Born Digital: Guidance for Donors, Dealers, and Archival Repositories Page: IV
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About the Authors
Gabriela Redwine is digital archivist at the Beinecke Rare Book and
Manuscript Library at Yale University. Previously, she was archivist and
electronic records/metadata specialist at the Harry Ransom Center. In 2010,
she co-authored, with Matthew Kirschenbaum and Richard Ovenden, Digital
Forensics and Born-Digital Content in Cultural Heritage Collections (CLIR).
Megan Barnard is associate director for acquisitions and administration
at the Harry Ransom Center, where she has worked to acquire the archives
of contemporary authors such as David Foster Wallace, Julia Alvarez, J. M.
Coetzee, and Norman Mailer, among others. She served as curator of the
exhibitions Literature and Sport (2013) and Culture Unbound: Collecting in
the Twenty-First Century (2011) and co-curator of The Mystique of the Archive
(2008). She is editor and co-author of Collecting the Imagination: The First Fifty
Years of the Ransom Center (University of Texas Press, 2007).
Kate Donovan is public services and instruction librarian at the
Tamiment Library & Robert F. Wagner Labor Archives at New York
University (NYU). Prior to working at NYU, Kate served as the university ar-
chivist and coordinator of records management in the Manuscript, Archives,
and Rare Book Library at Emory University, where she led long-range busi-
ness planning, development, and management of the University Archives.
Kate holds an M.S. in information studies from the University of Michigan,
an M.A. in history from the University of Iowa, and a B.A. in history from
Vassar College.
Erika Farr is head of digital archives in the Manuscript, Archives, and
Rare Book Library (MARBL) at Emory University. She leads the born-digital
archives program, assists with MARBL digital projects, and supports other
digital initiatives involving MARBL materials. She received her M.S. in li-
brary science from the University of North Texas at Denton and her Ph.D. in
English literature from Emory University. Her current research interests in-
clude human information behavior in archival settings and digital humanities
research methodologies.
Michael Forstrom is an archivist at the Beinecke Rare Book and
Manuscript Library at Yale University, where he is responsible for processing
and cataloging modern literary collections. From 2003 to 2012, he was also
responsible for the stewardship of born-digital archival material.
Will Hansen is assistant curator of collections at Duke University's David
M. Rubenstein Rare Book & Manuscript Library. His duties there include the
acquisition and curation of printed and archival materials in the fields of lit-
erature, Southern history, and economists' papers. Prior to coming to Duke,
he worked at the Newberry Library in Chicago. He holds an M.L.I.S. from the
University of Illinois.
Jeremy Leighton John belongs to the Digital Research and Curator Team
in the Department of Digital Scholarship at the British Library where he has
been curator of eMANUSCRIPTS since 2003, having been specialist scientific
curator for the W. D. Hamilton Archive. Previously he worked as a cata-
loger of bioacoustic collections. In 1996 he completed a D.Phil. in Zoology
at Merton College, University of Oxford, concentrating on evolutionary and
phylogenetic topics. He is a Fellow of the Linnean Society of London and
the Royal Geographical Society. As principal investigator of the Digital Lives
Research Project funded by the UK Arts & Humanities Research Council, he
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Redwine, Gabriela; Barnard, Megan; Donovan, Kate; Farr, Erika; Forstrom, Michael; Hansen, Will et al. Born Digital: Guidance for Donors, Dealers, and Archival Repositories, book, October 2013; Washington, DC. (https://digital.library.unt.edu/ark:/67531/metadc234935/m1/5/: accessed April 24, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .