Description: Hat of red satin and sequins. The hat is styled as a calotte (also spelled "calot") of dark red satin almost completely covered in sequined floral appliques. Irregular lower edge, following the outline of the appliques. Lined in black paper (?) and satin, and with an inner hatband of black grosgrain ribbon. A small stitched mark on the band indicates the front of the hat, and a small applied white ribbon bow is set at back. Designer's Label: "Lilly / Daché / Paris New York". Label is large, extending across the inside of the hat, the "Paris", most of "New" and all of "York" are cut off.

Description: Hat of gray felt. The domed crown is constructed with the the outline of a rounded square, with attached stiffened double-brim, which turns up on all sides, forming a point at front and at sides, but rounded in back. At the back of the hat the brim extends downwards, forming a point. The hat is unlined, and edged with a black grosgrain ribbon inner hatband. A small stitched star on the hatband indicates the front of the hat. Visible behind the ribbon in one section is the woven straw backing used to stiffen the brim. Designer's label inside crown, sewn to ribbon band: "Hattie Carnegie / Custom Made" Stamped inside crown on felt: Circular mark containing a logo of three rabbits and partly missing word "... URLAP", and below logo ".... en France".

Description: Cloche hat of medium brown coiled and plaited fibers. The high crown is crafted of spiraling band of plaited and coiled brown yarn(?)and incorporates looped sections, with iridescent flat ribbon wrapped around elements of the band. There is a horizontal "tuck" at back of hat, and a slight "visor" effect at front. The hat is unlined. Retailer's label sewn inside crown: "Made in France for / Neiman-Marcus". While in the style of a 1920's/1930's cloche, the materials, label, and construction date this piece to the 1960's.

Description: White leather mini-skirt with 4 applied black leather bands running horizontally around skirt. White leather suspenders attached at back, cross at back, and run over shoulders to fasten at circular white leather-covered buttons on waistband in front. Fully lined in white nylon. Label inside back of skirt at waistband: "Courreges / Exclusively Designed in / Leather and Fabric for / Samuel Robert". Photograph shows the skirt as displayed in the exhibition "The Art of Fashion: The Radical Sixties", held December 1, 1990-February 24, 1991, at the Kimbell Art Museum, Fort Worth, Texas. The long-sleeved black turtleneck knit top is modern.

Description: Dinner dress of printed silk organza. The dress is composed of two parts. The caftan-like outer layer of the dress consists of a square silk organza cocoon printed in psychedelic motifs in purples, blues, pinks and chartreuse. It has a high rounded neckline with center back opening secured with six loops and covered buttons. There are applied flat cuffs at the wrist openings and waist-level slits at center front to accommodate the sash. There is a center front slit from hem to knee-level. The inner dress is a matching, full-length, sleeveless sheath in printed silk of the same design. It has a high rounded neckline with center back zipper closure from neck to hip with a single hook-and-eye closure at the neckline. The outer caftan and inner sheath are joined at the neckline. There is a printed silk organza sash of the same fabric that meets at center front and secures with two hook-and-eye closures and has self ties to disguise closure. The sash is swing tacked at the back. There is a center front slit from the hem to knee-level. Lime green silk panels are inset at sideseams, running from the underarm to the hem, and may be later ...