Beads on a String: Extended Portraits

Description:

When I was first introduced to photography, I was mainly drawn to landscape imagery. I enjoyed being a solitary spectator. Over time, inclusions of figurative elements became more and more apparent in my work. I purposefully began to incorporate a figure into my landscapes, ascribing to it a certain nostalgia and a sense of isolation I was experiencing on many levels at that time. Before long, I felt disconnected from these images because of their ambiguity and generalization. I found myself craving more content and personal commitment in my photography. At the end 2003, I started experimenting with a 4" x 5" format camera, which forced me, to some extent, to change my way of photographing and seeing. That is how the beginning of this new body of work was born. I was accustomed to shooting with a 35 mm camera, which allowed me to be spontaneous, quick and immediate. I permanently switched to a large format. I could see myself benefiting from this change. I lost some of the spontaneity that a 35 mm format offers but I gained the beauty of working with larger negatives and the endless possibilities of view camera movements. Thanks to this technical transformation, I began to develop new ideas. I tried to focus on what truly mattered to me, initially stripped from any necessary relationships among the images. I photographed pieces of time and space, filled with an emotional and psychological charge. More figurative elements kept reappearing and soon dominated my subject matter completely. My motives became utterly wrapped around human values and the differences that distinguish each of us from one another.

Creator(s): Kolčavová, Gabriela
Creation Date: December 2004
Partner(s):
UNT Libraries
Collection(s):
UNT Theses and Dissertations
Usage:
Total Uses: 76
Past 30 days: 2
Yesterday: 0
Creator (Author):
Publisher Info:
Publisher Name: University of North Texas
Place of Publication: Denton, Texas
Date(s):
  • Creation: December 2004
  • Digitized: December 7, 2007
Description:

When I was first introduced to photography, I was mainly drawn to landscape imagery. I enjoyed being a solitary spectator. Over time, inclusions of figurative elements became more and more apparent in my work. I purposefully began to incorporate a figure into my landscapes, ascribing to it a certain nostalgia and a sense of isolation I was experiencing on many levels at that time. Before long, I felt disconnected from these images because of their ambiguity and generalization. I found myself craving more content and personal commitment in my photography. At the end 2003, I started experimenting with a 4" x 5" format camera, which forced me, to some extent, to change my way of photographing and seeing. That is how the beginning of this new body of work was born. I was accustomed to shooting with a 35 mm camera, which allowed me to be spontaneous, quick and immediate. I permanently switched to a large format. I could see myself benefiting from this change. I lost some of the spontaneity that a 35 mm format offers but I gained the beauty of working with larger negatives and the endless possibilities of view camera movements. Thanks to this technical transformation, I began to develop new ideas. I tried to focus on what truly mattered to me, initially stripped from any necessary relationships among the images. I photographed pieces of time and space, filled with an emotional and psychological charge. More figurative elements kept reappearing and soon dominated my subject matter completely. My motives became utterly wrapped around human values and the differences that distinguish each of us from one another.

Degree:
Level: Master's
Discipline: Photography
Note:

Problem in Lieu of Thesis

Language(s):
Subject(s):
Keyword(s): extended portrait | photography | 4" x 5" view | camera | Czech
Contributor(s):
Partner:
UNT Libraries
Collection:
UNT Theses and Dissertations
Identifier:
  • ARK: ark:/67531/metadc4693
Resource Type: Thesis or Dissertation
Format: Text
Rights:
Access: Public
License: Copyright
Holder: Kolčavová, Gabriela
Statement: Copyright is held by the author, unless otherwise noted. All rights reserved.