Amadis, tragedie en musique

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Description

Libretto of the 1684 opera "Amadis," by Philippe Quinolt. The premiere of Amadis was delayed for a year after Lully completed its composition in order to allow the proper mourning period for Marie Thérese, wife of Louis XIV, who died in July of 1683. While still abstaining from theater at court, Louis XIV at last allowed the first public presentation of "Amadis" at the Opéra in Paris on 18 January 1684. It was an immediate public success. On the title page for this opera, there is a lithograph illustration of the god Apollo holding a lyre and the goddess Euterpe … continued below

Physical Description

[8], 59 p. : ill. ; 22 cm.

Creation Information

Quinault, Philippe, 1635-1688 1684.

Context

This book is part of the collection entitled: Virtual Music Rare Book Room and was provided by the UNT Music Library to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 844 times, with 6 in the last month. More information about this book can be viewed below.

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Publisher

  • Christophe Ballard
    Publisher Info: Par Christophe Ballard, seul imprimeur du Roy pour la musique, rüe Saint Jean de Beauvais, au Mont-Parnasse.
    Place of Publication: Paris, France

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Description

Libretto of the 1684 opera "Amadis," by Philippe Quinolt. The premiere of Amadis was delayed for a year after Lully completed its composition in order to allow the proper mourning period for Marie Thérese, wife of Louis XIV, who died in July of 1683. While still abstaining from theater at court, Louis XIV at last allowed the first public presentation of "Amadis" at the Opéra in Paris on 18 January 1684. It was an immediate public success.

On the title page for this opera, there is a lithograph illustration of the god Apollo holding a lyre and the goddess Euterpe playing a stringed instrument that resembles a guitar. It also depicts the fleur de lis, and on the background, an allegorical image Louis XIV, the Sun King.

Physical Description

[8], 59 p. : ill. ; 22 cm.

Notes

Full title as it appears on the title page: "Amadis, tragedie en musique representée par l'Academie Royalle de Musique."

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Library of Congress Subject Headings

Source

  • Amadis : tragedie en musique : representée par l'Academie royalle de musique., ML47.L95 1681, 1681

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Relationships

  • Is part of [Collection of Eleven Operas: Le triomphe de l'amour; Coronis: pastorale heroïque; Isis: tragedie en musique; Amadis: tragedie en musique; Phaeton: tragedie en musique; Proserpine: tragedie en musique; Zephire et Flore: opera; Thetis et Pelée: tragedie en musique; Enée et Lavinie: tragedie en musique; Astrée: tragedie; Roland: tragedie en musique], ark:/67531/metadc11804

Collections

This book is part of the following collection of related materials.

Virtual Music Rare Book Room

The Virtual Music Rare Book Room is composed primarily of digitized materials held in the UNT Music Library's Edna Mae Sandborn Music Rare Book Room. The collection is particularly strong in eighteenth-century French opera, due in large part to the influence of musicologist Lloyd Hibberd on the development of the collection.

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[Collection of Eleven Operas: Le triomphe de l'amour; Coronis: pastorale heroïque; Isis: tragedie en musique; Amadis: tragedie en musique; Phaeton: tragedie en musique; Proserpine: tragedie en musique; Zephire et Flore: opera; Thetis et Pelée: tragedie en musique; Enée et Lavinie: tragedie en musique; Astrée: tragedie; Roland: tragedie en musique] (Musical Score/Notation)

[Collection of Eleven Operas: Le triomphe de l'amour; Coronis: pastorale heroïque; Isis: tragedie en musique; Amadis: tragedie en musique; Phaeton: tragedie en musique; Proserpine: tragedie en musique; Zephire et Flore: opera; Thetis et Pelée: tragedie en musique; Enée et Lavinie: tragedie en musique; Astrée: tragedie; Roland: tragedie en musique]

This book contains a collection of librettos for ballets, tragedies and opera staged for Louis XIV from ca. 1680-1691. The works reflect the collaboration of Jean-Baptiste Lully and dance masters and librettists in the court of Louis XIV. The following French dramatic works are included in the collection: Le triomphe de l'amour; Coronis; Isis; Amadis; Phaeton; Proserpine; Zephire et Flore; Thetis et Pelée; Enée et Lavinie; Astrée; and Roland.

Is part of [Collection of Eleven Operas: Le triomphe de l'amour; Coronis: pastorale heroïque; Isis: tragedie en musique; Amadis: tragedie en musique; Phaeton: tragedie en musique; Proserpine: tragedie en musique; Zephire et Flore: opera; Thetis et Pelée: tragedie en musique; Enée et Lavinie: tragedie en musique; Astrée: tragedie; Roland: tragedie en musique], ark:/67531/metadc11804

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Creation Date

  • 1684

Added to The UNT Digital Library

  • Aug. 1, 2011, 10:42 a.m.

Description Last Updated

  • Nov. 14, 2020, 5:04 p.m.

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Quinault, Philippe, 1635-1688. Amadis, tragedie en musique, book, 1684; Paris, France. (https://digital.library.unt.edu/ark:/67531/metadc39250/: accessed April 19, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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