Distances

Description:

I provide in my preface a brief account of my development as a creative writer. Through this development I draw an analogy to the evolution of modern science by stating that my need for personal clarity is analogous to the charge for empirical clarity of modern science. Furthermore, I contrast the objectivism of modern science to the subjectivism of creative writing. The four short stories in my thesis range from a semi-autobiographical story, to two short stories that stem out further and further from the subjective origin of the first story. The story of greatest distance is “Fireflies,” which is not semi-autobiographical, but pure fiction. The final short story returns to the subjective origin of the first. The drive of Distances is thereby to create a sort parabola: a subjective, semi-autobiographical origin, to an objective, purely fictional crest, then a return to that subjective, semi-autobiographical origin. The entire collection is a holistic, ultimately subjective, and therefore personal experience; yet, through the use certain tropes,metaphors others can relate to, the stories are paradoxically sharable.

Creator(s): Esteves, Jason
Creation Date: May 2007
Partner(s):
UNT Libraries
Collection(s):
UNT Theses and Dissertations
Usage:
Total Uses: 94
Past 30 days: 6
Yesterday: 0
Creator (Author):
Publisher Info:
Publisher Name: University of North Texas
Place of Publication: Denton, Texas
Date(s):
  • Creation: May 2007
  • Digitized: August 21, 2007
Description:

I provide in my preface a brief account of my development as a creative writer. Through this development I draw an analogy to the evolution of modern science by stating that my need for personal clarity is analogous to the charge for empirical clarity of modern science. Furthermore, I contrast the objectivism of modern science to the subjectivism of creative writing. The four short stories in my thesis range from a semi-autobiographical story, to two short stories that stem out further and further from the subjective origin of the first story. The story of greatest distance is “Fireflies,” which is not semi-autobiographical, but pure fiction. The final short story returns to the subjective origin of the first. The drive of Distances is thereby to create a sort parabola: a subjective, semi-autobiographical origin, to an objective, purely fictional crest, then a return to that subjective, semi-autobiographical origin. The entire collection is a holistic, ultimately subjective, and therefore personal experience; yet, through the use certain tropes,metaphors others can relate to, the stories are paradoxically sharable.

Degree:
Level: Master's
Language(s):
Subject(s):
Keyword(s): Autonomy | reductionism | ethnic
Contributor(s):
Partner:
UNT Libraries
Collection:
UNT Theses and Dissertations
Identifier:
  • OCLC: 180094902 |
  • ARK: ark:/67531/metadc3675
Resource Type: Thesis or Dissertation
Format: Text
Rights:
Access: Public
License: Copyright
Holder: Esteves, Jason
Statement: Copyright is held by the author, unless otherwise noted. All rights reserved.