Description: Pair of lady's shoes of black silk. The shoes, designed as modified D'Orsay pumps with pointed toes, are of black silk with cut-away areas at sides. Toe-box with opening at vamp and "T"-strap extending from vamp to connect with strap across instep that extends from heel area. Instep strap secures on outer side of shoe with circular button. Tear-drop shaped cut-outs on either side near heel. Lined in black silk. Medium high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with very slightly curved front section. Heels covered with matching black silk on sides and back. Sole of tan leather. There are no marks or labels on the shoes.

Description: Pair of lady's boots or "High Button Shoes" of brown leather. The shoes, designed with pointed toes, have decorative band across toe cap with row of tiny holes along line of band. The boots close along center front with laces (laces lacking), 18 holes high. Medium/high stacked heels styled as a modified boulevard or Louis heel, with rounded sides and back, tapering slightly to base, and with curved front section. Sole of brown leather. Lined in off-white/tan canvas. Stamped on lining: "37 / 1 / 7395"

Description: Daytime dress of printed cotton lawn. Street-length of white cotton lawn is printed with stripes of grays and coral is sleeveless, with wide straps and V-neckline in front and back. The bodice is cut so that stripes are diagonal, meeting at center front and back and emphasizing the V-neckline. The narrow waist is slightly dropped, and is defined by a wide set-in decorative belt of the same fabric, with stripes running horizontally, with fabric-wrapped rectangular buckle and ends. The full skirt has stripes running vertically, and is gathered at the waist/bottom of the belt. There is one underskirt of cream faille, and a second of stiff cream netting. The center-back zipper closure extends from single hook-and-eye at neckline to base of belt. Bodice is partly lined with cream faille and has internal boning. There is a white grosgrain ribbon inner waistband with hook-and-eye closures. Designer's label is sewn inside dress, to bodice lining at left side: "Adele Simpson". This dress was a gift of the designer Adele Simpson and her husband Wesley Simpson to the Dallas Museum of Fashion, which later became the Texas Fashion Collection.

Description: Pair of woman's white kid pumps. Designed as modified Oxford style shoes with slightly pointed toes, the white kid uppers are decorated with rows of circular holes along toe-cap, sides of vamp, sides of shoe, and heel. The shoes lace up at center front along instep, 3 holes high. The medium-high heels are curved around sides and back, covered with same leather. Front of heel cut straight across, covered with light tan leather. Stamped inside shoe: "Brooklyn Hand Turns / 'Aristocrat' / 51 - Last". Embroidered label inside shoe: "Paul's / Aristocrats / Hand Made / Turn-Sole".

Description: Petti-hoop of steel hoops within a white cotton petticoat. A modified form of cage crinoline consisting of three graduated steel hoops that open with snaps that fit within horizontal pockets of the full-length petticoat. Petticoat has gathered waist and eyelet lace at hem. Maker's label sewn in: "Petti-hoop / Created by / Ru-Nell / Pat Pend #494517" Size label, "10". The Ru-Nell Manufacturing Co. was founded by Fred Poole in 1935 in Yorkville, Georgia, USA. The company was named after his wife Ruby, and his oldest daughter Nell. Originally producing chenille bedspreads, they began to manufacturing "Petti-hoops" after their daughter Dorothy was unable to find a petticoat/hoop set to wear for a Southern Bell Ball in the 1950's. Ruby Poole designed the first one, and it became so popular that they went into production. Later they were produced as wedding gown underpinnings.