Doctoral Recital: 2010-03-22 - Gerald Ringe, clarinet

One of 2,395 recordings in the series: Doctoral Recitals available on this site.

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Recital presented at the UNT College of Music Main Auditorium in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Creation Information

Ringe, Gerald March 22, 2010.

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This audio recording is part of the collection entitled: College of Music Recordings and was provided by the UNT Music Library to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 88 times. More information about this recording can be viewed below.

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  • Main Title: Doctoral Recital: 2010-03-22 - Gerald Ringe, clarinet
  • Series Title: Doctoral Recitals

Degree Information

Description

Recital presented at the UNT College of Music Main Auditorium in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

College of Music Program Book 2009-2010: Student Performances, Volume 2 (Book)

College of Music Program Book 2009-2010: Student Performances, Volume 2

Student performances program book from the 2009-2010 school year at the University of North Texas College of Music.

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The Historical Importance and Resulting Arrangement of Artie Shaw's Third Stream Composition Interlude in B-flat (Thesis or Dissertation)

The Historical Importance and Resulting Arrangement of Artie Shaw's Third Stream Composition Interlude in B-flat

Artie Shaw's Interlude in B-flat is unknown to many in the classical clarinet world and remains unperformed by clarinetists, despite its historical importance as one of the earliest Third Stream compositions, the earliest composition of its type in the clarinet repertoire. This prompts the question, why? This document explores four possible reasons for the marginalization of Interlude in B-flat. First, Shaw's historical narrative typically places him within the jazz world and not the classical world. Classical clarinetists may assume a Shaw composition will require a jazz background and experience beyond their abilities, namely improvisation. Second, the instrumentation, string quartet plus jazz combo, is atypical, making it difficult to program. Third, jazz and classical educational worlds do not necessarily overlap or interact, and neither has taken ownership of this Third Stream composition. Lastly, manuscripts, recordings, and other materials for Interlude in B-flat are limited and not readily available. Because Artie Shaw is not only a significant American clarinetist but also an important composer within the Third Stream narrative, Interlude in B-flat should be known and performed. This project aimed to promote the understanding and accessibility of this important and unknown composition to the classical clarinet world by providing an accessible arrangement of the work for clarinet and piano.

The Historical Importance and Resulting Arrangement of Artie Shaw's Third Stream Composition Interlude in B-flat - ark:/67531/metadc862739

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Creation Date

  • March 22, 2010

Added to The UNT Digital Library

  • July 10, 2012, 10:37 p.m.

Description Last Updated

  • Oct. 20, 2022, 11:44 a.m.

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Past 30 days: 1
Total Uses: 88

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Ringe, Gerald. Doctoral Recital: 2010-03-22 - Gerald Ringe, clarinet, audio recording, March 22, 2010; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc89144/: accessed March 19, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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