Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz. Page: 75
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inspired Davis and his sidemen to craft their own distinct improvisations. Crossover
artists also discovered the flexibility of harmonic simplicity. In fact, one of Washington's
most popular tunes, "Mister Magic," is largely based on only two chords.
The album Mister Magic was released in 1975 and was an immediate sales
success. Much of this success can be attributed to the single, "Mister Magic." There are
only three other pieces on the LP: an orchestrated version of "Passion Flower" and two
originals, "Black Frost" and "Earth Tones." While these other pieces are worth
exploring, "Mister Magic" is the tune that captured the interest of the public, and
continues to do so today. "Mister Magic" provides an example of Washington's
improvisations on a two-chord tune.
"Mister Magic" begins with the rhythm section performing a 12-bar alternation
between Cmin7 and F7 (ex. 3.2).
Example 3.2 Introduction to "Mister Magic."
Otr.
6 1 a i -R I '-l' q req0
This introduction, while simple, is immediately identifiable. In live performances, the
audience recognizes this piece within seconds; this recognition is a powerful
communicative link that is frequently found in popular music. An identifiable
introduction sets an entire series of expectations for the audience, preparing it for a
performance that may or may not meet those expectations. It also places the audience in75
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West, Aaron J. Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz., dissertation, December 2008; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc9722/m1/86/: accessed April 19, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .