Doctoral Lecture Recital: 2006-08-01 – Hye-Young Lee, organ

One of 2,405 items in the series: Doctoral Recitals available on this site.

Description

Recital presented at the UNT College of Music Main Auditorium in partial fulfillment of the Doctor of Musical Arts (DMA) degree

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1 recording (29 min., 32 sec.)

Creation Information

Lee, Hye-Young August 1, 2006.

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  • Main Title: Doctoral Lecture Recital: 2006-08-01 – Hye-Young Lee, organ
  • Series Title: Doctoral Recitals
  • Series Title: Lecture Recitals
  • Added Title: Tracing Messiaen in Naji Hakim's Le Tombeau d'Olivier Messiaen Pour Orgue

Degree Information

Description

Recital presented at the UNT College of Music Main Auditorium in partial fulfillment of the Doctor of Musical Arts (DMA) degree

Physical Description

1 recording (29 min., 32 sec.)

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

Tracing Messiaen in Naji Hakim's Le Tombeau d'Olivier Messiaen (Thesis or Dissertation)

Tracing Messiaen in Naji Hakim's Le Tombeau d'Olivier Messiaen

Olivier Messiaen and Naji Hakim are both representative composers of the twentieth century. For the performer this "modern" music is difficult to analyze because of the increased complexities of its harmonic language. Therefore the purpose of this study is to demonstrate a way to approach Naji Hakim's Le Tombeau d'Olivier Messiaen through Messiaen's own musical language. This study examines how Hakim has borrowed Messiaen's theory and used it in his own piece. Chapter I outlines the purpose and motive of this study. Chapter II briefly outlines the piece, introduces the meaning of Tombeau in music history, and presents Messiaen's modes of limited transposition, one of the main sources used in the composition of Le Tombeau d'Olivier Messiaen. Chapter III details Messiaen's influence in Hakim's piece. This influence consists of four elements: melody, mode, harmony, and extra-musical ideas. This chapter is the primary portion of the document. After examining the influence of Messiaen, a conclusion of this study is offered in Chapter IV. Four appendixes are attached to this document: an interview with Naji Hakim about Le Tombeau d'Olivier Messiaen; the modes of limited transposition in Le Tombeau d'Olivier Messiaen; a biographical sketch of Naji Hakim; and program notes from Le Tombeau d'Olivier Messiaen.

Relationship to this item: (Is Part Of)

Dissertation: https…

College of Music program book 2005-2006 Student Performances Vol. 2 (Book)

College of Music program book 2005-2006 Student Performances Vol. 2

Student performances program book from the 2005-2006 school year at the University of North Texas College of Music.

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Program: https…

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  • August 1, 2006

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Added to The UNT Digital Library

  • June 26, 2007, 5:38 p.m.

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  • Feb. 22, 2024, 2:46 p.m.

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  • 33.210664, -97.150118

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Lee, Hye-Young. Doctoral Lecture Recital: 2006-08-01 – Hye-Young Lee, organ, audio recording, August 1, 2006; Denton, Tx. (https://digital.library.unt.edu/ark:/67531/metadc1917/: accessed April 19, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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