The Morality and Wit of Congreve and Sheridan in the Comedy of Manners

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Description

Considering the comedies of the Restoration, and those of Congreve in particular, as the prototype of the comedy of manners and as the model for Sheridan later to revive and emulate, this thesis proposes to point out how the concepts of morality and wit have been a major obstacle to literary critics in analyzing the comedy of manners from its very beginnings, to discuss morality and wit as the basis of a proper evaluation of the comedy of manners both from the standpoint of seventeenth-century precepts and those of a century later, and, finally, to show how, during the early … continued below

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iii, 120 leaves

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Williams, Samuel Richard 1958.

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  • Williams, Samuel Richard

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Description

Considering the comedies of the Restoration, and those of Congreve in particular, as the prototype of the comedy of manners and as the model for Sheridan later to revive and emulate, this thesis proposes to point out how the concepts of morality and wit have been a major obstacle to literary critics in analyzing the comedy of manners from its very beginnings, to discuss morality and wit as the basis of a proper evaluation of the comedy of manners both from the standpoint of seventeenth-century precepts and those of a century later, and, finally, to show how, during the early periods in which the comedy of manners flourished,--that of Congreve, 1693-1700; and of Sheridan, 1775-1779--morality and wit were modified and used to suit the divergent sociological and psychological conditions of each period.

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iii, 120 leaves

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UNT Theses and Dissertations

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  • 1958

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  • Oct. 12, 2012, 10:26 a.m.

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  • March 10, 2016, 6:24 a.m.

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Williams, Samuel Richard. The Morality and Wit of Congreve and Sheridan in the Comedy of Manners, thesis, 1958; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc107994/: accessed April 25, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .

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