The Beauty of Nature As a Foundation for Environmental Ethics: China and the West

Description:

My dissertation aims at constructing an environmental ethics theory based on environmental aesthetics in order to advocate and promote environmentally sustainable practices, policies, and lifestyles. I attempt to construct an integrated environmental aesthetics in order to inspire people’s feelings of love towards nature and motivate them to protect it.  In order to achieve this goal, I first examine the philosophical understanding and aesthetic appreciation of nature from philosophical traditions of China, which have an impact on the general public’s attitude towards nature. in chapter one of my dissertation, I point out that nature is viewed as an organic system which is always in a self-generating process of production and reproduction of life. the metaphysical foundation for this perspective of nature is ch’i. Therefore the aesthetic appreciation of nature in China is also the aesthetic appreciation of ch’i. with regard to the concept of ch’i, I focus on the following three questions: (1) what are the objective and aesthetic features of ch’i? (2) How do the Chinese appreciate aesthetic features of ch’i? (3) Why the objective features of ch’i are regarded as the objects of aesthetic appreciation? I argue that the Chinese appreciate the aesthetic features of ch’i by using intellectual intuition and that empathy is the reason why the objective features of ch’i are considered to be aesthetic features. in Chapter 2, I explain in detail the two aesthetic categories for aesthetic appreciation of nature in two major philosophical schools in China: emptiness and creativity. in Chapter 3, I examine the philosophical foundations for aesthetic appreciation of nature in the West. I first investigate the influence of traditional Western philosophy on the perceptions of nature. I argue that traditional Western philosophical thinking doesn’t support aesthetic appreciation of nature. I point out that aesthetic appreciation of nature started from eighteenth century in the West. I examine Kant’s aesthetic categories of beauty and sublime in his appreciation of nature. in contemporary world, I focus on the Allen Carlson’s positive aesthetics and Arnold Berleant’s engagement model to appreciate the beauty of environment. in Chapter 4, I evaluate the theories of aesthetic appreciation of nature in the West and China and attempt to construct an integrated theory of aesthetic appreciation of nature. the key point of this theory is to establish a caring relationship with nature based on aesthetic appreciation of nature and active participation in the beauty of it. This relationship will motivate people to protect nature and also contribute to human happiness.

Creator(s): Gao, Shan
Creation Date: May 2012
Partner(s):
UNT Libraries
Collection(s):
UNT Theses and Dissertations
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Publisher Info:
Publisher Name: University of North Texas
Publisher Info: www.unt.edu
Place of Publication: Denton, Texas
Date(s):
  • Creation: May 2012
Description:

My dissertation aims at constructing an environmental ethics theory based on environmental aesthetics in order to advocate and promote environmentally sustainable practices, policies, and lifestyles. I attempt to construct an integrated environmental aesthetics in order to inspire people’s feelings of love towards nature and motivate them to protect it.  In order to achieve this goal, I first examine the philosophical understanding and aesthetic appreciation of nature from philosophical traditions of China, which have an impact on the general public’s attitude towards nature. in chapter one of my dissertation, I point out that nature is viewed as an organic system which is always in a self-generating process of production and reproduction of life. the metaphysical foundation for this perspective of nature is ch’i. Therefore the aesthetic appreciation of nature in China is also the aesthetic appreciation of ch’i. with regard to the concept of ch’i, I focus on the following three questions: (1) what are the objective and aesthetic features of ch’i? (2) How do the Chinese appreciate aesthetic features of ch’i? (3) Why the objective features of ch’i are regarded as the objects of aesthetic appreciation? I argue that the Chinese appreciate the aesthetic features of ch’i by using intellectual intuition and that empathy is the reason why the objective features of ch’i are considered to be aesthetic features. in Chapter 2, I explain in detail the two aesthetic categories for aesthetic appreciation of nature in two major philosophical schools in China: emptiness and creativity. in Chapter 3, I examine the philosophical foundations for aesthetic appreciation of nature in the West. I first investigate the influence of traditional Western philosophy on the perceptions of nature. I argue that traditional Western philosophical thinking doesn’t support aesthetic appreciation of nature. I point out that aesthetic appreciation of nature started from eighteenth century in the West. I examine Kant’s aesthetic categories of beauty and sublime in his appreciation of nature. in contemporary world, I focus on the Allen Carlson’s positive aesthetics and Arnold Berleant’s engagement model to appreciate the beauty of environment. in Chapter 4, I evaluate the theories of aesthetic appreciation of nature in the West and China and attempt to construct an integrated theory of aesthetic appreciation of nature. the key point of this theory is to establish a caring relationship with nature based on aesthetic appreciation of nature and active participation in the beauty of it. This relationship will motivate people to protect nature and also contribute to human happiness.

Degree:
Discipline: Philosophy
Level: Doctoral
PublicationType: Disse
Language(s):
Subject(s):
Keyword(s): Beauty | ch’i | affection
Contributor(s):
Partner:
UNT Libraries
Collection:
UNT Theses and Dissertations
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  • ARK: ark:/67531/metadc115080
Resource Type: Thesis or Dissertation
Format: Text
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Access: Public
Holder: Gao, Shan
License: Copyright
Statement: Copyright is held by the author, unless otherwise noted. All rights Reserved.