[Collection of Eleven Operas: Le triomphe de l'amour; Coronis: pastorale heroïque; Isis: tragedie en musique; Amadis: tragedie en musique; Phaeton: tragedie en musique; Proserpine: tragedie en musique; Zephire et Flore: opera; Thetis et Pelée: tragedie en musique; Enée et Lavinie: tragedie en musique; Astrée: tragedie; Roland: tragedie en musique]
Description
This book contains a collection of librettos for ballets, tragedies and opera staged for Louis XIV from ca. 1680-1691. The works reflect the collaboration of Jean-Baptiste Lully and dance masters and librettists in the court of Louis XIV. The following French dramatic works are included in the collection: Le triomphe de l'amour; Coronis; Isis; Amadis; Phaeton; Proserpine; Zephire et Flore; Thetis et Pelée; Enée et Lavinie; Astrée; and Roland.
Physical Description
32, 24, 45, 75, 59, 52, 80, 52, 56, 56, 45, 66 p. : ill. ; 22 cm.
Creation Information
Context
This score is part of the collection entitled: Virtual Music Rare Book Room and was provided by the UNT Music Library to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 919 times. More information about this score can be viewed below.
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Librettists
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- Beauchamp, Pierre, 1631-1705 French dancer, choreographer, composer, conductor, and personal dancing-master of King Louis XIV.
Librettist
Composer
Publisher
-
Christophe Ballard
Publisher Info: Par Christophe Ballard, seul imprimeur du Roy pour la musique, rüe Saint Jean de Beauvais, au Mont Parnasse.Place of Publication: Paris, France
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Titles
- Main Title: [Collection of Eleven Operas: Le triomphe de l'amour; Coronis: pastorale heroïque; Isis: tragedie en musique; Amadis: tragedie en musique; Phaeton: tragedie en musique; Proserpine: tragedie en musique; Zephire et Flore: opera; Thetis et Pelée: tragedie en musique; Enée et Lavinie: tragedie en musique; Astrée: tragedie; Roland: tragedie en musique]
- Added Title: Le triomphe de l'amour. Ballet dansé devant Sa Majesté à S. Germain en Laye le 21. jour de Janvier 1681.
- Added Title: Coronis, pastorale heroïque. Representée par l'Academie Royalle de Musique. Le vingt-troisiéme Mars 1691.
- Added Title: Isis, tragedie en musique ornée d'entrées de ballet, de machines, & de changements de theatre. Representée devant Sa Majesté à Saint Germain en Laye, le cinquiéme jour de Janvier 1677.
- Added Title: Amadis, tragedie en musique, representée par l'Academie Royalle de Musique.
- Added Title: Phaeton, tragedie en musique reprentée par l'Academie Royalle de Musique, devant Sa Majesté à Versailles, le sixiéme jour de Janvier mil six cens quatre-vingts-trois.
- Added Title: Proserpine, tragedie en musique ornée d'entrées de ballet, de machines, & de changements de theatre. Representée devant Sa Majesté à Saint Germain en Laye le troisiéme Fevrier 1680.
- Added Title: Zephire et Flore, opera representé par l'Academie Royalle de Musique.
- Added Title: Thetis et Pelée, tragedie en musique, representée par l'Academie Royalle de Musique.
- Added Title: Enée et Lavinie, tragedie en musique, representée par l'Academie Royalle de Musique.
- Added Title: Astrée, tragedie par monsieur De la Fontaine, representée par l'Academie Royalle de Musique.
- Added Title: Roland, tragedie en musique, representée devant Sa Majesté à Versailles, le huitiéme Janvier 1685.
Description
This book contains a collection of librettos for ballets, tragedies and opera staged for Louis XIV from ca. 1680-1691. The works reflect the collaboration of Jean-Baptiste Lully and dance masters and librettists in the court of Louis XIV.
The following French dramatic works are included in the collection: Le triomphe de l'amour; Coronis; Isis; Amadis; Phaeton; Proserpine; Zephire et Flore; Thetis et Pelée; Enée et Lavinie; Astrée; and Roland.
