The Whole as a Result of Its Parts: Assembly in Aaron Copland's Score for The Red Pony

Description:

Aaron Copland's music for The Red Pony (1948-49), based on John Steinbeck's story collection, is probably the best known of his film scores. The effectiveness of The Red Pony score stems from Copland's belief that film music should be subordinate to the film it accompanies. Copland composed The Red Pony score using his self-described method of "assembly," augmenting this process with devices to synchronize the music with the picture. Examination of archival sources shows how the score reflects the acknowledged influence of Igor Stravinsky, the needs of the film medium, and the plot of The Red Pony specifically. Despite Copland's modern style characteristics, the music functions much like a conventional Hollywood film score.

Creator:

McGinney, William Lawrence

Creation Date: 2003-05
Partner(s):
UNT Libraries
Collection(s):
UNT Theses and Dissertations
Usage
Total Uses: 110
Past 30 days: 10
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Creator (Author):
Publisher Info:
Publisher Name: University of North Texas
Place of Publication: Denton, Texas
Original Creation Date: 2003-05
Description:

Aaron Copland's music for The Red Pony (1948-49), based on John Steinbeck's story collection, is probably the best known of his film scores. The effectiveness of The Red Pony score stems from Copland's belief that film music should be subordinate to the film it accompanies. Copland composed The Red Pony score using his self-described method of "assembly," augmenting this process with devices to synchronize the music with the picture. Examination of archival sources shows how the score reflects the acknowledged influence of Igor Stravinsky, the needs of the film medium, and the plot of The Red Pony specifically. Despite Copland's modern style characteristics, the music functions much like a conventional Hollywood film score.

Degree:
Level: Master's
Discipline: Musicology
Department: College of Music
Language: English
Subject(s):
Keyword(s): Copland, Aaron | Red Pony | film music
Contributor(s):
Partner:
UNT Libraries
Collection:
UNT Theses and Dissertations
Identifier:
  • OCLC: 53244311 |
  • ARK: ark:/67531/metadc4195
Resource Type: Thesis or Dissertation
Format: Text
Rights:
Access: Public
License: Copyright
Holder: McGinney, William Lawrence
Statement: Copyright is held by the author, unless otherwise noted. All rights reserved.