Doctoral Recital: 2009-11-24 - Sarah Griffiths, soprano

One of 2,395 recordings in the series: Doctoral Recitals available on this site.

Description

Recital presented at the UNT College of Music Organ Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Physical Description

1 recording (47 min., 45 sec.)

Creation Information

Griffiths, Sarah November 24, 2009.

Context

This audio recording is part of the collection entitled: College of Music Recordings and was provided by the UNT Music Library to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 46 times. More information about this recording can be viewed below.

Who

People and organizations associated with either the creation of this audio recording or its content.

Performer

Composers

Performers

Publisher

Audiences

We've identified this sound as a primary source within our collections. Researchers, educators, and students may find this recording useful in their work.

Provided By

UNT Music Library

The UNT Music Library supports the scholarly and performance research needs of the College of Music by collecting and preserving monographs, reference works, periodicals, printed music, and sound recording formats, as well as subscribing to electronic databases for research and streaming music. Special collections are a particular strength of the Music Library's holdings.

Contact Us

What

Descriptive information to help identify this audio recording. Follow the links below to find similar items on the Digital Library.

Titles

  • Main Title: Doctoral Recital: 2009-11-24 - Sarah Griffiths, soprano
  • Series Title: Doctoral Recitals

Degree Information

Description

Recital presented at the UNT College of Music Organ Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Physical Description

1 recording (47 min., 45 sec.)

Subjects

Library of Congress Genre/Form Terms

Library of Congress Medium of Performance Thesaurus

Languages

Item Type

Identifier

Unique identifying numbers for this recording in the Digital Library or other systems.

Collections

This recording is part of the following collection of related materials.

College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

Luigi Rossi: Early Baroque Italian Cantatas for the Modern Singer, with Modern Editions of Selected Works (Thesis or Dissertation)

Luigi Rossi: Early Baroque Italian Cantatas for the Modern Singer, with Modern Editions of Selected Works

The early baroque songs, or cantatas, of Luigi Rossi (1597-1653) are largely absent from the canon of standard Italian vocal repertory utilized by young singers and voice teachers today. In this document Rossi’s composition style is considered, along with modern edition trends, within the emerging genre of Italian early baroque song. Several of Luigi Rossi’s vocal works — chosen for their simplicity, brevity, dramatic content, and suitability for a young singer — are presented in modern transcriptions for voice and piano. The following document lays the groundwork for the inclusion of Luigi Rossi’s songs in the modern canon of Italian vocal music. Part I provides an introduction to Luigi Rossi and the considerations involved in creating modern editions of early baroque solo vocal music. In Chapter 1, Rossi’s patronage and compositional output are considered along with the reception and dissemination of his works in Italy and France. Chapter 2 of this study explores the historical context and lasting influence of Parisotti’s Arie Antiche, the larger collection from which the ubiquitous Schirmer edition, Twenty-four Italian Songs and Arias of the Seventeenth and Eighteenth Centuries, is drawn. One well-known song that appears in the Schirmer edition is Giulio Caccini’s Amarilli, mia bella. In an effort to illustrate trends in modern editions and performance practice, this song is traced from its first appearance in 1602 through representations in modern anthologies. Chapter 3 considers the practical concerns of modern editors of baroque vocal music – such as performance practice applications, ornamentation, and pedagogical considerations – with respect to the cantatas of Luigi Rossi. Chapter 4 discusses the three cantatas by Luigi Rossi that are presented in Part II as performance editions.

Relationship to this item: (Is Part Of)

Dissertation: ark:/67531/metadc84209

College of Music Program Book 2009-2010: Student Performances, Volume 1 (Book)

College of Music Program Book 2009-2010: Student Performances, Volume 1

Student performances program book from the 2009-2010 school year at the University of North Texas College of Music.

Relationship to this item: (Is Referenced By)

Program: https…

What responsibilities do I have when using this audio recording?

When

Dates and time periods associated with this audio recording.

Creation Date

  • November 24, 2009

Coverage Date

Added to The UNT Digital Library

  • June 11, 2012, 10:20 a.m.

Description Last Updated

  • Oct. 20, 2022, 11:26 a.m.

Usage Statistics

When was this recording last used?

Yesterday: 0
Past 30 days: 0
Total Uses: 46

Where

Geographical information about where this audio recording originated or about its content.

Coordinates

  • 33.210701, -97.150088

Publication Place

Map Information

  • map marker Precise coordinates.
  • map marker Place Name coordinates. (May be approximate.)
  • Repositioning map may be required for optimal printing.

Mapped Locations

Interact With This Audio Recording

Here are some suggestions for what to do next.

Griffiths, Sarah. Doctoral Recital: 2009-11-24 - Sarah Griffiths, soprano, audio recording, November 24, 2009; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc86478/: accessed March 19, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

Back to Top of Screen