An Analysis of Arnold Schoenberg's Suite for Piano, Op. 25

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Description

It now seems necessary to follow the further development of Schoenberg and his first pupils, Berg and Webern. "Starting from their twin conceptions of the dethronement of tonality and the free use of the former 'discords', they produced a series of pieces of which the foremost characteristics were their extreme expressiveness and their extraordinary brevity."

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v, 51 leaves : illustrations

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Mayhew, Thomas E. (Thomas Elmo) August 1962.

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  • Mayhew, Thomas E. (Thomas Elmo)

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It now seems necessary to follow the further development of Schoenberg and his first pupils, Berg and Webern. "Starting from their twin conceptions of the dethronement of tonality and the free use of the former 'discords', they produced a series of pieces of which the foremost characteristics were their extreme expressiveness and their extraordinary brevity."

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v, 51 leaves : illustrations

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UNT Theses and Dissertations

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  • August 1962

Added to The UNT Digital Library

  • June 24, 2015, 9:39 a.m.

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  • Oct. 12, 2016, 10:28 a.m.

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Mayhew, Thomas E. (Thomas Elmo). An Analysis of Arnold Schoenberg's Suite for Piano, Op. 25, thesis, August 1962; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc663369/: accessed April 19, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .

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