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Collection:
Texas Fashion Collection
Shoes
Date: 1890
Creator: unknown
Description: Pair of shoes. Black leather and tan suede uppers, leather at toe box and extending back, suede along heel and quarter. Cut-outs at vamp where suede and leather join. 2 1/4" high Louis XV style heel covered in tan suede. Marked inside left shoe: "240 / 8623 / 2675" Remains of gilt stamped label inside right shoe: "BENCH"
Contributing Partner: UNT College of Visual Arts + Design
Permallink:digital.library.unt.edu/ark:/67531/metadc30026/
Shoes
Date: 1915/1920
Creator: unknown
Description: Pair of lady's boots or "High Button Shoes" of brown leather. The shoes, designed with pointed toes, have decorative band across toe cap with row of tiny holes along line of band. The boots close along center front with laces (laces lacking), 18 holes high. Medium/high stacked heels styled as a modified boulevard or Louis heel, with rounded sides and back, tapering slightly to base, and with curved front section. Sole of brown leather. Lined in off-white/tan canvas. Stamped on lining: "37 / 1 / 7395"
Contributing Partner: UNT College of Visual Arts + Design
Permallink:digital.library.unt.edu/ark:/67531/metadc38998/
Sling-Back Pumps
Date: 1947/1949
Creator: unknown
Description: Pair of sling-back pumps of black calf leather. Shoes have a narrow platform and are open toe. Rounded throat on vamp, which is decorated with applied oval detailing in 3 layers. Center layer of black grosgrain, upper and lower layers of black leather. Oval cut-out in center of detail. Ankle-strap fastens with small rectangular black metal buckles. 3" black-lacquered French set-under heel similar to a spike form. Handwritten in side of each shoe: "6 1/2 B / r28514 / 1510-6BF" Stamped inside both shoes: "Palter DeLiso / Capri / Last" Stamped in left shoe: "Palter DeLiso inc / New York City" Right shoe with inlaid woven cloth label: "Neiman Marcus Co. Dallas / Fenwyn / Trade Mark Reg'd"
Contributing Partner: UNT College of Visual Arts + Design
Permallink:digital.library.unt.edu/ark:/67531/metadc30218/
Slippers
Date: 1890/1900
Creator: unknown
Description: Pair of lady's slippers of brown kid leather with jet beading. Designed with pointed toes, the uppers are of brown kid leather, heavily decorated with radiating patterns of jet beads, over toe, around sides and throughout openwork that decorates throat and sides of shoes. Originally had sewn-in ties across the instep. Lined in black leather. Soles of black leather. High heels are of modified French style, sometimes called "spool" style, with rounded sides and back, flaring to base, and with curved front. There are no marks or labels in the shoes. The brown ribbons in photographs are not original, are to hold the shoe closed in place of original ribbons, now missing.
Contributing Partner: UNT College of Visual Arts + Design
Permallink:digital.library.unt.edu/ark:/67531/metadc39007/
Suit
Date: 1921
Creator: unknown
Description: Woman's suit consisting of three pieces, a coat, blouse, and skirt. Coat and skirt are made of navy blue wool. The coat has a center front opening, and long sleeves which end just above wrist. The skirt is slightly below mid-calf length. The blouse is made of rust-colored chiffon with rounded neck, and is decorated with beading and embroidery.
Contributing Partner: UNT College of Visual Arts + Design
Permallink:digital.library.unt.edu/ark:/67531/metadc29994/
Sunbonnet
Date: 1900/1909
Creator: unknown
Description: Sunbonnet of off-white calico cotton with a tiny repeated print of three stylized leaves in brown. The brim of the hat is quilted in L-shaped rows of stitching and is very stiff from starch and stiffening material within it. The crown is gathered along the entire length of the seam where it attaches to the brim. The crown and tail are formed from a single piece of fabric, and the tail is stitched flat to the lower sides of brim. The neck is adjustable, having outer neck ties stitched to the lower corners of the brim on both sides. The chin ties are of the same fabric, with unfinished edges. The long tail on the bonnet indicates that it was used as a field bonnet. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Contributing Partner: UNT College of Visual Arts + Design
Permallink:digital.library.unt.edu/ark:/67531/metadc39157/
Sunbonnet
Date: 1910
Creator: unknown
Description: Sunbonnet of blue cotton with white lace trim. The brim is slightly square-shaped and heavily starched. The top of the crown is stitched to the brim in a flat seam, with fullness created in the lower crown through a set of 3 snaps on each side which fasten the crown to the brim, giving the lower crown a crenelated shape. The bonnet has no tail, and has self-fabric chin ties of blue ribbon. The left tie is formed from two pieces of fabric pieced together, while the right tie is of a single length of fabric. The ties are narrow hemmed, except for one side of a lower section of left tie, which is cut along the selvage and left unfinished. There are no labels or marks in the piece. The fact that this bonnet does not have a tail probably indicates that this was a visiting bonnet rather than a field bonnet. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Contributing Partner: UNT College of Visual Arts + Design
Permallink:digital.library.unt.edu/ark:/67531/metadc39043/
Sunbonnet
Date: 1830/1839
Creator: unknown
Description: Sunbonnet of tan and blue braided straw. The hat has a wired brim and a grayish-white silk lining. It is trimmed in tan silk ribbon, and the bavolet, or back panel which shades the neck, is composed of brown, brick red, tan and blue striped cotton fabric. The ties are of brown silk taffeta and are attached to lower edge of brim with a herringbone stitch. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Contributing Partner: UNT College of Visual Arts + Design
Permallink:digital.library.unt.edu/ark:/67531/metadc30282/
Sunbonnet
Date: 1890/1899
Creator: unknown
Description: Sunbonnet of brown linen. Made of a plain weave with both white and brown threads, the hat has pasteboard staves within the brim, a crenelated buttoning crown and long tail. The crown and tail are separate pieces, sewn together at neck seam, with the tail fastening to the sides of the brim by 3 off-white buttons on each side. The tail is semi-circular in shape, and the narrow chin ties are hemmed by hand. Poke-style bonnets are generally those that have brims stiffened either through quilting or plain starched fabric. Sunbonnets that rely on staves for brim support are not considered poke-style sunbonnets. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Contributing Partner: UNT College of Visual Arts + Design
Permallink:digital.library.unt.edu/ark:/67531/metadc30075/
Sunbonnet
Date: 1850
Creator: unknown
Description: Sunbonnet of black silk taffeta. The brim of the hat has 6 shirred hoops with deep padding in between, and a ruffled edge of the same fabric. At center back of neck, on the tail of the hat, is a flat bow of black silk taffeta, and the ties are of black silk taffeta ribbon. The crown is lined with brown glazed cotton fabric. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Contributing Partner: UNT College of Visual Arts + Design
Permallink:digital.library.unt.edu/ark:/67531/metadc30079/