silver/gold lined beads. Lower part of the bag is completely covered by horizontal bands of silver/gold lined beads and blue beads. Bottom of bag with large sphere covered with blue beads from which hangs tassel of silver/gold lined bead loops. Unlined. Has been dated 1880-1890 or ca. 1916.
Ensemble - Dress and Coat
Dress and coat of peacock feathers. The short, sleeveless dress is entirely covered with peacock breast feathers, accented with a 1" band of blue cording and chenille trim at neckline and with blue cord spaghetti straps. It is fully lined with navy polyester. The long, sleeveless coat is covered with peacock herl / flue feathers. It has a round neckline, and no closure. These pieces are part of a larger ensemble, consisting of a total of 9 pieces decorated with peacock and/or golden pheasant feathers. Worn to the Emmy Awards ceremony in Los Angeles, California, April 1976.
Ensemble - Jacket, Skirt and Blouse
Suit in hot pink nubbly wool knit. The ensemble consists of three pieces: a jacket, matching skirt, and black silk shell. The jacket is hip-length, with a shawl collar which has an attached black silk tie. The center front closure has 6 circular brass buttons with central embossed lion's heads and black outer edges. There are four faux flap pockets at front, two on each side of opening, each with button matching those of the closure. The long sleeves have simulated closure, with a line of three buttons matching others on each sleeve. The pocket flaps, cuffs, collar, center front, and hem are all edged in black. Designer's label sewn inside jacket at collar: "Adolfo / New York", with retailer's label sewn in just below: "Neiman-Marcus". The matching skirt is below-knee length, of the same pink wool knit, with pleating beginning 7" below waistband and extending to hem. Skirt has designer's label sewn inside at waistband as jacket. The accompanying black silk blouse is sleeveless, with rounded neckline. Single black silk -covered button closure at back of neck. Shell has designer's label sewn inside at left of closure as jacket.
Mourning Ensemble - Bodice and Skirt
Black silk mourning ensemble consisting of bodice and skirt. The bodice of black silk is fitted and boned, with a high, standing black silk band collar with appliqued black lace medallions. It has full-length, modified bishop sleeves that gather into the armseye. Below the gathered cap, in the portion corresponding to the upper arm, the fullness of the sleeve is controlled with top-stitched vertical tucks. From the elbow to the cuff the fullness is again released in a bishop sleeve silhouette. The sleeves gather again into wide black silk cuffs with appliqued black lace medallions and four narrow bands of black velvet ribbon. The bodice front is constructed on the lines of a bolero jacket, with a deep V-shaped opening and wide ruffled collar which is constructed of horizontally tucked black crepe-patterned silk. The released fullness of the tucking creates the ruffled finish. The ruffled portion is edged with two narrow bands of black velvet ribbon. The bodice front has a bib fill of gathered black silk and tulle net that is secured with hook-and-eyes beneath the left collar overlay. The fill area disguises the true front opening which is secured with thirteen hook-and-eyes. The main body of the bodice, front and back, is constructed of vertically tucked black silk that finishes in a wide black silk waistband which is appliqued with black lace medallions and edged in narrow black velvet ribbon. The waistband laps slightly left of center and secures with three hook-and-eyes. The bodice is fully lined with heavily boned glazed black cotton and has figure enhancing pads sewn over the bust and underarm areas and has a black cotton petersham that hooks at center front. There are two hooks at back waist-level to connect the bodice to the skirt. The matching seven-panel gored skirt is of black …
Dress
Day dress of black silk taffeta. The dress, in the style of the Aesthetic or Reform Movement, is full-length, with a slender silhouette. The front and back of the bodice is styled of tiny vertical knife-pleats, which gather into the rounded neckline. The side panels of the bodice are plain, and there is a line of 14 snaps along the left side forming the closure. The long sleeves are smooth, with slight pleating at the padded shoulders, and they taper to the pointed wrists. The sleeves have 5 hidden snaps and a line of 12 domed non-functioning black taffeta covered buttons on each sleeve. Bodice and skirt are divided by a thin black band. Skirt is fully pleated with tiny vertical knife-pleats. Bodice is lined with thin black crepe. Label sewn inside at back below neckline: "Harbison / Vandervoort's St Louis" Not shown is the accompanying cummerbund of black taffeta, the waistband of large horizontal pleats with a large fan/bow at back with wide, trailing ribbons. (43" from waist to lowest point of ribbons)
Handbag
Handbag. Rectangular frame of cast openwork brass floral designs with traces of gilding. Ball and snap closure and gilt brass suspension chain. Bag is of dark purple crocheted silk, with three different types of beading. Area at frame is plain all-over beading of purple/bronze iridescent cut beads. Below this, and at bottom of bag is fringe of looped beading. The main body of the bag has vertical stripes of beads arranged in horizontal rows. Lined with bright purple silk, trimmed in gold cording. Contains a small gold kid leather purse embossed with a stylized thorn pattern.
Ensemble - Dress and Jacket
Ensemble of oatmeal colored wool tweed: a) Jacket of beige and black wool tweed with V-neckline with standard notched collar and wide lapels; short, princess seams; 3/4 length, set in, two piece sleeves; double breasted opening with four round, plastic, beige buttons and two bound buttonholes supplemented by single large covered snap inside lap at waist; fully lined in beige silk. Label stitched inside back neck below collar. b) Dress of same; sleeveless; falling just below the knee; deep rounded neckline; empire waist seam; straight skirt has slight gathers in front; left side underarm zipper closure supplemented by single hook&eye closure; folded hem; armhole and neck facings; brassiere strap keepers snap inside shoulders; unlined.
Dress
Dress of navy wool gabardine in two parts. The main body of the tubular-shaped dress is full-length, sleeveless, with a round neckline. It has decorative bead-work at upper bust, on back at shoulders and down spine, in a line from right hip down to hem, and around hem. The bead-work includes lines of red and clear beads, spirals and "bursts" of clear and red beads, circular ornaments of red beads, and a roundel at front to bottom right at hem of a scene of a wine jug against a blue, clear and green background. The dress has an opening from left shoulder to waist which is secured with a line of hidden snaps, and is decorated with nine cloth and plastic circular non-functioning buttons arranged in groups of three. The dress is unlined. The dress has with it a detachable cropped camisole of white cotton with center front hook-and-eyes closure and white elastic waistband. The sleeves of the camisole are of navy wool gabardine, bell-shaped, and match the dress. They are decorated with the same style bead-work as the dress, including lines of red and clear beads running from shoulders to wrist, clear and red beaded spirals and "bursts", and roundels with designs in blue, red, and green. When worn, the camisole sleeves blend in with the dress and look like one garment.
Wedding Dress
Wedding dress of hot pink net with shirred all-over appliques and rhinestones. Dress is a short sheath style with V-neck and long sleeves with full length train in back with pink satin bustle with pink silk flowers. Has a matching headpiece with hot pink net veil, not photographed.
Pillbox Hat
Pillbox hat of black straw. The low, cylindrical crown of black woven straw has a flat top, slightly recessed, forming a ridge around outer edge. Retailer's label: "Neiman-Marcus"
Dress
Dress of brown/beige coffee-colored wool.
Ensemble
Bright red/orange wool dress and coat ensemble.
Hat
Hat of white straw and navy blue/black embroidery appliques. The domed crown is of finely woven white straw. The narrow brim turns up at the edges, somewhat irregularly, and is edged in dark navy blue/black embroidery appliques that cover upper and lower parts of the brim. The inside of the crown has a dark navy blue/black grosgrain ribbon inner hatband. Designer's label sewn to inner hatband: "Hazel Eller - Custom Made". Accompanied by two short hat-pins, one with a head covered in matching straw, the other with a simulated pearl head.
Calotte Hat
Hatlet of straw and velvet.
Pillbox Hat
Pillbox style hat of lacquered black straw.
Fan
Folding fan with mother-of-pearl sticks and guards. Leaf of white needlepoint lace backed with cream satin. Silver-colored "U" shaped bail ring at bottom.
Fan
No Description Available.
Fan
Folding-style fan with molded plastic sticks and guards and printed paper leaf. "U" shaped bail ring at bottom. Leaf is printed on one side: "Neiman Marcus - Fashion Exposition / Sept 1950 / Dallas _ Texas".
Mourning Fan
Folding mourning fan. Guards and sticks of plain black wood, shaped but not adorned. The leaf is of plain black cloth. No visible labels, marks or signatures.
Turban
Turban of printed fabric.
Toque
Toque of off-white artificial straw. The toque, formed as a low cap, has a flattened circular crown of artificial(?) off-white woven straw, which is divided into 4 unequal segments by two bands of crossing yellow velvet ribbon. At the front, where the bands of ribbon turn under to the brim are affixed two sprays of artificial flowers. The base of the crown bends under and out and back in to form a tiny brim. The hat is unlined, with an inner hatband of off-white grosgrain ribbon around inside base of crown. Inside the hat, one at either side, are triangular wire pieces covered in matching yellow velvet ribbon to help secure the hat to wearer's head. Affixed to the inner hatband is a black elastic cord to help secure the hat to wearer's head. Sewn inside crown is maker's label: "Marion Vallé / New York". The hat is accompanied by a short hatpin, the head covered in yellow velvet to match the ribbon.
Gloves
Pair of ladies' gloves. The "hands" are of pale brown with white fabric, possibly a silk/cotton blend. Seamed on inside, they have 3 darts on back of each hand done with dark brown stitching. At wrist on each side is a v-shaped extension which joins to the "cuff", which is of light brown cotton with yellow tones. The scalloped edges of the "cuff" and semi-circular sections on the back of each are piped in dark brown fabric. The "cuffs" are styled as a wrap dress, with an overlap at back of wrist. The overlap has a single cylindrical button of black plastic designed to appear carved with three notches in the side revealing pale green/yellow below and at ends. Manufacturer's tag inside gloves: "Kayser, 52 * Reg / Made in Germany / 6"; Stamped in lining by tag: "Kayser 52". The gloves are accompanied by the original paper care tag: "WASH / GLOVES / ON HANDS / Use almost cool / water and a pure / mild soap. We re- / commend PALM- / OLIVE BEADS. Do / not rub. After wash- / ing take gloves off / rinse thoroughly in / cold water. Pull / lengthwise wrap / and squeeze in / towel. Then stretch / into shape and / leave to dry / KAYSER / The Name on every pair / Made in Germany / Trade Marks / Rege Krussig."
Visor Cap
Visor cap of medium brown plastic. The open crown consists of a vertical band which runs around front and sides, with brown and white elastic band across back. Printed at front center of crown is the Neiman-Marcus logo. The wide front visor is printed with three rows of scattered white squares.
Shirt
Homemade, long-sleeved shirt of gold brocade, with straight button front, in the popular Elvis Presley or Renaissance style of the late 1960's. Multiple ballooned areas on the sleeves.
Jeans
Pair of commercially produced Wrangler denim jeans that were found in the southern Rocky mountains across from Red River, New Mexico in the late 1960's. The pants had been bleached in irregular patterns by the sun, and had various worn and torn places. After discovery, the Wranglers were embellished with red velour fabric pieces to cover some of the worst structural damage, and with a commercially available embroidered butterfly patch added below waistband at center back. Labels: Evidence of rectangular tag having been sewn on right-side back pocket. Both back pockets have "W" stitching; Fly button engraved "Wrangler"; Tag sewn inside fly: "Wrangler / 30 x 34 / Sanforized / Made in U.S.A."; Zipper pull stamped "Gripper Zipper" and "Pat Pending"; Marked on left front pocket, inside pants: "GDW"
Jeans
Pair of jeans. Commercially manufactured Levi Strauss & Co. denim blue jeans which have been bleached to white, then disassembled and reassembled with embellishments of multi-color crewel embroidered fabric and glass beads. Jeans have two front pockets and two back pockets, front zipper fly and button at waistband.
Dress
Maxi paper bridesmaid dress of Reemay spun polyester "paper". The long dress is printed with a pattern of impressionistic flowers in greens, pink, blues and purples on a yellow ground. It has a high, rounded neckline with no collar, and opens with a zipper at center back from collar to just above waist. The long, fitted sleeves have a thin band at cuff which extends to be tied into a bow. Empire waistline, from which extend box pleats. The dress appears to have a full, floor-length skirt, but the skirt is actually divided, forming pant legs. No designer labels in garment, but original tag is preserved with it: Obverse: "'Wear-a-while'* / Fashions / with / Reemay [trademark symbol] / Du Pont's Fabulous / New 100% Spun Bonded Polyester / DuPont Reemay brings an entirely new quality to 'conven- / ience fashions'. It has an unusual surface appearance, it / is strong and it is colorfast. Garments of Reemay may be / washed a few times and need no ironing if you use / normal wash-and-wear procedures / DHJ Industries Inc. / [trademark symbol] Registered Du Pont Trademark / * Trademark of / DHJ Industries, Inc." Reverse: "Du Pont / Reemay [trademark symbol] / 100% Spunbonded polyester / flame-retandant finish / comfortable -- because it 'breathes' / retains its body and shape -- long wearing / dries quickly -- stays smooth - needs no ironing / it's strong - won't fray, unravel, split, tear / swirl pattern construction gives it a unique / appearance / to shorten: just cut with scissors ... garment won't unravel! / Reemay [trademark symbol] / is processed, furnished and dis- / tributed by DHJ Industries Inc. / 16 E. 34th St., N.Y., N.Y." The Texas Fashion Collection holds two identical examples of this dress, from the …
Dress
Dress of navy blue silk chiffon. The full-length dress is sleeveless, with narrow straps extending across shoulders and meeting at center of the 2 1/2" wide A-line band at neckline. The straps and neckline band are covered with faux jewels. From the band drops the long A-line skirt of finely-pleated silk chiffon, which conceals a narrow sheath dress underneath. This dress is similar in style to one produced for Halley's 1967 collection.
Ensemble - Jacket, Skirts and Blouse
Ensemble of rose silk. The suit consists of a jacket, two skirts and a blouse. The jacket is made from a 1930's sari of pale pink silk embroidered with gold and silver threads, beads, and pink sequins in designs of vines, flowers and abstract line patterns. Jacket has a floating yoke and full leg-o-mutton sleeves with long narrow cuffs that have zipper closures. The jacket itself has a center front opening with no closure. The neckline, edges of closure, hem, and cuffs are edged in heavily beaded bands added by the designer. Designer's label sewn inside back at neck: "Richard Brooks". The blouse is of heavy pink silk, collarless, with round neckline. It is short-sleeved, with pleating at the shoulder. Vertical seaming on front and back for structure. There is a concealed center-back closure with snap at top and 5 clear plastic circular buttons down the length. The blouse is lined in a dark, dusty pink silk and has sewn-in shoulder pads. Designer's label is sewn inside back to the left of the opening: "Richard Brooks". The two skirts are are both of identical pink silk, matching the blouse, of identical construction. One is knee-length, and the other is full-length. Both are lined in the same pink silk as the jacket. The short skirt has designer's label sewn in at waistband: "Richard Brooks". Worn by Governor Ann Richards when she spoke at the Gridiron Club in Washington, 1992.
Dress
Dress. Floor-length dress of ivory knit, overlaid with a gold netting. Sleeveless and with a boat-neckline, the sheath-style dress has ornate heavy gold cording around neckline, armholes, along side-seams, and hem. The skirt has small side slits, and a center lapped zipper closure located along center-back of garment with hook-and-eye closure at top of zipper. Lined with a light polyester.
Day Dress
Day dress of gray/white print silk taffeta. Street- or tea-length, of paper silk taffeta printed with a dense design of varying sizes of small white polka dots on a gray ground. V-neckline, with bow of self just below point. 3/4 length dolman sleeves. Full skirt, cut for crinoline. Center back zipper. Designer's label: "Traina-Norell / New York"
Ensemble - Coat, Blouse, and Skirt
Ensemble. A) Coat of brown and white felted wool. Knee-length or longer, long set-in sleeves. Center front opening with 5 large circular brown plastic buttons with bound buttonholes. Main body of coat of pale brown and white check design, with cuffs, collar, and lower band of coat (about hips to hem) of light brown. Light brown and white check self tie belt. Side slit pockets. Lined in pale taupe. Designer's label at center back neckline: "Norell" Hand-written label just above designer's label: "Deborah 929" B) Blouse of cream wool jersey. Long sleeves, high standing collar. Center back zipper closure running almost entire length of garment, from top of collar to about 3" above hem. Hook & eye at top of collar. Collar lined in satin, the rest of the blouse is unlined. Not hemmed. Hand-written label sewn in at neckline: "Deborah 929" C) Skirt of brown wool tweed. Mid-length; slight A-line. Narrow, 1-1/2" waistband. Fully lined in brown silk(?). Center back zipper closure with large hook & eye on waistband. Hand-written label "Deborah 1929". D) Belt of brown leather with wide square, self-covered buckle. Two inches wide. Belt is attached to skirt with inner bands of leather to which loops from the skirt are sewn. Stamped on reverse: "26 Norman Norell 3736".
Day Dress
Day dress of red wool jersey knit with matching belt. a) Day dress of red jersey wool knit in shift style. Asymmetric neckline with pointed collar. Left side opening of six circular red plastic buttons with bound buttonholes and large covered snap at neckline. Short dolman sleeves. Knee length. Two large patch pockets below waistline. Lined in red silk. Designer's label at inside left seam of lining near hemline: "Norman Norell / New York" b) Belt of self. 3/4" wide. Attaches to dress at back.
Coat
Coat of oatmeal heather wool. Double breasted with 14 circular, beige plastic buttons, 7 functioning with bound buttonholes reinforced with inside large covered snap. Two vertical welt pockets. Long set-in sleeves with three smaller matching, functioning buttons and bound buttonholes. Lined in light beige silk crepe. Designer's label at center back neckline: "Norell" Retailer's label below designer's label: "Lou Lattimore /' Dallas"
Day Dress
Day dress of ecru wool jersey with black patent leather belt and black satin bow. a) Shift day dress of ecru wool jersey. Long, set-in sleeves. Street length. Rolled collar with pointed ends. Center front opening with 9 circular, flat, 3/4" black plastic buttons and bound buttonholes. Large patch pockets at sides below hips. Lined in cream silk. Designer's label on inside lining at left seam near hem: "Norman Norell / New York" Retailer's label at center back neckline: "Lou Lattimore / Dallas" b) Large bow of black silk. Attaches under collar of dress with two large covered snaps. c) Belt of black patent leather. 1" wide with self covered rectangular buckle.
Skirt Suit
Two-piece wool suit with ivory satin cuffs and collar. A) Jacket of beige wool. Notched shawl collar faced in ivory satin. Single breasted with two self covered buttons and bound buttonholes. Long sleeves with turned-up cuffs of ivory satin with three small, self covered buttons and bound buttonholes. Fully lined in ivory satin. Combined designer/retailer label at center back neckline: "Neiman-Marcus Dallas / Traina-Norell" B) Skirt of beige wool. Slight A-line with 1 inch, tan grosgrain ribbon waistband. Left side zipper with adjustable hook & bar at waistband. Lined in ivory silk crepe.
Dress
Tank dress of ecru silk organza and cotton with floral embellishment of self-fabric at center neckline; bodice is composed of vertical panels of mesh, stretch nylon, and cotton; skirt of paneled, crinkled cotton has ties that can be cinched up gathering the fabric; underskirt of silk organza with ties to raise skirt in sections; full-length; center-back zip closure. Label: Donna Karan/ (Duplicate/ Not For Sale/ Style # Z2043)
Day Dress
Day dress of navy blue wool knit. Knee-length with princess seams. 1-1/2 inch standing collar. Short set-in sleeves. Two large patch pockets placed low on hip wrap around side seam from front to back. Centered zipper closure at back. Lined in navy silk. Designer label at left inside seam near hem: "Norman Norell / New York" 3 inch wide black patent leather belt with patent buckle. Stamped in gold on back of belt: " 6 Norman Norell"
Day Dress
Day dress in beige pesanté silk. Bias band collar extending into tubular tie with open hemmed ends. Tie graduates for 1/2 inch at center back collar to 4-1/4 inch at ends. Three 1 inch self-covered round buttons at bodice front. Piped button holes and 13 inch hidden zipper below. Bracelet length dolman sleeves. Back yoke. Street length. Two 8-1/2 inch x 8 inch hip patch pockets. Unlined. Combined designer/retailer label at center back neckline: "Neiman-Marcus Dallas / Traina-Norell"
Ensemble - Coat Dress and Skirt
Ensemble consisting of a charcoal gray wool tweed coat dress and skirt. A) Street dress of charcoal gray wool tweed. Center front opening with eight large, circular, black plastic buttons and bound buttonholes. Three quarter raglan sleeves. Turndown collar. Yoked shoulders slightly gathered in back. Below knee length. Lined in black silk faille. Retailer's label at inside back neckline: "Neiman-Marcus" B) Skirt with waist panel of black silk and lower panel of charcoal gray wool tweed. Skirt is slightly gathered where waist panel meets lower panel. Overall effect is of a straight skirt. Center back opening with two hook & eyes on waistband as closure. Lower portion of skirt is lined in same black silk as waist panel. Retailer's label on inside center back seam of lining: "Neiman-Marcus"
Dress
Dress of black wool knit. Skirt gathers into waistline seam. Five rhinestone buttons at center front opening below waist and seven above; closure at neckline reinforced with two snaps. Hook and eye at waistline. Long set-in sleeves with five working buttons each. Knee-length. Black satin bow which is attached at the neckline. Clear rhinestone buttons are formed by large center stone surrounded by 10 smaller stones. Side slit pockets. Unlined. Retailer's label at inside neckline: "Balliets / Oklahoma City, Okla." Belt of black satin. Three inches wide with rectangular self covered buckle. Three rectangular machine-made, barred buttonhole style buckle holes. Back of belt stamped: "6 Norman Norell"
Purse
Purse of brown and tan woven burlap-type fabric and brown leather. Rectangular, with rounded bottom and edges. Sides of fabric, end panels of leather, with leather handles and trim with brass hardware. Closure is a 1" inch leather strap with "door knocker" type fixture with a turn key closure. One zippered pocket interior center creates three distinct compartments. Designer's stamp on interior zippered pocket: "Etienne Aigner / Hand Made"
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