Doctoral Recital: 1986-09-29 – Lee Ian Lattimore, flute
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- J.S. Bach: Sonata in C Major for Flute and Continuo, BWV 1033, Andante - Presto 0:01:36
- J.S. Bach: Sonata in C Major for Flute and Continuo, BWV 1033, Allegro 0:02:45
- J.S. Bach: Sonata in C Major for Flute and Continuo, BWV 1033, Adagio 0:01:25
- J.S. Bach: Sonata in C Major for Flute and Continuo, BWV 1033, Minuett I - Minuett II 0:02:53
- Gaubert: Sonata for Flute and Piano, Modere 0:04:42
- Gaubert: Sonata for Flute and Piano, Lent 0:04:09
- Gaubert: Sonata for Flute and Piano, Allegro moderato 0:06:37
- Mozart: Rondo in D Major, KV 184 Anh 0:05:51
- Weber: Trio for Piano, Flute and Violoncello, Op. 63, Allegro moderato 0:07:46
- Weber: Trio for Piano, Flute and Violoncello, Op. 63, Scherzo: Allegro vivace 0:02:50
- Weber: Trio for Piano, Flute and Violoncello, Op. 63, Shepherd's Lament: Andante espressivo 0:04:04
- Weber: Trio for Piano, Flute and Violoncello, Op. 63, Finale: Allegro 0:08:28
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School of Music Program Book 1986-1987, Volume 1: Fall/Spring Performances (Book)
Fall/spring performances program book from the 1986-1987 school year at the North Texas State University School of Music.
Program: https…
Les Morceaux de Concours de Flûte du Conservatoire de Paris: A Structural Comparison of Selected Works of Jean-Louis Tulou and Joseph-Henri Altès: A Lecture Recital Together with Three Recitals of Selected Works of Mozart, Halffter, Gaubert and Others (Thesis or Dissertation)
The lecture was presented April 7, 1987. This presentation centered on the flute music literature used for the Concours of the Conservatoire de Paris from 1828 through 1893. The historical parameter began with Jean-Louis Tulou's tenure as flute professor at the Conservatoire and ended with Joseph-Henri Altes'tenure in the same capacity. The Concours is an annual performance competition to determine which students on each instrument will graduate from the Conservatoire. The majority of Concours pieces for flute during the tenures of professors from Tulou through Altes were composed by those two men. Short biographies of Tulou and Altes were presented. Discussion of interim professors Victor Coche and Vincent-Joseph Dorus was included, with focus on the role of these two men in bringing acceptance of the Boehm system flute to the Conservatoire. Tulou's fifteen Grands Solos were compared in form, key center and tonal progression. His themes and passagework are constructed to best display the conical-bore, old system-flute with small toneholes. His Solos continued to be used for the Concours, in alternation with Altes', throughout the tenures of both Vincent-Joseph Dorus and Altes. Tulou's Cinquieme Grand Solo was used for more detailed analysis and performance. Altes wrote his Solos de Concours for the Boehm system flute. Idiomatic treatment in composition of themes and passagework, as well as tonal progression in his Solos, was considered. Altes' Methode de flute reveals his views on variety in articulation, use of alternate fingerings, and musical interpretation. Those ideas are reflected in the construction of his Cinquieme Solo de ronrnwr. the example used for more detailed analysis and performance. The discussion was concluded by a comparison of the Solos of Tulou and Altes with regard to form, tonal progression, and idiomatic construction of themes and passagework.
Les Morceaux de Concours de Flûte du Conservatoire de Paris: A Structural Comparison of Selected Works of Jean-Louis Tulou and Joseph-Henri Altès: A Lecture Recital Together with Three Recitals of Selected Works of Mozart, Halffter, Gaubert and Others - ark:/67531/metadc330772
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Doctoral Recital: 1986-09-29 – Lee Ian Lattimore, flute, audio recording, September 29, 1986; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc917337/: accessed April 24, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.