Doctoral Lecture Recital: 2012-04-26 – Silvije Vidovic, piano

One of 2,405 items in the series: Doctoral Recitals available on this site.

Description

Doctoral lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Physical Description

1 recording (47 min., 24 sec.)

Creation Information

Vidovic, Silvije April 26, 2012.

Context

This audio recording is part of the collection entitled: College of Music Recordings and was provided by the UNT Music Library to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 35 times. More information about this recording can be viewed below.

Who

People and organizations associated with either the creation of this audio recording or its content.

Performer

Composer

  • Liszt, Franz, 1811-1886 Rhapsodies hongroises. No 6, D-flat major (1847), No 10, E major (1847), No 12, C-sharp minor (1847)

Recording engineer

Publisher

Audiences

We've identified this sound as a primary source within our collections. Researchers, educators, and students may find this recording useful in their work.

Provided By

UNT Music Library

The UNT Music Library supports the scholarly and performance research needs of the College of Music by collecting and preserving monographs, reference works, periodicals, printed music, and sound recording formats, as well as subscribing to electronic databases for research and streaming music. Special collections are a particular strength of the Music Library's holdings.

Contact Us

What

Descriptive information to help identify this audio recording. Follow the links below to find similar items on the Digital Library.

Titles

  • Main Title: Doctoral Lecture Recital: 2012-04-26 – Silvije Vidovic, piano
  • Series Title: Doctoral Recitals
  • Series Title: Lecture Recitals
  • Added Title: Transformations of Themes, Controlled Pianistic Textures, and Coloristic Effects in Liszt's Hungarian Rhapsodies Nos. 6, 10, and 12

Degree Information

Description

Doctoral lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Physical Description

1 recording (47 min., 24 sec.)

Subjects

Library of Congress Genre/Form Terms

Library of Congress Medium of Performance Thesaurus

Language

Item Type

Identifier

Unique identifying numbers for this recording in the Digital Library or other systems.

Collections

This recording is part of the following collection of related materials.

College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

Transformation of Themes, Controlled Pianistic Textures, and Coloristic Effects in Liszt's Hungarian Rhapsodies Nos 6, 10, and 12 (Thesis or Dissertation)

Transformation of Themes, Controlled Pianistic Textures, and Coloristic Effects in Liszt's Hungarian Rhapsodies Nos 6, 10, and 12

Liszt's Hungarian Rhapsodies are uniformly considered highly challenging in terms of technical execution. However, their artistic value is frequently questioned. This dissertation examines the compositional elements that are often overlooked in these virtuoso works, and provides a viewpoint into their interpretative characteristics. Furthermore, it pursues a claim that besides being excellent performance pieces, these works also make an intriguing contribution to Liszt scholarship, and deserve meaningful consideration in terms of their artistic quality. Following the Introduction (Chapter 1), Chapter 2 provides a brief historical perspective of the critical affirmation Liszt the composer encountered from the musical society. It also includes a short background on Liszt's Hungarian Rhapsodies, as well as the general reactions these works evoked from pianists, audiences, and scholars, during the time they were composed to the present day. As the main body of the dissertation, Chapter 3 investigates the three primary compositional concepts found in Rhapsodies Nos. 6, 10, and 12. These concepts are divided into three subchapters: Transformation of Themes, Controlled Pianistic Textures, and Coloristic Effects. Each of these subchapters provides explanatory information, as well as some of the most characteristic passages presented.

Relationship to this item: (Is Part Of)

Dissertation: https…

College of Music Program Book 2011-2012: Student Performances, Volume 2 (Book)

College of Music Program Book 2011-2012: Student Performances, Volume 2

Student performances program book from the 2011-2012 school year at the University of North Texas College of Music.

Relationship to this item: (Is Referenced By)

Program: https…

What responsibilities do I have when using this audio recording?

When

Dates and time periods associated with this audio recording.

Creation Date

  • April 26, 2012

Coverage Date

Added to The UNT Digital Library

  • July 20, 2013, 12:31 p.m.

Description Last Updated

  • Feb. 23, 2024, 9:54 a.m.

Usage Statistics

When was this recording last used?

Yesterday: 0
Past 30 days: 2
Total Uses: 35

Where

Geographical information about where this audio recording originated or about its content.

Coordinates

  • 33.210701, -97.150088

Publication Place

Map Information

  • map marker Precise coordinates.
  • map marker Place Name coordinates. (May be approximate.)
  • Repositioning map may be required for optimal printing.

Mapped Locations

Interact With This Audio Recording

Here are some suggestions for what to do next.

Vidovic, Silvije. Doctoral Lecture Recital: 2012-04-26 – Silvije Vidovic, piano, audio recording, April 26, 2012; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc174035/: accessed April 19, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

Back to Top of Screen