Physical Description
32, 24, 45, 75, 59, 52, 80, 52, 56, 56, 45, 66 p. : ill. ; 22 cm.
Notes
This collection of librettos contains the following errors of pagination: (1) after p.49, the page nos. for the tragedy "Phaeton" were printed incorrectly from 42-52; (2) in the tragedy "Proserpine," the page nos. 16-17 were incorrectly numbered as 78 and 37, respectively, and p.18 incorrectly numbered p.16; (3) page 26 of Astrée was incorrectly numbered as p.62; (4) in the tragedy "Roland," p.21 was incorrectly numbered as p.12.
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Identifier
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- OCLC: 58540728
- UNT Catalog No.: b2703591 | View in Discover
- Call Number: ML47.L95 1681
- Archival Resource Key: ark:/67531/metadc11804
Relationships
- Amadis, tragedie en musique - ark:/67531/metadc39250
- Astrée - ark:/67531/metadc39251
- Coronis - ark:/67531/metadc39253
- Enée et Lavinie - ark:/67531/metadc39256
- Isis, tragedie en musique - ark:/67531/metadc39259
- Le triomphe de l'amour - ark:/67531/metadc39262
- Phaeton - ark:/67531/metadc39283
- Proserpine - ark:/67531/metadc39284
- Roland - ark:/67531/metadc39287
- Thetis et Pelée - ark:/67531/metadc39289
- Zephire et Flore - ark:/67531/metadc39291
Collections
This score is part of the following collection of related materials.
Virtual Music Rare Book Room
The Virtual Music Rare Book Room is composed primarily of digitized materials held in the UNT Music Library's Edna Mae Sandborn Music Rare Book Room. The collection is particularly strong in eighteenth-century French opera, due in large part to the influence of musicologist Lloyd Hibberd on the development of the collection.
Related Items
Amadis, tragedie en musique (Book)
Libretto of the 1684 opera "Amadis," by Philippe Quinolt. The premiere of Amadis was delayed for a year after Lully completed its composition in order to allow the proper mourning period for Marie Thérese, wife of Louis XIV, who died in July of 1683. While still abstaining from theater at court, Louis XIV at last allowed the first public presentation of "Amadis" at the Opéra in Paris on 18 January 1684. It was an immediate public success. On the title page for this opera, there is a lithograph illustration of the god Apollo holding a lyre and the goddess Euterpe playing a stringed instrument that resembles a guitar. It also depicts the fleur de lis, and on the background, an allegorical image Louis XIV, the Sun King.
Amadis, tragedie en musique - ark:/67531/metadc39250
Astrée (Book)
Libretto of the 1691 opera "Astrée" by Jean de la Fontaine. Pascal Collasse composed the music of the opera which premiered under the title "Astrée et Céladon" on November 25, 1692.
Astrée - ark:/67531/metadc39251
Coronis (Book)
Libretto of the 1691 "Coronis," a French lyrical genre called pastorale-heroïque, representing the love of nobles or gods often disguised as shepherds (or shepherdesses) in Arcadian settings. Daniel-Paul Chappuzeau de Baugé wrote the libretto and Teobaldo de Gatti composed its music.
Coronis - ark:/67531/metadc39253
Enée et Lavinie (Book)
Libretto of the opera "Enée et Lavinie" by Bernard le Bovier de Fontenelle. Pascal Collasse composed the music of the opera which premiered on November 7, 1690. The plot, which Bovier de Fontenelle adapted from Virgil's "Aeneid, Book vii," revolves around the marriage of Enée (i.e., Aeneas) to the Latin bride Lavinia.
Enée et Lavinie - ark:/67531/metadc39256
Isis, tragedie en musique (Book)
Libretto of the opera "Isis," by Philippe Quinolt. The music of the opera was composed by Jean-Baptiste Lully's and premiered on January 5, 1677 at St. Germain-en-Laye. The libretto is a loose adaptation of one of the episodes in Ovid's Metamorphoses. The plot resembles that of Lully's previous opera, Atys. It is set in pastoral and divine realms. In the opera, Jupiter courts the nymph Io, and jealous Juno imprisons her under the hundred watchful eyes of Argus. The god Mercury helps Io to escape and turns Hiérax, Io's former lover, into a bird when he tries to interfere. Then, Juno orders a Fury to torment Io. After a series of tortures, Io invokes Jupiter who interferes with Juno promising he will be faithful to her in exchange of her sparing Io. Juno then transforms Io into the Egyptian goddess Isis. On the title page for this opera, there is a lithograph illustration of the god Apollo holding a lyre and the goddess Euterpe playing a stringed instrument that resembles a guitar. It also depicts the fleur de lis, and on the background, an allegorical image Louis XIV, the Sun King.
Isis, tragedie en musique - ark:/67531/metadc39259
Le triomphe de l'amour (Book)
Libretto of the ballet "Le triomphe de l'amour" written by Philippe Quinault in collaboration with Isaac de Benserade. It is divided in two parts. The first, contais the prologue and the ballet entrances (i.e., entrées); the second part contains flattering comments and instructions directed to the noble people participating in the ballet. Each of the entrées that comprise "Le Triomphe de l'Amour" reveal aspects of love triumphant. The theater represents a magnificently ornate place where a crowd receives Amour (i.e., the god Love), the son of Venus. The latter presides over the crowd and sings of the virtues of the king who has restored peace to his kingdom. Venus entreats everyone to pay homage to her victorious son. The first performance took place at Saint-Germain-en-Laye on January 21, 1681. The twenty entrées of this 'ballet de cour' (i.e., court ballet) were choreographed by Pierre Beauchamp with music by Jean-Baptiste Lully. Carlo Vigarani designed the stage décor and Jean Berain provided designs for costumes and decorations of this royal festivity. This copy includes a frontispiece engraving that depicts a stage setting by Daniel Marot.
Le triomphe de l'amour - ark:/67531/metadc39262
Phaeton (Book)
Libretto of the opera "Phaeton," by Philippe Quinolt. The plot is based on an episode in Ovid's Metamorphoses. In the plot, Phaethon, son of Climène and Soleil [the Sun], is filled with excessive ambition and pride. He abandons his beloved, Théone, and requests to the King of Egypt the hand of his daughter Libie. Climène, who after consulting the sea god Proteus knows of the demise that her son's avarice will bring upon himself, tries in vain to discourage his ambition for the throne of Egypt and urges him to renew his love for Theona. However, Phaeton goaded by the taunts of his rival, Epaphus, rides recklessly across the sky in his father's chariot. The spectacular ending includes Jupiter's thunderbolts aimed at stopping Phaethon's wild ride, and Phaethon crashing onto earth where he dies. An ensemble and chorus provide a sorrowful denouement. On the title page for this opera, there is a lithograph illustration of the god Apollo holding a lyre and the goddess Euterpe playing a stringed instrument that resembles a guitar. It also depicts the fleur de lis, and on the background, an allegorical image Louis XIV, the Sun King. It also includes an engraved frontispiece titled, "Le trébuchement de Phaeton" (The Fall of Phaeton) by Jean le Pautre.
Phaeton - ark:/67531/metadc39283
Proserpine (Book)
Libretto of the opera "Proserpine," by Philippe Quinolt; the plot is based on the story of the abduction of Proserpine and her descent into Hades, and also on Ovid's Metamorphoses, its original source. In the plot, Cerés, the goddess of the earth, summons the nymph Aréthuse to guard her daughter Proserpine. Aréthuse protests, and tells Cerés of her love for Alphée, the river god, but the anxious mother warns her she should not let her own feelings interfere with the assigned task. Alphée assumes that Aréthuse abandoned him to look after Proserpine. Taking advantage of the situation, Ascalaphe, Pluto's envoy, encourages Alphée's belief in Aréthuse's supposed infidelity; then, persuades both Alphée and Aréthuse into letting Pluto watch over Proserpine. Alphée and Aréthuse agree and as the lovers' attention wanders, Pluto seizes Proserpine and abducts her. Cerés learns of her daughter's abduction and in despair decides to withhold her gifts that give earth prosperity. When Alphée and Aréthuse finally reach Proserpine, they find that she has already eaten of the grain and tasted the fruit of the underworld, which condemned her to Pluto's control. Proserpine begs Pluto for mercy, but the love-stricken god refuses to free her. Pluto summons his judges and three furies, who support his claim to keep Proserpine with him, even at the cost of bringing devastation to earth. As Cerés laments, Alphée and Aréthuse approach to tell her that Proserpine is held by Pluto and that she is now the queen of the underworld. Cerés calls Jupiter and demands the return of daughter. Mercure descends and tells Cerés that the gods heard her plea and reached a compromise to allow Proserpine to be Pluto's wife and queen, while spending several months of each year with her mother. The title page contains a lithograph illustration of a winged young Pluto wearing a crown and ridding a horse chariot while holding a two-pronged spear. It includes an engraved frontispiece titled, "Proserpine" by Jean le Pautre.
Proserpine - ark:/67531/metadc39284
Roland (Book)
Libretto of the opera "Roland" by Philippe Quinault; he based the plot of Roland on medieval legends of chivalry, setting episodes from Ludovico Ariosto's epic poem "Orlando furioso." Roland centers on the conflict between duty and love and the intervention of goddesses. This copy includes includes handwritten annotations of performers' names, and a frontispiece engraving undersigned by Jean Dolivar (i.e., Juan Dolivar) that illustrates one of the scenes from the opera. Jean-Baptiste Lully composed the music of the opera which premiered on January 8, 1685.
Roland - ark:/67531/metadc39287
Thetis et Pelée (Book)
Libretto of the opera "Thetis et Pelée" by Bernard le Bovier de Fontenelle. In the plot, the Nereid Thetis is wooed by Jupiter and Neptune, as well as by a mortal, Pelée (Peleus). When a storm caused by Neptune disrupts a celebration Jupiter gave in honor of Thetis, an oracle is consulted, which foretells that Thetis's husband will one day be less powerful than his son. Neptune and Jupiter withdraw their claims, and Thetis marries Pelée. Pascal Collasse composed the music of the opera which premiered at the Paris Opéra on January 11, 1689. This copy includes an engraved frontispiece titled, "Thetis et Pelée" by Juan Dolivar (undersigned as J. Dolivart).
Thetis et Pelée - ark:/67531/metadc39289
Zephire et Flore (Book)
This is a digital reproduction of the 1688 libretto of the opera "Zephire et Flore" by Michel Du Boullay. The music of the opera is attributed to Louis and Jean-Louis Lully, sons of Jean-Baptiste Lully. It was performed for the first time on March 22, 1688 at the Palais Royale in Paris.
Zephire et Flore - ark:/67531/metadc39291
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- 1681
Added to The UNT Digital Library
- March 15, 2010, 4:06 p.m.
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- Sept. 29, 2017, 12:08 p.m.
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Quinault, Philippe, 1635-1688; Benserade, Isaac de, 1613-1691; Beauchamp, Pierre, 1631-1705; Benserade, Isaac de, 1613-1691 & Lully, Jean Baptiste, 1632-1687. [Collection of Eleven Operas: Le triomphe de l'amour; Coronis: pastorale heroïque; Isis: tragedie en musique; Amadis: tragedie en musique; Phaeton: tragedie en musique; Proserpine: tragedie en musique; Zephire et Flore: opera; Thetis et Pelée: tragedie en musique; Enée et Lavinie: tragedie en musique; Astrée: tragedie; Roland: tragedie en musique], score, 1681; Paris, France. (https://digital.library.unt.edu/ark:/67531/metadc11804/: accessed March 18, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.