Scenen aus Goethes Faust: A performer's analysis. Page: 27
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No 5. Mitternacht.
Vier graue Weiber treten auf: Mangel, thuld, Sorge,Noth. Fau istan Palast)
Schnell. J = J3Z.Alt.Tenor. ... ..
Posaunen.
Bass.
Pauken in H.Fis.
Violine I.
PP
Violin II. .. . it"W
pp p
PPVP
Bratsche.
Sopran II.
Sopran 11. ____________________________ _________
A 4
Alt I.
Alt II.
Pizz.,
Violoncell.o _ _ _ _ _R- ...__ _ _ __ I.__I....
PP
Contrabass. A id
Schnell.
Figure 17: "Mitternacht," mm 1-10.
Another significant repeating motive contrasting to the triplet figuration consists of high
sustained notes in the upper registers of the woodwinds creating an eerie sound (see figure 17).
The intended effect of these extremely high notes upon the listener is a "ringing in the ears," a27
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Paoletti Jr., Karl. Scenen aus Goethes Faust: A performer's analysis., dissertation, August 2008; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc9053/m1/33/: accessed March 18, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .