Accent and Grouping Structures in the String Quartets of Béla Bartók Page: iv
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Possible Systems of Representation for Timepoint Accent Rhythms............ 43
T im epoint C ircles.................................................................................... 44
T im epoint Sets ........................................................................................ 45
Timepoint Accent Structures .................................................................. 47
4. CELLS, STREAMS AND THEIR CONNECTIONS.................................... 54
Bart6k's Use of Cells in the Construction of Pitch Materials........................ 54
The Fourth Quartet, Movement 5 ................................................................ 57
Connections Between Arab Folk Elements and Ostinato Patterns .......... 57
Rhythmic Cells Present in the Ostinato .................................................. 63
The Second Quartet, Movement 2 ................................................................ 70
The Fifth Quartet, Movement 5.................................................................... 85
C onclusion s................................................................................................... 9 1
5. STRUCTURES OF PROGRESSIVE VALUE............................................. 94
Additive Processes in the Works of Other Composers.................................. 94
Timepoint Group Structures ......................................................................... 95
C onclusion s...................................................................................................114
Analysis of Rhythmic Contour................................................................114
Principles of Pitch Organization and Corresponding Rhythmic
P rocedures.........................................................................................116
Prior Findings Related to Arithmetic Progressions in Bart6k's
W ork s ................................................................................................117
6. SYMMETRICAL STRUCTURES ...............................................................119
Symmetrical Pitch Constructs in the Works of Bart6k and Other
C om posers............................................................................................... 119
A nalytical Exam ples .....................................................................................121
Perception and Symmetrical Rhythms..........................................................134
7. C O N C LU SIO N S ........................................................................................... 136
B IB L IO G R A PH Y ............................................................................................................141iv
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Bocanegra, Cheryl D. Accent and Grouping Structures in the String Quartets of Béla Bartók, dissertation, May 2001; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc2820/m1/5/: accessed April 23, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .